I got upon my feet somehow, and with my remaining hand I tried to raise the captain. He groaned and moved, and at last came to himself. He was not hurt, but he seemed badly stunned.
Well, do you want to hear any more? There is nothing more. That is the end of my story. The carpenter carried out his scheme of running half a dozen four-inch screws through the door of one hundred and five; and if ever you take a passage in the Kamtschatka, you may ask for a berth in that state-room. You will be told that it is engaged—yes—it is engaged by that dead thing.
I finished the trip in the surgeon's cabin. He doctored my broken arm, and advised me not to "fiddle about with ghosts and things" any more. The captain was very silent, and never sailed again in that ship, though it is still running. And I will not sail in her either. It was a very disagreeable experience, and I was very badly frightened, which is a thing I do not like. That is all. That is how I saw a ghost—if it was a ghost. It was dead, anyhow.
BY THE WATERS OF PARADISE
By the Waters of Paradise.
I remember my childhood very distinctly. I do not think that the fact argues a good memory, for I have never been clever at learning words by heart, in prose or rhyme; so that I believe my remembrance of events depends much more upon the events themselves than upon my possessing any special facility for recalling them. Perhaps I am too imaginative, and the earliest impressions I received were of a kind to stimulate the imagination abnormally. A long series of little misfortunes, connected with each other as to suggest a sort of weird fatality, so worked upon my melancholy temperament when I was a boy that, before I was of age, I sincerely believed myself to be under a curse, and not only myself, but my whole family, and every individual who bore my name.