"Does the Doctor know—about you?" I asked.
"Silas didn't tell him—and I was going to wait until we got home. It come all at once," she explained, "but Silas thinks maybe he's guessed—"
And I had been so blind—so blind to the times when Sarah walked out with Silas, for "a breath of air": so blind to the long silences in the kitchen of an evening, under Norah's cordial, Irish eyes.
"It's wonderful!" I said, at last. "Silas is a lucky man. I'm awfully happy for you, Sarah."
"You ain't angry?" she asked timidly. "You don't think it's foolishness—at my age?"
"I think it's beautiful," I said, and as she turned to go, I put out a hand to draw her near, to kiss her. The only mother I had ever known, faithful, self-sacrificing, tender—I was glad that her old age would be sheltered and made happy for her.
After she had gone, I sat for a long time in silence. The voices of the others, their steps on the path, aroused me. And, as I went out obediently to Wright's hail, I thought of Mercedes—and now Sarah—each with her love-story and her pride: the enchanting, spoiled young daughter of America and Spain with her poet, and the elderly woman, austere as her own New England, her shoulders bent in my service, with a good man of her own kind—. Well, Father was left to me, thank God—but—
CHAPTER XIX
The morning the Howells' car came to take Mercedes and Wright to Havana and the Mendez dance, Mrs. Howells came with it. She would not wait for luncheon, but had a little talk with me while Mercedes, in a flutter, was collecting her things. It was a very little talk, and consisted mostly in shruggings of the maternal shoulders, lifting of the placid, maternal brows, and half-finished phrases, unspoken questions. And she left, indolently satisfied. The tin-pans had won her. I foresaw a cloudless sky of courtship for Wright, as far as his Mercedes' mother was concerned.