Nec pueri credunt, nisi qui nondum ære lavantur,

Sed tu vera puta.’—Juv. Sat. ii. 149-153.

Agrippina had long contrived to secure the absolute devotion of her slaves, clients, and freedmen. In that vast household of at least sixteen hundred persons, all courteously treated and liberally paid, there were many who were ready to go any lengths in support of their patroness. Among them was the freedman Mnester, who knew but little of her crimes, but was enthusiastic in her interests. She made constant use of him on that eventful day.

Among her slaves were some of the Chaldæai and casters of horoscopes, so common in those times, in whom she placed a superstitious confidence. Her first care was to consult them, and she determined to take no overt step until they should announce that the auspicious hour had come. She then hastened to the chamber where Xenophon still kept his watch beside the man whom he had murdered. He kept that watch with perfect indifference. His was a soul entirely cynical and atheistic; greedy of gain only, case-hardened by crime. The bargain between him and the Empress was perfectly understood between them. Enormous wealth would be the price of his silence and success; death would punish his failure.

There was nothing to be seen but the dead form covered from head to foot by a purple coverlet.

She pointed to it. ‘He must still be supposed to be alive,’ she said. ‘The Chaldæans say that the omens are still inauspicious. How are we to keep the secret for some hours longer?’

‘Asclepiades teaches,’ answered the physician, with the scarcely veiled sneer which marked his tone of voice, ‘how good it is that the pains of dying men should be dissipated by comedy and song. The Empress can order some comedians to play in the adjoining chamber. If they cannot avail the divine Claudius, they will at least serve to amuse my humble self, and I have now been in this room for many hours.’

‘Does any one suspect that he is dead?’

‘No, Augusta,’ he answered. ‘To dissipate the too suspicious silence, I have occasionally made curious sounds, at which I am an adept. They will delude any chance listener into the belief that my patient is still alive.’