Yes, Kenrick—for it is he—is altered for the worse. Something or other has left, in its traces upon his face, the history of two degenerate years. His cheek does not look as if it were capable any longer of an ingenuous blush, and there is a curl about his lip and nostril which speaks of perpetual unhealthy scorn, that child of mortified vanity and conceit, which brazens out the reproaches of self-distrust and self-reproach. See with what a careless, almost patronising, air he barely notices the master who is passing by him. He has just flung a slight nod to Power, studiously taking care not to notice Walter at all. Look, too, at the boys who are with him; they are not boys with whom we like to see him; they are an idle lot, precocious only in folly and in vice. And that little fellow, who seems to be his especial favourite, is not at all to our taste; he seems the coolest of them all. For during the last few years Kenrick has entirely lost his balance; he has deserted his best friends for the adulation of younger boys, who fed his vanity, and the society of elder boys, who perverted his thoughts, and vitiated his habits. He has slackened in the career of honourable industry, he has deflected from the straight paths of integrity and virtue. Already the fresh eagerness of youth has palled into satiety, already some of its sparkling-wine for him is bitter as vinegar; with him already pleasure has become hectic fever instead of a healthy glow. Alas! he is not happy. Within these two years he has lost—and his countenance betrays the fact in its ruined beauty—he has lost the true joys of youth, and known instead of them the troubles of the envious, the fears of the cowardly, the heaviness of the slothful, the shame of the unclean. He has lost something of the instinctive shrinking, even in thought, from all that is vile and base, the loathing of falsehood, the kindness that will not willingly give pain, the humility which has lowly thoughts of its own worth; he has lost his joy in things lovely, and excellent, and of good report; he has changed them for the mirth of fools, which is like crackling thorns—changed them for the feet that go down to death, for the steps that lay hold of hell. It is a mean price for which he has sold his peace of conscience—“the sweetness of the cup that is charged with poison, the beauty of the serpent whose bite is death.”
Eden, who is seated reading on one of the benches by the wall, has recovered from his illness, but he is not, and never will be, what, but for Harpour’s brutality, he might have been. He is a nervous, timid, intellectual boy. No game, unfortunately, has any attraction for him. The large liquid eyes, swimming sometimes with strange lustre, and often varying in colour, the delicate flush which any pulse of emotion drives glowing into the somewhat pale face, give to him an almost girlish aspect, and tell the tale of a weakened constitution. Eden’s development has been quite altered by his fright; most of the vivacity and playfulness of his character has vanished; and although it flashes out with pleasant mirth when he is alone with his few closest friends, such as Walter and Power, his manner is, for the most part, very quiet and reserved. Yet Eden has a position of his own in the school; and unobtrusive as he is, his opinion is always listened to with kindness and respect. When he came into school again after his recovery he was received, as I have said already, with almost brotherly affection by all the boys, who felt how much he had been wronged. He became the child and protégé of the school, and any cruelty to him would, after this, have been violently resented. Devoting himself wholly to work and reading, he became very successful in his progress, and is now in the second fifth. But what chiefly marks him is his extreme gentleness, and the eager way in which he strives to help all the younger and most helpless boys. Experience of suffering has given him a keen sympathy with the oppressed, and young as he is he is still doing a useful work.
There is Harpour playing rackets, and he is playing remarkably well. He is now nineteen, and a personage of immense importance in the school, for he is head of the cricket eleven, Walter being head of the football. Harpour is quite unchanged, and if he was doing mischief when we knew him two years ago, he is doing twice as much mischief now. His influence is unmitigatedly pernicious. With just enough cunning skill to escape detection, he yet signalises himself by complicity in every form of wrong which goes on in the school, and some new wrongs he introduces and invents. But nothing delights him so much as to instigate other boys to resist the authority of the masters. They know him to be a nucleus of disorder and wickedness, but he has acted with such consummate ingenuity as to avoid even laying himself open to any distinct proof of his many offences.
He is just now stopping for a minute in his game to talk to those three boys, who have been strutting up and down the court arm in arm, and whom we easily recognise. The one with the red puffy face, with an enormous gold pin in his cravat, a bunch of charms hanging to his chain, and a ring on his hand, which he loses no opportunity of displaying, is our friend Jones, with vulgarity as usual stamped on every feature, and displayed in every movement which he makes; the tall slim fellow, with an air of feeble fastness, an indecisive mouth, a habit of running his hand through his light-coloured hair, and a gaze which usually settles in fixed admiration on his faultless boots, can be no one but Howard Tracy; the third, a fellow with far more meaning and strength in his face, betrays himself to be Mackworth, by the insinuating plausibility and Belial-like grace of his manner and aspect. A dangerous serpent this; one never sees him, or hears him speak, or observes the dark glitter of his eye, without being reminded of a cerastes lythely rustling through the dry grass towards its victim.
And there at last—I thought we should never see him—is our dear young joker of jokes, the same unaltered Flip whom we know, running down the school steps. His face is overflowing with mirth and fun, and now he is stopping and holding both his sides for laughter, while, with little touches of his own, he retails some of the strange blunders which Bliss has made in the viva voce examination that morning; to which his friend Whalley listens with the same good-humoured smile which he had of old. Henderson is a perfect mimic, but never uses his powers of mimicry in an ill-natured spirit; and his imitation of Bliss’s stolid perplexity and Dr Lane’s comments are very ludicrous. While he is in the middle of this narrative, Bliss himself appears on the scene and relieves his feelings by delivering the only pun he ever made in his life, and observing, in a solemn tone of voice—
“Flip, don’t be flippant;” a remark which he has substituted for the “I’ll lick you, Flip,” of old days.
“You dear old Blissidas, I think I’ve heard that pun once or twice before,” observes Henderson, calmly pulling undone the bow of Bliss’s necktie, and running off to escape retaliation, followed at his leisure by Whalley, who knows Bliss to be much too lazy to pursue the chase very far.
Let us come and hear—for we have put on our cap of darkness and are invisible, coming and going where we like, unobserved—what our four fast friends at the racket-court are talking about.
“We shall have lots of larks this half,” observes Harpour, leaning on his racket.
“Yes; such fun, old boy,” answers Jones.