The evening's amusement began, and progressed pleasurably through the first act, to which Olive listened attentively, saying with a little sigh of regret when the curtain fell:
"How lovely it all is! Ernestine always wanted to go on the stage! It must be delightful if one can?"
"Delightful, possibly; but a life of drudgery until one has worked to the top, and even then, there are hardships," Roger answered, noting how a look of sadness chased the gay smile from her lips when she spoke of the absent sister. Somehow, the place seemed replete with memories of Ernestine; the music which she had often played, the glitter of wealth and fashion that she always loved and longed for, the very atmosphere of gayety and excitement, such as she had always craved to draw breath in, seemed to recall her now, as Olive, caring so little for it, sat in its midst, and lost in memory. Roger regretted that any sadness should have obtruded itself, and was relieved to see, that when the curtain rose on the second act, that Olive soon became absorbed in the picturesque gypsy scene and lovely music. The robbery of Florestein was being committed with the usual success of brilliancy, and the gipsies were taking French leave, when the figure of a woman enters, drops her cloak, and—Roger sees no more. He hears a sudden painful gasp at his side, and turns to see Olive, whiter than her lilies, rising from her seat slowly, as if faint.
"Olive," he exclaimed, hastily drawing the curtain between them and the audience, but she put out her hand, and then sank back in her chair, too weak to stand, for the first time in her life:
"Ernestine!" she said, huskily. "It is Ernestine!"
In incredulous amaze, he looked back at the stage, just as the queen was leading Florestein off, and he sees a frail-looking figure heaped in gaudy toggery, that looks as though it would drag her down with its weight; and, above it, is a pale flower-like face, with great dark, weary-looking eyes, and a heavy coronet of yellow hair twisted with tinsel and gauze.
"How can I go to her?" Olive is saying with intense eagerness, and leaving her seat with a new strength. "Tell me quick, for I must go at once—tell me, quick."
"It will do no good," said Roger, laying a detaining hand on her arm. "Listen to me a moment, Olive,"—as she threw it off in wild impatience. "They would not admit us behind the scenes, and besides, do you not see how frail and weak she looks? The shock would unfit her for the rest of the performance and—"
"What do I care for that? She shall leave them at once. I will go to her. I'll go alone, if you will not go with me," cried Olive with glowing eyes and trembling lips, and moving towards the door.
"But she dare not leave, and they would not allow you to see her," said Roger earnestly. "Only wait until the performance is over, and we will be at the stage entrance to meet her as she comes out. It will be best so; believe me, and trust in my interest, that is doubly deep for your sake."