As she neared it she saw on the far slope a plough at work, looking like a tiny toy, the horses a rich bright brown in the sunlight. Her strong young eyes could see the darker blown mesh of their manes and the long hair about their fetlocks; she could see, too, that the man in a faded blue shirt and earth-coloured trousers driving them was John-James, for even at that distance his sturdy build and the copper red of his broad neck were unmistakable. She saw that the man standing talking by the gate was Ishmael, and she stayed still, wondering if he would see and recognise her. The tiny figure turned, stood staring, and then waved its hat above its head; Georgie fluttered her handkerchief and turned off down towards the stream at the bottom of the moor while Ishmael was still watching.
It was warmer down by the stream than on the crest above, and the air was as though filled with a bright sparkle with the refractions of the sun from ripple and eddy. The stream was a mere thread of water, but broken by stone and drooping bough to the semblance of urgency, and with its mazy lights went a clear murmur of sound. Georgie took off her little cloth jacket and threw herself down on the grassy slope that, amidst a tangle of hemlock, edged the purling water. Between her and the sunlight drooped an alder; she saw against the sun the showers of yellow catkins all gleaming transparent, like sunlit raindrops caught at the moment when they lengthen…. She lay under the glory of this Danaëan shower and half-closed her eyes to stare up at the wonder of it. Presently she heard the sound of twigs and leaves being crushed under advancing feet, but she did not look up, only started to hum a little tune, though she could not hear it for the rising beat of her own heart in her ears.
When Ishmael merely dropped down beside her and, asking if he might smoke, proceeded to light his pipe, she calmed a trifle—a sick dread that she dismissed as impossible flashed through her; she peeped at him from her tilted hat brim, and saw his hands were trembling slightly as he struck the match. In a moment she had caught back her own poise; she watched sidelong, noting with an odd precision exactly how he looked, how his brown skin glistened a little in the sun, so close to her that she could see the infinitesimal criss-cross of lines upon the backs of his hands and the stronger seams upon his reddened neck. She saw the glisten of a few grey hairs in the dark thick patch above his ear; she could see the texture of his lip as it pouted beneath the sideways hang of his pipe. She wondered why anyone ever really loved someone else; looked at like that, and thought of clearly, reasonably, they did not look very wonderful, but only obvious flesh and blood, enclosing something that, try as one might, must always remain alien, cut off. Yet she knew that, reason as she might, this particular piece of flesh and blood, animated by this particular soul, had power over hers that her leaping pulses at the very sound of his footfalls, that her eager planning mind at night in her bed, would not let her deny. Suddenly she looked away from him, and, twisting her hands in the dew-wet grass, spoke. "I've written to Val," she said.
Ishmael did not answer, and she went on:
"You don't seem very interested, but I'm so full of it I must tell someone. After all one doesn't break off an engagement every day…."
He turned towards her then, dropped his pipe, and looked full at her.
"You mean that? You have definitely done it?"
"Undone it," she said cheerfully; "it would never have answered. I've known that for ages. He's so much cleverer than I am, but so much less wise! He's just a nice boy who would be the ordinary simple kind if it weren't for his music. And even there we can't agree, you see."
"I'm not clever—not the kind that can do clever things," said Ishmael.
"It's not the doing clever things that matters, I've come to the conclusion, though Val would think that was heresy. Being things matters more, somehow. He knows all about music, and they say he's going to be the great English composer, and I only know that even a barrel-organ in the street has always made me feel what I used to call when I was small all 'live-y and love-y.'"