"Point the toe, if you please young gentlemen; slide well forward and bow to your partner from the waist…. Ruan, you have the air of a poker trying to be graceful. Watch Killigrew and do as he does. Now, all together please …"; and the row of self-conscious boys bowed, gloved hands upon severely jacketed chests, while as many little girls, aware of doing the thing correctly and of not looking fools in the doing of it, spread white tarletan skirts in starchy semi-circles by way of reply.
It was the weekly dancing class, when Mr. Pierre Sebastian Eliot, who on other days taught French at the Grammar School, undertook to instruct the boys in what he referred to as "the divine art of Terpsichore," a habit which had earned for himself the simple nickname of "Terps." The class was held in a spacious room used for balls, both subscription and private, at the "George" Inn, and to it came not only those Grammar School boys whose parents paid for this polite "extra," but also the maidens from the gentle families of St. Renny and the neighbourhood.
Ishmael was dancing opposite Hilaria Eliot, and his enjoyment of it lay in knowing that Killigrew, who had basely tried to trip him up shortly before, was suffering pangs of envy. After some four years of knowing her, Killigrew was suddenly in love with Miss Eliot and didn't mind who knew it. In fact, to be accurate, Killigrew's emotion was chiefly based on a desire to be different from the rest of his world, and what was the good of being different unless people knew it?
Thus Killigrew—to Ishmael, who was growing vaguely aware of a difference from his fellows that he could not remedy, the argument would have had no force. Killigrew was neither of those St. Rennyites who despised girls, nor of those who held the cult of the doctor's daughter, that dizzy exemplar of fashion, nor of those others—a small band these latter, made up of the best boys in the school, little and big—who admired and liked Hilaria as a "good sort." Killigrew was determined to be different, and so, like Burns, "battered" himself into love. If Ishmael had been disposed to feel a tender sentiment for her himself, he could not have cherished it with any comfort, being already cast by Killigrew for the confidant of passion. Thus it came about that, though in after years those stolen meetings between Hilaria and a ring of boys would flash into his memory as being romance in essence, at the time they held no more thrill for him than might be imparted by some new novel—contraband in the perpetual war against grown-ups—that she would bring to read aloud to them in some hollow of the moor. Always it was from the angle of the third person—that most comfortable of view-points—that he saw her. Only later by the light that lingered round her ways did he know how she had stood for beauty.
Now, as he watched her sway and dip before him, it only struck him that she differed from the little misses on her either hand, but quite how, except that he would have said she was jollier, more like a boy, he couldn't have told. That indeed, translated from boy-like into unmaidenly, was the town's chief complaint against her, or primarily against her father. Mr. Eliot's position was not an easy one, and he did nothing to make it easier. For he was half French, his mother having been brought over as a little girl at the time of the Terror. There were people still alive in the 'fifties and 'sixties who remembered the Napoleonic wars and the shadow cast by that giant figure upon the world; indeed, so slowly did thought move down in the far West that it might almost have been said that St. Renny was just beginning to realise the wars, and rather resented the fact that English and French had since fought side by side in the Crimea. Also the vagaries of Napoleon III. kept England in a perpetual state of distrust, in spite of the championship of Lord Palmerston, then in his second Ministry. Mothers still frighted their babes with the name of Boney, and the French were still the hereditary enemies of all good Cornishmen, so many of whom had gone to man the fleet that won at Trafalgar. The obscure feeling of distrust that always stirs in the lower classes of remote districts at anything alien did not, of course, extend to the educated people, but Mr. Eliot, being poor and very eccentric, refused such championship from his equals as might have been his.
He lived with his daughter and an old housekeeper in a little cottage on the outskirts of the town, and earned his living by teaching at the Grammar School and giving private lessons in French, dancing, fencing, and physical culture generally. It was this latter that caused him to be looked on with so much suspicion as an eccentric. He actually made his daughter, attired in a skirt that only reached to her knees, perform inelegant feats on parallel bars and ladders, while he was wont to boast that she could out-fence any boy at the school. She was an expert swimmer too, and there were rumours, that at summer bathing excursions she wore a somewhat similar garment to that of the gymnasium, instead of one of those long serge gowns reaching to the ankles that ladies were wont to disport themselves in amidst the surf—gowns in which it was impossible to do anything but bob up and down at the end of a rope.
