The next day Marcantonio was obliged to go to Naples on very urgent business. An ex-royalty who sympathised with Carantoni's party, and was now in exile, had come to Naples for a day or two incognito—quite as though he had never been a royalty at all, and Marcantonio felt it his duty to go and salute the august personage according to ancient custom. He therefore left the house at an early hour, to return at dusk. He thought his sister and his wife could chaperone each other for a day without danger. But he said to himself that if he had found Diana alone with Batiscombe again he would not have gone.
The morning passed away as usual. Batiscombe, relying on the afternoon for his hours with Leonora, only stayed down-stairs till she was joined by Diana, and then retired to his room, where he wrote or read in solitude, as the fancy took him. The three breakfasted together at one o'clock; then Madame de Charleroi retired to her rooms, and in the course of a quarter of an hour Leonora and Julius were installed for the afternoon in their newly-found situation on the disused terrace.
Diana's boudoir was a corner room in the front of the house, facing the sea, and opening, by one window, on a narrow stone balcony running the whole length of the building; the other window was on the right side, and if she could have undone the blinds she would have seen that it opened upon the large terrace already mentioned. But the aforesaid blinds had resisted her efforts, and, as she supposed that they were closed for some purpose, she said nothing about it, merely opening the glass to admit the air. Leonora, who did not know the house thoroughly, and had a habit of leaving everything to the servants, was not aware of this, and did not realise the exact position of Diana's sitting-room. Batiscombe, of course, had taken her assurance that this side of the house was uninhabited. Accordingly, it came to pass that when he and Leonora installed themselves, they took up their position immediately outside Diana's window, under the shadow of the wall.
Madame de Charleroi, on this particular day, did not go into her boudoir at once, but spent some time in her bedroom. When she was ready to begin writing, she passed through the door and sat at her desk. She at once heard the sound of voices outside, but she did not listen, nor stop to think who the talkers might be.
Presently, however, the continued sound annoyed her, forced its way through the blinds, and prevented her from writing. They were speaking English. She understood the language, being a cultivated woman of the world, and the wife of a diplomatist, though she avoided speaking it.
The strong, earnest voice of Julius Batiscombe,—the pleading, protesting, yet yielding tones of Leonora, always dominated by the passionate eloquence of the man, and ever answering more weakly,—all this she heard, and she sat stony and wild-eyed with horror, realising in a moment the whole hideous proportions of the phrases.
Diana de Charleroi was the noblest and most honourable of women. Under other circumstances, if the voices had been those of strangers or indifferent people, she would not have hesitated an instant, but would have given some unmistakable sign of her presence. But this thing was too near her, it was a too horrible realisation of what she had dimly foreseen as possible, when she had spoken such strong words two nights earlier.
It was too utterly and unspeakably awful. Her brother's wife,—not three months married,—and Julius Batiscombe, the man who had for ten years loved herself,—or had made her believe it,—whom she herself had once loved, and had never forgotten!
But Diana was no weak woman, to give way to trouble or danger in the face of it. For a few minutes she bowed her head in her hands, trembling from head to foot, and no longer hearing the quickly spoken words outside. Then she rose to her feet, and made one step toward the closed blinds.
No, she would not put them to open shame. Yet something must be done at once. With one movement of her strong white fingers she overturned the heavy olive-wood writing table upon the smooth tile floor with a crash that sounded through the house. In the silence that followed, she heard a moving of chairs outside, and the quick tread of departing feet. Then she went swiftly to her room, heedless of the streaming ink upon the floor, staining her long white gown, and trampling the litter of pens and paper under foot. She threw herself upon her bed and lay quite still, white as death, and staring at the ceiling.