This noble Venetian Dame then exhibited, beneath an old white satin bedgown, made to cover her arms and breast, the dress in which she had equipped herself, between the acts, to be ready for trampling home; namely, a dirty red and white linen gown, an old blue stuff quilted coat, and black shoes and stockings.
In this pitiable condition, she was running, screaming, off the stage, when Othello, having quenched the fire, unconscious that half his curls had fallen a sacrifice to the flames, hastily pursued her, and, in a violent passion, called her a fool, and brought her back to the bed; in which he assisted her to compose herself, and then went behind the scenes to light his candle; which having done, he gravely returned, and, very carefully putting it down, renewed his part with the line.
Be thus vhen thou art dead, and I vill kill thee
And love thee after—
Amidst roars of laughter from the whole audience, who, when he kissed her, almost with one voice called out—'Ay ay, that's right—kiss and friends!'
And when he said—
I must veep——
'So must I too, my good friend,' cried Sir Sedley, wiping his eyes, 'for never yet did sorrow cost me more salt rheum! Poor Blacky! thou hast been most indissolubly comic, I confess. Thou hast unstrung me to a degree. A baby of half an hour might demolish me.'
And again, when Othello exclaimed—
She vakes!
'The deuce she does?' cried Sir Sedley, 'what! has she been asleep again already? She's a very caricatura of Morpheus. Ay, do thy worst, honest Mungo. I can't possibly beg her off. I would sooner snift thy farthing candle once a day, than sustain that nasal cadence ever more.'