Anthony began to run again. The cries were clear and distinct now as they rose with clouds of frosted breath into the chilly air:
"Germany's surrendered! Germany's surrendered!"
THE FALSE ARMISTICE
That evening in the opaque gloom of six o'clock Anthony slipped between two freight-cars, and once over the railroad, followed the track along to Garden City, where he caught an electric train for New York. He stood some chance of apprehension—he knew that the military police were often sent through the cars to ask for passes, but he imagined that to-night the vigilance would be relaxed. But, in any event, he would have tried to slip through, for he had been unable to locate Gloria by telephone, and another day of suspense would have been intolerable.
After inexplicable stops and waits that reminded him of the night he had left New York, over a year before, they drew into the Pennsylvania Station, and he followed the familiar way to the taxi-stand, finding it grotesque and oddly stimulating to give his own address.
Broadway was a riot of light, thronged as he had never seen it with a carnival crowd which swept its glittering way through scraps of paper, piled ankle-deep on the sidewalks. Here and there, elevated upon benches and boxes, soldiers addressed the heedless mass, each face in which was clear cut and distinct under the white glare overhead. Anthony picked out half a dozen figures—a drunken sailor, tipped backward and supported by two other gobs, was waving his hat and emitting a wild series of roars; a wounded soldier, crutch in hand, was borne along in an eddy on the shoulders of some shrieking civilians; a dark-haired girl sat cross-legged and meditative on top of a parked taxicab. Here surely the victory had come in time, the climax had been scheduled with the uttermost celestial foresight. The great rich nation had made triumphant war, suffered enough for poignancy but not enough for bitterness—hence the carnival, the feasting, the triumph. Under these bright lights glittered the faces of peoples whose glory had long since passed away, whose very civilizations were dead-men whose ancestors had heard the news of victory in Babylon, in Nineveh, in Bagdad, in Tyre, a hundred generations before; men whose ancestors had seen a flower-decked, slave-adorned cortege drift with its wake of captives down the avenues of Imperial Rome....
Past the Rialto, the glittering front of the Astor, the jewelled magnificence of Times Square ... a gorgeous alley of incandescence ahead.... Then—was it years later?—he was paying the taxi-driver in front of a white building on Fifty-seventh Street. He was in the hall—ah, there was the negro boy from Martinique, lazy, indolent, unchanged.
"Is Mrs. Patch in?"
"I have just came on, sah," the man announced with his incongruous British accent.
"Take me up—"