"When people have known each other in society for a long time," he said, "and then begin to be friends, there is always some ice to break, and it always seems odd for a little while after it is broken."

"I suppose that is the reason that such things always seem improbable in books, until you know about them yourself."

"Amusing books, and interesting ones, are made up of improbabilities," answered Julius. "And the people who write them are even more improbable. It is always improbable that a man who has lived a great deal should have the talent, or the patience if you like, to make stories out of his own experience,—or that a man who has not seen a great deal of the world should be able to evolve a good novel out of his inner consciousness. The probabilities for most men are that they will eat and drink and wear out their clothes and be buried. All those things are a great bore to do, a greater bore to describe, and an intolerable bore to read about. The most amusing books are either true stories of a very exceptional kind, or else they are rank, glaring, stupendous improbabilities, invented to illustrate a great theory, or a great play of passions,—like Bulwer's 'Coming Race,' or Goethe's 'Faust.' I am sure I am boring you dreadfully."

"Oh no!" cried Leonora, who was interested and taken out of herself by his talk. "But I think I prefer the 'exceptional true stories,' as you call them, like Shakespeare,—the historical part, I mean."

"The worst of it is," said Batiscombe, "that the true stories are generally the ones that no one believes. Critics always say that such things are a tissue of utter impossibilities."

"Oh, the critics," exclaimed Leonora; "they must be the most horrid people. I wonder you authors let them live!"

"Thanks," said Batiscombe, laughing, "I was a critic myself before I was an author, and I do not think I was a very horrid person."

"That is different," said Leonora. "Of course a man may do ever so many things before he finds his real vocation."

"Authors owe a great deal to critics," continued Julius. "More men have come to grief at their hands by over-praise than by too much discouragement. A very little praise is often enough to ruin a man, and a man who has much talent will always survive a great deal of abuse and disappointment. If any one asked my advice about adopting literature as a career, I would certainly tell him to have nothing to do with it; I should be quite sure that if he were born to it nothing would keep him from it for long."

"That is the way with other things," said Leonora, looking rather wistfully away at the setting sun, just below the green leaves of the orange grove. "It is the way with everything, good and bad. Some people are born to be saints, and some people are quite sure to turn out the most dreadful sinners, whatever they do."