"Easy money, friends," Miss Hoag would ad lib. to the line-up outside her railing; "how would some of you like to sit back and draw your wages just for the color of your hair or the size of your shoes? You there, that sailor boy down there, how'd you like to have a fox-trot with Teenie? Something to tell the Jackies about. Come on, Jack Tar, I'm light on my feet, but I won't guarantee what I'll be on yours. Step up and have a round."
Usually the crowd would turn sheepish and dissolve at this Terpischorean threat. In fact, it was Miss Hoag's method of accomplishing just that.
In the August high noon of the Coney Island Freak Palace, which is the time and scene of my daring to introduce to you the only under-thirty-years, and over-one-hundred-and-thirty-pounds, heroine in the history of fiction, the megaphone's catch of the day's first dribble of humanity and inhumanity had not yet begun its staring, gaping invasion.
A curtain of heat that was almost tangible hung from the glass roof. The Ossified Man, sworn by clause of contact impervious alike to heat and cold, urged his reclining wheel-chair an imperceptible inch toward the neighboring sway of Miss Hoag's palm-leaf. She widened its arc, subtly.
"Ain't it a fright?" she said.
"Sacred Mother of the Sacred Child!" said the Ossified Man, in a patois of very south Italy.
Then Miss Hoag turned to the right, a rail partitioning her from the highly popular spectacle of the Baron de Ross, christened, married, and to be buried by his nomenclature in disuse, Edwin Ross MacGregor.
"Hot, honey?"
The Baron, in a toy rocker that easily contained him, turned upon Miss Hoag a face so anachronistic that the senses reeled back. An old face, as if carved out of a paleolithic cherry-stone; the years furrowed in; the eyes as if they had seen, without marveling, the light of creation; even the hands, braceleted in what might have been portière-rings, leanly prehensile. When the Baron spoke, his voice was not unlike the middle C of an old harpsichord whose wires long since had rusted and died. He was frock-coated like a clergyman or a park statue of a patriot.
Of face, a Chaldean sire; of dress, a miniature apotheosis of the tailor's art; of form, a paleolithic child.