Judy had made him feel old; all the time he was aware of things in her life of which he was ignorant, and though he had never been intimate enough with her to mind this, yet it did not tend towards intimacy now. There was always the knowledge of Blanche and Phoebe between him and any friendliness with Judith, knowledge of so much he had resolutely put behind him. But with this careless girl, so untouched and confident, it was as though it were possible to be the self he felt that he now was without any drag from that old Ishmael. He knew vaguely that she was engaged, and this seemed to make intercourse lighter and more jolly. Every relationship is new, because to no two people is anyone quite the same, but there was in the first tentative approaches of his acquaintance with Georgie Barlow a novelty that struck him pleasantly. He was shy of her only because he was still so ignorant, but he felt no barriers, rather an overlapping of something they both had in common, which is the surest herald sometimes of friendship, sometimes of other things.
Killigrew arrived with a copy of "Richard Feverel" under one arm and the first edition of Fitzgerald's "Omar Khayyam" under the other. He exuded life and enjoyment, and Ishmael wondered what indigestion, mental or physical could have had him in its grip when he felt that the power of ecstasy was slipping. Certainly he seemed to bubble with it now, though it remained to be seen whether what chiefly evoked it were the impersonal things of life or not. It was impossible to feel any shyness with him, and even Ishmael soon was talking and feeling curiously unscathed when Killigrew unabashedly referred to old times, painful and otherwise. "It is only Joe …" Ishmael reflected, which was the fatal leniency that had pursued Killigrew through life.
Georgie left the two men to spend the evening together and went back to Paradise Cottage, but before she fell asleep that night she heard a low murmur of voices outside. She jumped out of bed and ran to the window. It was a night of bright moonlight, and under the shadow of the tamarisk hedge she could see Killigrew's darker figure, with its unmistakably raking poise. Another shadow had just parted from it and was coming to the door—the figure of Judith. She had been out when Georgie entered—out for a walk, Mrs. Penticost had said. Georgie skipped back to bed full of excitement. She had guessed before that Judy cared about Killigrew, and now, judging by that parting, they were engaged and everything was to be all right. How thrilling!… She smiled and dimpled as she met Judy's eye next morning, inviting the announcement.
The days went on and Judy did not make it. Only as the lovely spring days, pale with windy sunlight or soft with fuming mists, slipped by, Judith blossomed as the rose. But it was a fierce blossoming, a fiery happiness, that Georgie could not understand. It was not thus that the nice jolly Val had made her feel. She wondered and she felt a little hurt that Judy should not confide in her, but as the days went on her own affairs began to engross her, and she shrugged her sturdy self-reliant shoulders and told herself that Judy must after all manage her own affairs.
It was a wonderful spring, the sweetest time of the year because the period of promise and not of fulfilment. This spring, in its wine-pale clarity, its swift shadows, its dewy brightness of flame-green leaf, seemed to Ishmael to hold the quality of youth as none had done for years. He and Nicky and Joe Killigrew and the two girls from Paradise Cottage spent whole days together, for Joe and Judith, though obviously very intimate, never seemed to wish for solitude. Together they fronted the winds and the quick showers and the bright rays, saw the rainbow lift over the dark sea, watched its passionate colour die and the sunbright foam fade to pearly dimness or break over water turned to vivid blue. They heard the first bird-notes begin to glorify the evenings and saw each day the hedges grow richer with pink campion, with pale drifts of primroses and the blue clusters of the dog-violets. The blackthorn began to show a breaking of pale blossom upon its branches and the hawthorn to vie with it.
Once upon the cliff, Ishmael, walking with Georgie, came on a patch of the most exquisite of spring flowers, the vernal squill. Georgie clapped her hands for joy at sight of the delicate blue blossoms, but Ishmael, lying beside them, buried his face in their rain-washed petals and drew a deep breath of that scent which is like the memory of may-blossom.
As he breathed in the fragrance it seemed to him for one flashing second as though the years fell away, that he was again young in mind as he still felt in body; and for a flash, as on that long-ago evening in Cloom fields when they had cried the Neck and in the parlour that first day at St. Renny, time stood still and everything around the one point where consciousness was poised ceased to be. Youth, spring, and ecstasy itself were in that breath. Ecstasy, the unphilosophic stone which alone transmutes to the semblance of gold … which alone does not ask what will come next, what has led so far, or where lies actual worth; ecstasy which is sufficient in itself…. Even thus had he felt when he had known that Nicky was to come to him, only then the flood-tide of emotion had been set outwards, while this seemed to beat back and intensify the sense of self.
It was Nicky who broke through this moment now, clamouring in his turn to be allowed access to the patch of blue that so excited the grown-ups, and who then proceeded to rub his brown fists in it and tear the delicate little flowers up before anyone could stop him. Indeed, after the first moment Ishmael did not try. He sat watching until Nicky, with all the uncontrolled excitement of highly-strung children who so often lose their heads and do things for which they suffer agonies in the watches of the night for long afterwards, was shouting and tearing at the flowers and throwing them over Georgie and drawing attention to himself by every extravagance his child's brain could light upon.
"Look at me, Georgie; look at me!" he cried, pulling a bunch of the flowers through his buttonhole and jumping up on a boulder that thrust itself through the turfy cliffside; "I'm the King of the Castle, I'm the King of the Castle!…" Georgie threw a few bits of grass at him and then turned to go on with an argument she had been having with Ishmael when the sight of the vernal squills had distracted them. Nicky would not leave them alone; determined not to be ignored, he went on pelting her and kept up his monotonous chant: "I'm the King of the Castle, I'm the King of the Castle…."
"Don't do that," said Ishmael sharply. "Do you hear me, Nicky? Leave off!" But Nicky went on, and, finding no notice was being taken of him, he flung a frond of bracken, then, losing his temper, a clod of earth and turf he dug up from the ground. It hit Georgie on the cheek and scattered against her; a tiny fragment of stone in it cut her skin slightly, so that a thin thread of blood sprang out. Nicky felt suddenly very frightened. He kept up his song, but his note had altered, and as Ishmael got to his feet his voice died away.