Martyr, or King, or sainted Eremite,
Whoe'er ye be that thus, yourselves unseen,
Imbue your prison-bars with solemn sheen,
Shine on, until ye fade with coming Night.
From those shadowy seats whence Milton had heard "the pealing organ blow to the full-voiced choir below," Wordsworth too gazed upon—
That branching roof
Self-poised, and scooped into ten thousand cells
Where light and shade repose, where music dwells
Lingering, and wandering on as both to die—
Like thoughts whose very sweetness yieldeth proof
That they were born for immortality.
Thus much, and more, there was of ennobling and unchangeable in the very aspect and structure of that ancient University, by which Wordsworth's mind was bent towards a kindred greatness. But of active moral and intellectual life there was at that time little to be found within her walls. The floodtide of her new life had not yet set in: she was still slumbering, as she had slumbered long, content to add to her majesty by the mere lapse of generations, and increment of her ancestral calm. Even had the intellectual life of the place been more stirring, it is doubtful how far Wordsworth would have been welcomed, or deserved, to be welcomed, by authorities or students. He began residence at seventeen, and his northern nature was late to flower. There seems, in fact, to have been even less of visible promise about him than we should have expected; but rather something untamed and insubordinate, something heady and self-confident; an independence that seemed only rusticity, and an indolent ignorance which assumed too readily the tones of scorn. He was as yet a creature of the lakes and mountains, and love for Nature was only slowly leading him to love and reverence for man. Nay, such attraction as he had hitherto felt for the human race had been interwoven with her influence in a way so strange that to many minds it will seem a childish fancy not worth recounting. The objects of his boyish idealization had been Cumbrian shepherds—a race whose personality seems to melt into Nature's—who are united as intimately with moor and mountain as the petrel with the sea.
A rambling schoolboy, thus
I felt his presence in his own domain
As of a lord and master—or a power,
Or genius, under Nature, under God;
Presiding; and severest solitude
Had more commanding looks when he was there.
When up the lonely brooks on rainy days
Angling I went, or trod the trackless hills
By mists bewildered, suddenly mine eyes
Have glanced upon him distant a few steps,
In size a giant, stalking through thick fog,
His sheep like Greenland bears; or, as he stepped
Beyond the boundary line of some hill-shadow,
His form hath flashed upon me, glorified
By the deep radiance of the setting sun;
Or him have I descried in distant sky,
A solitary object and sublime,
Above all height! Like an aërial cross
Stationed alone upon a spiry rock
Of the Chartreuse, for worship. Thus was man
Ennobled outwardly before my sight;
And thus my heart was early introduced
To an unconscious love and reverence
Of human nature; hence the human form
To me became an index of delight,
Of grace and honour, power and worthiness.
"This sanctity of Nature given to man,"—this interfusion of human interest with the sublimity of moor and hill,—formed a typical introduction to the manner in which Wordsworth regarded mankind to the end,—depicting him as set, as it were, amid impersonal influences, which make his passion and struggle but a little thing; as when painters give but a strip of their canvas to the fields and cities of men, and overhang the narrowed landscape with the space and serenity of heaven.
To this distant perception of man—of man "purified, removed, and to a distance that was fit"—was added, in his first summer vacation, a somewhat closer interest in the small joys and sorrows of the villagers of Hawkshead,—a new sympathy for the old Dame in whose house the poet still lodged, for "the quiet woodman in the woods," and even for the "frank-hearted maids of rocky Cumberland," with whom he now delighted to spend an occasional evening in dancing and country mirth. And since the events in this poet's life are for the most part inward and unseen, and depend upon some stock and coincidence between the operations of his spirit and the cosmorama of the external world, he has recorded with especial emphasis a certain sunrise which met him as he walked homewards from one of these scenes of rustic gaiety,—a sunrise which may be said to have begun that poetic career which a sunset was to close:
Ah! Need I say, dear Friend! That to the brim
My heart was full; I made no vows, but vows
Were then made for me; bond unknown to me
Was given, that I should be, else sinning greatly,
A dedicated Spirit.
His second long vacation brought him a further gain in human affections. His sister, of whom he had seen little for some years, was with him once more at Penrith, and with her another maiden,
By her exulting outside look of youth
And placid under-countenance, first endeared;