“Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!”
FINIS.
PRINTED BY VIRTUE AND CO., CITY ROAD, LONDON.
[190-*] Sir E. Head’s introduction to the English translation of Kügler’s “Handbook of Painting.” Part II.
[191-*] Longfellow’s “Spanish Student.”
[212-*] Engravings of these will be found in the Art-Journal for 1854, pp. 307-8.
[212-†] Longfellow.
[215-*] They have been presented from time to time to such potentates as the townsmen wished to conciliate. Thus, his Four Apostles, bequeathed by the artist to his native town, was presented by the council to the Elector Maximilian I., of Bavaria, and are now in the Pinacothek in Munich.
[218-*] “Guido seems to have availed himself of some of these figures in his celebrated fresco of the Car of Apollo, preceded by Aurora, and accompanied by the Hours.”—Chatto’s History of Wood Engraving, p. 303.
[221-*] For a general notice of Dürer’s works, and several engravings of the best of them, see the Art-Journal for 1851, pp. 141-144 and pp. 193-196. See also, “Vignettes d’Albert Dürer,” par George Franz.