The Witch of Prague: A Fantastic Tale

by F. Marion Crawford

The lay sister went out. Unorna ate mechanically what had been set before her and waited. She felt that a crisis perhaps more terrible than that through which she had lately passed was at hand, if the stranger should prove to be indeed the Beatrice whom the Wanderer loved. Her brain was in a whirl when she thought of being brought face to face with the woman who had been before her, and every cruel and ruthless instinct of her nature rose and took shape in plans for her rival’s destruction.

She opened her door, careless of the draught of frozen air that rushed in from the corridor. She wished to hear the lady’s footstep when she left her room to go to the church, and she sat down and remained motionless, fearing lest her own footfall should prevent the sound from reaching her. The heavy-toned bells began to ring, far off in the night.

At last it came, the opening of a door, the slight noise made by a light tread upon the pavement. She rose quietly and went out, following in the same direction. She could see nothing but a dark shadow moving before her towards the opposite end of the passage, farther and farther from the hanging lamp. Unorna could hear her own heart beating as she followed, first to the right, then to the left. There was another light at this point. The lady had noticed that some one was coming behind her and turned her head to look back. The delicate, dark profile stood out clearly. Unorna held her breath, walking swiftly forward. But in a moment the lady went on, and entered the chapel-like room from which a great balconied window looked down into the church above the choir. As Unorna went in, she saw her kneeling upon one of the stools, her hands folded, her head inclined, her eyes closed, a black veil loosely thrown over her still blacker hair and falling down upon her shoulder without hiding her face.

Unorna sank upon her knees, compressing her lips to restrain the incoherent exclamation that almost broke from them in spite of her, clasping her hands desperately, so that the faint blue veins stood out upon the marble surface.

Below, hundreds of candles blazed upon the altar in the choir and sent their full yellow radiance up to the faces of the two women, as they knelt there almost side by side, both young, both beautiful, but utterly unlike. In a single glance Unorna had understood that it was true. An arm’s length separated her from the rival whose very existence made her own happiness an utter impossibility. With unchanging, unwilling gaze she examined every detail of that beauty which the Wanderer had so loved, that even when forgotten there was no sight in his eyes for other women.

It was indeed such a face as a man would find it hard to forget. Unorna, seeing the reflection of it in the Wanderer’s mind, had fancied it otherwise, though she could not but recognise the reality from the impression she had received. She had imagined it more ethereal, more faint, more sexless, more angelic, as she had seen it in her thoughts. Divine it was, but womanly beyond Unorna’s own. Dark, delicately aquiline, tall and noble, the purity it expressed was of earth and not of heaven. It was not transparent, for there was life in every feature; it was sad indeed almost beyond human sadness, but it was sad with the mortal sorrows of this world, not with the unfathomable melancholy of the suffering saint. The lips were human, womanly, pure and tender, but not formed for speech of prayer alone. The drooping lids, not drawn, but darkened with faint, uneven shadows by the flow of many tears, were slowly lifted now and again, disclosing a vision of black eyes not meant for endless weeping, nor made so deep and warm only to strain their sight towards heaven above, forgetting earth below. Unorna knew that those same eyes could gleam, and flash, and blaze, with love and hate and anger, that under the rich, pale skin, the blood could rise and ebb with the changing tide of the heart, that the warm lips could part with passion and, moving, form words of love. She saw pride in the wide sensitive nostrils, strength in the even brow, and queenly dignity in the perfect poise of the head upon the slender throat. And the clasped hands were womanly, too, neither full and white and heavy like those of a marble statue, as Unorna’s were, nor thin and over-sensitive like those of holy women in old pictures, but real and living, delicate in outline, but not without nervous strength, hands that might linger in another’s, not wholly passive, but all responsive to the thrill of a loving touch.

It was very hard to bear. A better woman than Unorna might have felt something evil and cruel and hating in her heart, at the sight of so much beauty in one who held her place, in the queen of the kingdom where she longed to reign. Unorna’s cheek grew very pale, and her unlike eyes were fierce and dangerous. It was well for her that she could not speak to Beatrice then, for she wore no mask, and the dark beauty would have seen the danger of death in the face of the fair, and would have turned and defended herself in time.

But the sweet singing of the nuns came softly up from below, echoing to the groined roof, rising and falling, high and low; and the full radiance of the many waxen tapers shone steadily from the great altar, gilding and warming statue and cornice and ancient moulding, and casting deep shadows into all the places that it could not reach. And still the two women knelt in their high balcony, the one rapt in fervent prayer, the other wondering that the presence of such hatred as hers should have no power to kill, and all the time making a supreme effort to compose her own features into the expression of friendly sympathy and interest which she knew she would need so soon as the singing ceased and it was time to leave the church again.

The psalms were finished. There was a pause, and then the words of the ancient hymn floated up to Unorna’s ears, familiar in years gone by. Almost unconsciously she herself, by force of old habit, joined in the first verse. Then, suddenly, she stopped, not realising, indeed, the horrible gulf that lay between the words that passed her lips, and the thoughts that were at work in her heart, but silenced by the near sound of a voice less rich and full, but far more exquisite and tender than her own. Beatrice was singing, too, with joined hands, and parted lips, and upturned face.

“Let dreams be far, and phantasms of the night—bind Thou our Foe,” sang Beatrice in long, sweet notes.