It is possible that both these stories were later inventions; the preface also by Ali, the son of Alshah Farési, in which the names of Bidpai and King Dabshelim are mentioned for the first time, is of later date. But the fact remains that Abdallah ibn Almokaffa, the author of the oldest Arabic collection of our fables, translated them from Pehlevi, the language of Persia at the time of Khosru Nushirvan, and that the Pehlevi text which he translated was believed to be a translation of a book brought from India in the middle of the sixth century. That Indian book could not have been the Pañca­tantra, as we now possess it, but must have been a much larger collection of fables, for the Arabic translation, the “Kalilah and Dimnah,” contains eighteen chapters instead of the five of the Pañca­tantra, and it is only in the fifth, the seventh, the eighth, the ninth, and the tenth chapters that we find the same stories which form the five books of the Pañkatantra in the textus ornatior. Even in these chapters the Arabic translator omits stories which we find in the Sanskrit text, and adds others which are not to be found there.

In this Arabic translation the story of the Brahman and the pot of rice runs as follows:—

“A religious man was in the habit of receiving every day from the house of a merchant a certain quantity of butter (oil) and honey, of which, having eaten as much as he wanted, he put the rest into a jar, which he hung on a nail in a corner of the room, hoping that the jar would in time be filled. Now, as he was leaning back one day on his couch, with a stick in his hand, and the jar suspended over his head, he thought of the high price of butter and honey, and said to himself, ‘I will sell what is in the jar, and buy with the money which I obtain for it ten goats, which, producing each of them a young one every five months, in addition to the produce of the kids as soon as they begin to bear, it will not be long before there is a large flock.’ He continued to make his calculations, and found that he should at this rate, in the course of two years, have more than four hundred goats. ‘At the expiration of this term I will buy,’ said he, ‘a hundred black cattle, in the proportion of a bull or a cow for every four goats. I will then purchase land, and hire workmen to plough it with the beasts, and put it into tillage, so that before five years are over I shall, no doubt, have realized a great fortune by the sale of the milk which the cows will give, and of the produce of my land. My next business will be to build a magnificent house, and engage a number of servants, both male and female; and, when my establishment is completed, I will marry the handsomest woman I can find, who, in due time becoming a mother, will present me with an heir to my possessions, who, as he advances in age, shall receive the best masters that can be procured; and, if the progress which he makes in learning is equal to my reasonable expectations, I shall be amply repaid for the pains and expense which I have bestowed upon him; but if, on the other hand, he disappoints my hopes, the rod which I have here shall be the instrument with which I will make him feel the displeasure of a justly-offended parent.’ At these words he suddenly raised the hand which held the stick towards the jar, and broke it, and the contents ran down upon his head and face.”[18] . . . .

You will have observed the coincidences between the Arabic and the Sanskrit versions, but also a considerable divergence, particularly in the winding up of the story. The Brahman and the holy man both build their castles in the air; but, while the former kicks his wife, the latter only chastises his son. How this change came to pass we cannot tell. One might suppose that, at the time when the book was translated from Sanskrit into Pehlevi, or from Pehlevi into Arabic, the Sanskrit story was exactly like the Arabic story, and that it was changed afterwards. But another explanation is equally admissible, viz., that the Pehlevi or the Arabic translator wished to avoid the offensive behavior of the husband kicking his wife, and therefore substituted the son as a more deserving object of castigation.

