This warlike message is a specimen of Indian picture-writing. It belongs to the lowest stage of graphic representation, and hardly differs from the primitive way in which the Persian ambassadors communicated with the Greeks, or the Romans with the Carthaginians. Instead of the lance and the staff of peace between which the Carthaginians were asked to choose, the Red Indians would have sent an arrow and a pipe, and the message would have been equally understood. This, though not yet peindre la parole, is nevertheless a first attempt at parler aux yeux. It is a first beginning which may lead to something more perfect in the end. We find similar attempts at pictorial communication among other savage tribes, and they seem to answer every purpose. In Freycinet and Arago's 'Voyage to the Eastern Ocean' we are told of a native of the Carolina Islands, a Tamor of Sathoual, who wished to avail himself of the presence of a ship to send to a trader at Botta, M. Martinez, some shells which he had promised to collect in exchange for a few axes and some other articles. This he expressed to the captain, who gave him a piece of paper to make the drawing, and satisfactorily executed the commission. The figure of a man at the top denoted the ship's captain, who by his outstretched hands represented his office as a messenger between the parties. The rays or ornaments on his head denote rank or authority. The vine beneath him is a type of friendship. In the left column are depicted the number and kinds of shells sent; in the right column the things wished for in exchange—namely, seven fish-hooks, three large and four small, two axes, and two pieces of iron.
The inscriptions which are found on the Indian graveboards mark a step in advance. Every warrior has his crest, which is called his totem, and is painted on his tombstone. A celebrated war-chief, the Adjetatig of Wabojeeg, died on Lake Superior, about 1793. He was of the clan of the Addik, or American reindeer. This fact is symbolized by the figure of the deer. The reversed position denotes death. His own personal name, which was White Fisher, is not noticed. But there are seven transverse strokes on the left, and these have a meaning—namely, that he had led seven war parties. Then there are three perpendicular lines below his crest, and these again are readily understood by every Indian. They represent the wounds received in battle. The figure of a moose's head is said to relate to a desperate conflict with an enraged animal of this kind; and the symbols of the arrow and the pipe are drawn to indicate the chief's influence in war and peace.
There is another graveboard of the ruling chief of Sandy Lake on the Upper Mississippi. Here the reversed bird denotes his family name or clan, the Crane. Four transverse lines above it denote that he had killed four of his enemies in battle. An analogous custom is mentioned by Aristotle ('Politica,' vii. 2, p. 220, ed. Göttling). Speaking of the Iberians, he states that they placed as many obelisks round the grave of a warrior as he had killed enemies in battle.
But the Indians went further; and though they never arrived at the perfection of the Egyptian hieroglyphics, they had a number of symbolic emblems which were perfectly understood by all their tribes. Eating is represented by a man's hand lifted to his mouth. Power over man is symbolized by a line drawn in the figure from the mouth to the heart; power in general by a head with two horns. A circle drawn around the body at the abdomen denotes full means of subsistence. A boy drawn with waved lines from each ear and lines leading to the heart represents a pupil. A figure with a plant as head, and two wings, denotes a doctor skilled in medicine, and endowed with the power of ubiquity. A tree with human legs, a herbalist or professor of botany. Night is represented by a finely crossed or barred sun, or a circle with human legs. Rain is figured by a dot or semicircle filled with water and placed on the head. The heaven with three disks of the sun is understood to mean three days' journey, and a landing after a voyage is represented by a tortoise. Short sentences, too, can be pictured in this manner. A prescription ordering abstinence from food for two, and rest for four, days is written by drawing a man with two bars on the stomach and four across the legs. We are told even of war-songs and love-songs composed in this primitive alphabet; but it would seem as if, in these cases, the reader required even greater poetical imagination than the writer. There is one war-song consisting of four pictures—
1. The sun rising.
2. A figure pointing with one hand to the earth and the other extended to the sky.
3. The moon with two human legs.
4. A figure personifying the Eastern woman, i. e. the evening star.
These four symbols are said to convey to the Indian the following meaning:
I am rising to seek the war path;
The earth and the sky are before me;
I walk by day and by night;
And the evening star is my guide.