TANA: I play flu-u-ute, Japanese flu-u-ute.
PARAMORE: What song were you playing? One of your Japanese melodies?
TANA:(His brow undergoing preposterous contraction) I play train song. How you call?—railroad song. So call in my countree. Like train. It go so-o-o; that mean whistle; train start. Then go so-o-o; that mean train go. Go like that. Vera nice song in my countree. Children song.
PARAMORE: It sounded very nice.
(It is apparent at this point that only a gigantic effort at control restrains Tana from rushing up-stairs for his post cards, including the six made in America.)
TANA: I fix high-ball for gentleman?
PARAMORE: "No, thanks. I don't use it". (He smiles.)
(TANA withdraws into the kitchen, leaving the intervening door slightly ajar. From the crevice there suddenly issues again the melody of the Japanese train song—this time not a practice, surely, but a performance, a lusty, spirited performance.
The phone rings. TANA, absorbed in his harmonics, gives no heed, so PARAMORE takes up the receiver.)
PARAMORE: Hello.... Yes.... No, he's not here now, but he'll be back any moment.... Butterworth? Hello, I didn't quite catch the name.... Hello, hello, hello. Hello! ... Huh!