We have thus traced our story from Sanskrit to Pehlevi, and from Pehlevi to Arabic; we have followed it in its migrations from the hermitages of Indian sages to the court of the kings of Persia, and from thence to the residence of the powerful Khalifs at Bagdad. Let us recollect that the Khalif Almansur, for whom the Arabic translation was made, was the contemporary of Abderrhaman, who ruled in Spain, and that both were but little anterior to Harun al Rashid and Charlemagne. At that time, therefore, the way was perfectly open for these Eastern fables, after they had once reached Bagdad, to penetrate into the seats of Western learning, and to spread to every part of the new empire of Charlemagne. They may have done so, for all we know; but nearly three hundred years pass before these fables meet us again in the literature of Europe. The Carlovingian empire had fallen to pieces, Spain had been rescued from the Mohammedans, William the Conqueror had landed in England, and the Crusades had begun to turn the thoughts of Europe towards the East, when, about the year 1080, we hear of a Jew of the name of Symeon, the son of Seth, who translated these fables from Arabic into Greek. He states in his preface that the book came originally from India, that it was brought to the King Chosroes of Persia, and then translated into Arabic. His own translation into Greek must have been made from an Arabic MS. of the “Kalila and Dimna,” in some places more perfect, in others less perfect, than the one published by De Sacy. The Greek text has been published, though very imperfectly, under the title of “Stephanites and Ichnelates.”[19] Here our fable is told as follows (p. 337):—

“It is said that a beggar kept some honey and butter in a jar close to where he slept. One night he thus thought within himself: ‘I shall sell this honey and butter for however small a sum; with it I shall buy ten goats, and these in five months will produce as many again. In five years they will become four hundred. With them I shall buy one hundred cows, and with them I shall cultivate some land. And what with their calves and the harvests, I shall become rich in five years, and build a house with four wings,[20] ornamented with gold, and buy all kinds of servants, and marry a wife. She will give me a child, and I shall call him Beauty. It will be a boy, and I shall educate him properly; and if I see him lazy, I shall give him such a flogging with this stick. . . . .’ With these words he took a stick that was near him, struck the jar, and broke it, so that the honey and milk ran down on his beard.”

This Greek translation might, no doubt, have reached La Fontaine; but as the French poet was not a great scholar, least of all a reader of Greek MSS., and as the fables of Symeon Seth were not published till 1697, we must look for other channels through which the old fable was carried along from East to West.

There is, first of all, an Italian translation of the “Stephanites and Ichnelates,” which was published at Ferrara in 1583.[21,][B] The title is, “Del Governo de’ Regni. Sotto morali essempi di animali ragionanti tra loro. Tratti prima di lingua Indiana in Agarena da Lelo Demno Saraceno. Et poi dall’ Agarena nella Greca da Simeone Setto, philosopho Antiocheno. Et hora tradotti di Greco in Italiano.” This translation was probably the work of Giulio Nuti.

There is, besides, a Latin translation, or rather a free rendering of the Greek translation by the learned Jesuit, Petrus Possinus, which was published at Rome in 1666.[22,][C] This may have been, and, according to some authorities, has really been one of the sources from which La Fontaine drew his inspirations. But though La Fontaine may have consulted this work for other fables, I do not think that he took from it the fable of Perrette and the milk-pail.

The fact is, these fables had found several other channels through which, as early as the thirteenth century, they reached the literary market of Europe, and became familiar as household words, at least among the higher and educated classes. We shall follow the course of some of these channels. First, then, a learned Jew, whose name seems to have been Joel, translated our fables from Arabic into Hebrew (1250?). His work has been preserved in one MS. at Paris, but has not yet been published, except the tenth book, which was communicated by Dr. Neubauer to Benfey’s journal, “Orient und Occident” (vol. i. p. 658). This Hebrew translation was translated by another converted Jew, Johannes of Capua, into Latin. His translation was finished between 1263–1278, and, under the title of “Directorium Humanæ Vitæ,” it became very soon a popular work with the select reading public of the thirteenth century.[23,][D] In the “Directorium,” and in Joel’s translation, the name of Sendebar is substituted for that of Bidpay. The “Directorium” was translated into German at the command of Eberhard, the great Duke of Würtemberg,[24,][E] and both the Latin text and the German translation occur, in repeated editions, among the rare books printed between 1480 and the end of the fifteenth century.[25] A Spanish translation, founded both on the German and the Latin texts, appeared at Burgos in 1493;[26] and from these different sources flowed in the sixteenth century the Italian renderings of Firenzuola (1548)[27] and Doni (1552).[28] As these Italian translations were repeated in French[29] and English, before the end of the sixteenth century, they might no doubt have supplied La Fontaine with subjects for his fables.