It was curious that a man who was half a Frenchman should have been the one to have such advanced ideas on female education, but then Mr. Eliot was the son of a refugee, which says much. For those French aristocrats, who never turned hand to a task in their lives till the Revolution, lived to learn very differently after their flight. The farm and the shop taught what the court had failed to impart, and the blood that despite folly directs so truly in moments of extremity did not fail them. The children who, had the course of events never been ruffled, would have grown up in a vicious and futile court, were forced to practise economies and learn at first hand the dignity of labour. With those families who returned to the increasing viciousness which culminated under Napoleon III. the lesson may not always have been lasting, but for those who, like the forbears of Mr. Eliot, allied themselves with their English hosts, and remained where they were, the hard life of struggle, if the alliance had not been rich, continued the new philosophy. Added to all this normal cause, Hilaria's father was certainly an original, or rather one of those people considered so because they are ahead of their time and condemned to misunderstanding in consequence.
None of it mattered to Mr. Eliot, who drifted about the world in a daze that, had it been a happy one, would have made him an enviable man. As it was, his invincible habit of over-sensitive gloom robbed him of the detachment which is the most truly enviable of all the gifts of the gods. He was a little man, beautifully made, with the high nose, the tossed-back hair, the piercing look of the man at once prejudiced and nervous. He lived wrapt in himself, and saw in his daughter more his own hope in old age than a creature wonderful in her youth and vitality for her own ends. When the crude heartlessness of the boys racked him or the well-meaning advances of the gentry offended his alert vanity, it was to Hilaria that he would turn in thoughts and words to attain that measure of approbation without which his own self-love would have languished of inanition. It was Hilaria who healed his hurts, though with increasing difficulty. For there is little gulf, and that easily bridged, between the very young child and the old man, but between the adolescent and the old it is wide and deep. And she was eager where he was retiring, confident where he was suspicious. With what of pity, lovely but half-patronising too, did she solace him!… Between them lay the gulf not only of a generation but of a different habit of thought, of alien tastes, which not all his passionate clutching or her impatient tenderness could bridge for more than a few moments of clinging together against the world. None of this did he realise, neither did Hilaria, so they were spared much unhappiness, merely fretting blindly without knowing why.
Hilaria was not a beauty, though she would be considered more nearly so now than then, when a high forehead and well-sleeked hair were almost necessities of life. Her low brow—truly Greek in its straightness and the crisp ripple of her hair around it—was not in favour at that time. The hair, which was of a dull ashen brown, was strained back tightly and confined by a round comb. Her eyebrows, too straight for the period and too thick, nearly met above the short, tip-tilted nose, freckled as a plover's egg, and that at a time when no well brought-up damsel ventured forth in the sun's rays without veil or parasol. Her face was deficient in modelling, being one of those subtly concave faces not without a fascination of their own, with an egg-like curve of prominent delicately-square chin. Her mouth, too large, opened very beautifully when she laughed over square thickly-white teeth. Her eyes were small and of no particular colour, though bright with a birdlike shining between the thick short lashes of a neutral brown. She had a something boyish in poise and action that really made her charm, but that also set her hopelessly out of her time. It was impossible to imagine Hilaria happy in a crinoline, and she fought them fiercely, yet crinolines were in full flower, and the one disported by the doctor's daughter of a Sunday was the admiration and envy of the feminine members of the town. "I should feel I was in a cage," quoth Hilaria at the suggestion that she should trammel her long legs in such a contraption—unconsciously hitting on the essential reason for the allure of crinolines. She had to wear one now for dancing-class, as it made movement and spacing so different; but other times she went her wilful way, short nose in air, encouraged by the complacence of her father, who had no more knowledge of what the country people called her "goings-on" than if he had lived in an alien clime.
Hilaria was a hoyden. She despised crinolines, girls, Macassar oil, sewing, and deportment. She adored walking, fishing, boys, and climbing trees. She did outrageous things with a genuine innocence that made the most sensual of the boys careful not to take advantage of her in any bad way. That she climbed out of her bedroom window at night to go and meet some three of the boys from the Grammar School and with them test the wishing pool on the moor on Midsummer Eve was proof of all these things, and yet what a scandal it made in St. Renny when the fact leaked out!…