In a drawing-room faithful to Dunlap Brothers' exorbitant interpretation of the Italian Renaissance, a veritable forest of wrought-iron candle-trees burned dimly into a scene of Pinturicchio table, tapestry-surmounted wedding-chest, brave and hideous with pastiglia work, the inevitable camp-chair of Savonarola, an Umbrian-walnut chair with lyre-shaped front, bust of Dante Alighieri in Florentine cap and ear-muffs, a Sienese mirror of the soul, sixteenth-century suit of cap-à-pie armor on gold-and-black plinth, Venetian credence with wrought-iron locks. The voiceless and invoiced immobility of the museum here, as if only the red-plush railing, the cords from across chairs, and the "Do Not Sit" warnings to the footsore had been removed.
Against a chair cruel to the back with a carved coat of arms of the Lombardi family Mr. David Feist leaned lightly and wisely. If his correct-enough patent pumps ever so slightly escaped the floor, his span of shoulders left hardly an inch to be desired. There was a peninsula of rather too closely shaved but thick black hair jutted well down Mr. Feist's brow, forming what might have been bald but were merely hairless inlets on either side. Behind pince-nez his eyes sparkled in points not unlike the lenses themselves. Honed to a swift, aquiline boniness of profile which cut into the shadows, there was something swiftly vigorous about even his repose.
Incongruous enough on the Pinturicchio table, and as if she had dared to walk where mere moderns feared to tread, a polychrome framed picture of Miss Bleema Pelz, tulle-clouded, piquant profile flung charmingly to the northwest, and one bare shoulder prettily defiled with a long screw-curl, lit, as it were, into the careful gloom.
Deliberately in range of that photograph, and so beatific of gaze that it was as if his sense were soaked in its loveliness, Mr. Feist smiled, and, smiling, reddened. Enter then Mrs. Pelz, hitting softly into white taffetas beneath the black lace; Mr. Pelz, wide, white and boiled of shirt-front.
"Good evening, Mr. Feist! It's a shame the way we kept you waiting."
"Not at all, Mrs. Pelz—a pleasure. Hello! how's my friend, the picture king?"
"Rotten," said Mr. Pelz, amiably, shaking hands with a great riding-up of cuff, and seating himself astride a Florentine bench and the leather-embossed arms of the Strozzi family.
"Roody, what a way to sit!"
"'What a way to sit,' she tells me. I'd like to see a fellow sit any way in this room without making a monkey of himself. Am I right, Feist? The Eyetalians maybe didn't know no better, but I should have to suffer, too, when for four-seventy-nine I can buy myself at Tracy's the finest kind of a rocking-chair that fits me."
"Roody!"