The Witch of Prague: A Fantastic Tale

by F. Marion Crawford

Unorna was left alone with the Wanderer. His attitude did not change, his eyes did not open, as she stood before him. Still he wore the look which had at first attracted Keyork Arabian’s attention and which had amazed Unorna herself. It was the expression that had come into his face in the old cemetery when in his sleep she had spoken to him of love.

“He is dreaming of her,” Unorna said to herself again, as she turned sadly away.

But since Keyork had been with her a doubt had assailed her which painfully disturbed her thoughts, so that her brow contracted with anxiety and from time to time she drew a quick hard breath. Keyork had taken it for granted that the Wanderer’s sleep was not natural.

She tried to recall what had happened shortly before dawn but it was no wonder that her memory served her ill and refused to bring back distinctly the words she had spoken. Her whole being was unsettled and shaken, so that she found it hard to recognise herself. The stormy hours through which she had lived since yesterday had left their trace; the lack of rest, instead of producing physical exhaustion, had brought about an excessive mental weariness, and it was not easy for her now to find all the connecting links between her actions. Then, above all else, there was the great revulsion that had swept over her after her last and greatest plan of evil had failed, causing in her such a change as could hardly have seemed natural or even possible to a calm person watching her inmost thoughts.

And yet such sudden changes take place daily in the world of crime and passion. In one uncalled-for confession, of which it is hard to trace the smallest reasonable cause, the intricate wickednesses of a lifetime are revealed and repeated; in the mysterious impulse of a moment the murderer turns back and delivers himself to justice; under an influence for which there is often no accounting, the woman who has sinned securely through long years lays bare her guilt and throws herself upon the mercy of the man whom she has so skilfully and consistently deceived. We know the fact. The reason we cannot know. Perhaps, to natures not wholly bad, sin is a poison of which the moral organization can only bear a certain fixed amount, great or small, before rejecting it altogether and with loathing. We do not know. We speak of the workings of conscience, not understanding what we mean. It is like that subtle something which we call electricity; we can play with it, command it, lead it, neutralise it and die of it, make light and heat with it, or language and sound, kill with it and cure with it, while absolutely ignorant of its nature. We are no nearer to a definition of it than the Greek who rubbed a bit of amber and lifted with it a tiny straw, and from amber, Elektron called the something electricity. Are we even as near as that to a definition of the human conscience?

The change that had come over Unorna, whether it was to be lasting or not, was profound. The circumstances under which it took place are plain enough. The reasons must be left to themselves—it remains only to tell the consequences which thereon followed.

The first of these was a hatred of that extraordinary power with which nature had endowed her, which brought with it a determination never again to make use of it for any evil purpose, and, if possible, never even for good.

But as though her unhappy fate were for ever fighting against her good impulses, that power of hers had exerted itself unconsciously, since her resolution had been formed. Keyork Arabian’s words, and his evident though unspoken disbelief in her denial, showed that he at least was convinced of the fact that the Wanderer was not sleeping a natural sleep. Unorna tried to recall what she had done and said, but all was vague and indistinct. Of one thing she was sure. She had not laid her hand upon his forehead, and she had not intentionally done any of those things which she had always believed necessary for producing the results of hypnotism. She had not willed him to do anything, she thought and she felt sure that she had pronounced no words of the nature of a command. Step by step she tried to reconstruct for her comfort a detailed recollection of what had passed, but every effort in that direction was fruitless. Like many men far wiser than herself, she believed in the mechanics of hypnotic science, in the touches, in the passes, in the fixed look, in the will to fascinate. More than once Keyork Arabian had scoffed at what he called her superstitions, and had maintained that all the varying phenomena of hypnotism, all the witchcraft of the darker ages, all the visions undoubtedly shown to wondering eyes by mediaeval sorcerers, were traceable to moral influence, and to no other cause. Unorna could not accept his reasoning. For her there was a deeper and yet a more material mystery in it, as in her own life, a mystery which she cherished as an inheritance, which impressed her with a sense of her own strange destiny and of the gulf which separated her from other women. She could not detach herself from the idea that the supernatural played a part in all her doings, and she clung to the use of gestures and passes and words in the exercise of her art, in which she fancied a hidden and secret meaning to exist. Certain things had especially impressed her. The not uncommon answer of hypnotics to the question concerning their identity, “I am the image in your eyes,” is undoubtedly elicited by the fact that their extraordinarily acute and, perhaps, magnifying vision, perceives the image of themselves in the eyes of the operator with abnormal distinctness, and, not impossibly, of a size quite incompatible with the dimensions of the pupil. To Unorna the answer meant something more. It suggested the actual presence of the person she was influencing, in her own brain, and whenever she was undertaking anything especially difficult, she endeavoured to obtain the reply relating to the image as soon as possible.

In the present case, she was sure that she had done none of the things which she considered necessary to produce a definite result. She was totally unconscious of having impressed upon the sleeper any suggestion of her will. Whatever she had said, she had addressed the words to herself without any intention that they should be heard and understood.

These reflections comforted her as she paced the marble floor, and yet Keyork’s remark rang in her ears and disturbed her. She knew how vast his experience was and how much he could tell by a single glance at a human face. He had been familiar with every phase of hypnotism long before she had known him, and might reasonably be supposed to know by inspection whether the sleep were natural or not. That a person hypnotised may appear to sleep as naturally as one not under the influence is certain, but the condition of rest is also very often different, to a practised eye, from that of ordinary slumber. There is a fixity in the expression of the face, and in the attitude of the body, which cannot continue under ordinary circumstances. He had perhaps noticed both signs in the Wanderer.