"Don't tell anybody, Mr. Ginsburg, and I'll whisper you something. Listen! I ain't back; I'm shooting porcelain ducks off the shelf in a china shop."

"Ah, you're back again with your fun, ain't you? Miss Ruby—believe me—I missed you enough. I bet you had a grand time at the farm!"

Mr. Ginsburg shook hands with her shyly, with a sudden red in his face, and as if her fingers were holy with the dust of a butterfly's wings and he feared to brush it off.

"Say, Mr. Ginsburg, you should have seen me! What I think of a shoe-tree after laying all yesterday afternoon under a oak-tree next to a brook that made a noise like playing a tune on wine-glasses, I'd hate to tell you. Say, you're unpacking them ten-button welts, ain't you? Good! It ain't too soon for the school stock."

Miss Cohn withdrew two super-long, sapphire-headed hat-pins from her super-small hat, slid out of a tan summer-silk jacket, dallied with the froth of white frills at her throat, ran her fingers through the flame of her hair and turned to Mr. Ginsburg. Her skin was like thick cream and smattered with large, light-brown freckles, which enhanced its creaminess as a crescent of black plaster laid against a lady's cheek makes fairness fairer.

"Well, how's business? I've come back feeling like I could sell storm rubbers to a mermaid."

"You look grand for certain, Miss Ruby. They just can't look any grander'n you. Believe me, I missed you enough! To-day it's cool; but the day before yesterday you can know I was done up when I closed before six."

"Can you beat it? And I was laying flat on the grass, with ants running up my sleeves and down my neck and wishing for my sealskin—it was so cool. I see Herschey's got cloth-tops in his windows. What's the matter with us springing them patent-tip kids? Say, I got a swell idea for a window comin' home on the train—lookin' at the wheat-fields made me think of it."

"Whatta you know about that? Wheat-fields made her think of a shoe window—like a whip she is—so sharp!"

"It's a yellow season, Mr. Ginsburg; and we can use them old-oak stands and have a tan school window that'll make every plate-glass front between here and One Hundred and Twenty-fifth Street look like a Sixth Avenue slightly worn display."