"What?"
"Good night, children!"
When the clock in the parlor struck eleven Mrs. Ginsburg wiped dry her last dish, flapped out her damp dish-towel, and hung it over a cord stretched diagonally across a corner of the kitchen. Then she closed the cupboard door on the rows of still warm dishes, slammed down the window and locked it, reached up, turned out the gas, and groped into her adjoining bedroom.
Reflected light from the Maginty kitchen lay in an oblong on the floor and climbed half-way on the bed. By aid of the yellow oblong Mrs. Ginsburg undressed slowly and like a withered Suzanne, who dared not blush through her wrinkles.
The black wrapper, with empty arms dangling, she spread across a chair, and atop of it a black cotton petticoat, sans all the gentle mysteries of lace and frill. Lastly, beside the bed, in the very attitude of the service of love, she placed her shoes—expressive shoes, swollen from swollen joints, and full of the capacity for labor.
Then Mrs. Ginsburg climbed into bed, knees first, threw backward over the foot-board the blue-and-white coverlet, and drew the sheet up about her. A fresh-as-water breeze blew inward the lace curtain, admitting a streak of light across her eyes and a merry draught about her head. The parlor clock tonged the half-hour.
Silence for a while, then the black rush of a train, an intermittent little plaint like the chirrup of a bird in its cage, the squeak of a bed-post, and a succession of the unimportant noises that belong solely to the mystery of night.
Finally, from under the sheet, the tremolo of a moan—the sob of a heart that aches and, aching, dares not break.