2. At what time did the Greeks first think of using writing for literary purposes, and what materials did they employ for that purpose?
These two questions and the answers they elicited threw quite a new light on the nebulous periods of Greek literature. A fact more firmly established than any other in the ancient history of Greece is that the Ionians learned the alphabet from the Phenicians. The Ionians always called their letters Phenician letters,[261] and the very name of Alphabet was a Phenician word. We can well understand that the Phenicians should have taught the Ionians in Asia Minor a knowledge of the alphabet, partly for commercial purposes, i.e. for making contracts, partly for enabling them to use those useful little sheets, called Periplus, or Circumnavigations, which at that time were as precious to sailors as maps were to the adventurous seamen of the middle ages. But from that to a written literature, in our sense of the word, there is still a wide step. It is well known that the Germans, particularly in the North, had their Runes for inscriptions on tombs, goblets, public monuments, but not for literary purposes.[262] Even if a few Ionians at Miletus and other centres of political and commercial life acquired the art of writing, where could they find writing materials? and still more important, where could they find readers? The Ionians, when they began to write, had to be satisfied with a hide or pieces of leather, which they called diphthera, and until that was brought to the perfection of vellum or parchment, the occupation of an author cannot have been very agreeable.[263]
So far as we know at present the Ionians began to write about the middle of the sixth century b.c.; and, whatever may have been said to the contrary, Wolf's dictum still holds good that with them the beginning of a written literature was the same as the beginning of prose writing.
Writing at that time was an effort, and such an effort was made for some great purpose only. Hence the first written skins were what we should call Murray's Handbooks, called Periegesis or Periodos, or, if treating of sea-voyages, Periplus, that is, guide-books, books to lead travellers round a country or round a town. Connected with these itineraries were the accounts of the foundations of cities, the Ktisis. Such books existed in Asia Minor during the sixth and fifth centuries, and their writers were called by a general term, Logographi, or λόγιοι or λογοποιοἱ,[264] as opposed to ὰοιδοἱ, the poets. They were the forerunners of the Greek historians, and Herodotus (443 b.c.), the so-called father of history, made frequent use of their works.
The whole of this incipient literary activity belonged to Asia Minor. From "Guides through towns and countries," literature seems to have spread at an early time to Guides through life, or philosophical dicta, such as are ascribed to Anaximander the Ionian (610-547 b.c.[265]), and Pherekydes the Syrian (540 b.c.). These names carry us into the broad daylight of history, for Anaximander was the teacher of Anaximenes, Anaximenes of Anaxagoras, and Anaxagoras of Perikles. At that time writing was a recognized art, and its cultivation had been rendered possible chiefly through trade with Egypt and the importation of papyros. In the time of Æschylos (500 b.c.) the idea of writing had become so familiar that he could use it again and again in poetical metaphors,[266] and there seems little reason why we should doubt that both Peisistratos (528 b.c.) and Polykrates of Samos (523 b.c.) were among the first collectors of Greek manuscripts.
In this manner the simple questions asked by Wolf helped to reduce the history of ancient Greek literature to some kind of order, particularly with reference to its first beginnings.
It would therefore seem but reasonable that the two first questions to be asked by the students of Sanskrit literature should have been:
1. At what time did the people of India become acquainted with an alphabet?
2. At what time did they first use such alphabet for literary purposes?
Curiously enough, however, these questions remained in abeyance for a long time, and, as a consequence, it was impossible to introduce even the first elements of order into the chaos of ancient Sanskrit literature.[267]