“You, madam,” said he, returning her bow, “are I hope an exception in the happiest way, that of having no sorrow at all. I come, now, to the silence of affectation, which is presently discernible by the roving of the eye round the room to see if it is heeded, by the sedulous care to avoid an accidental smile, and by the variety of disconsolate attitudes exhibited to the beholders. This species of silence has almost without exception its origin in that babyish vanity which is always gratified by exciting attention, without ever perceiving that it provokes contempt. In these cases, as nature is wholly out of the question, and the mind is guarded against its own feelings, dress and public places are almost certain of failing, but here again love is sure to vanquish; as soon as it is named, attention becomes involuntary, and in a short time a struggling simper discomposes the arrangement of the features, and then the business is presently over, for the young lady is either supporting some system, or opposing some proposition, before she is well aware that she has been cheated out of her sad silence at all.”

“So much,” said Cecilia, “for sorrow and for affectation. Proceed next to stupidity; for that, in all probability, I shall most frequently encounter.”

“That always must be heavy work,” returned he, “yet the road is plain, though it is all up hill. Love, here, may be talked of without exciting any emotion, or provoking any reply, and dress may be dilated upon without producing any other effect than that of attracting a vacant stare; but public places are indubitably certain of success. Dull and heavy characters, incapable of animating from wit or from reason, because unable to keep pace with them, and void of all internal sources of entertainment, require the stimulation of shew, glare, noise, and bustle, to interest or awaken them. Talk to them of such subjects, and they adore you; no matter whether you paint to them joy or horror, let there but be action, and they are content; a battle has charms for them equal to a coronation, and a funeral amuses them as much as a wedding.”

“I am much obliged to you,” said Cecilia, smiling, “for these instructions; yet I must confess I know not how upon the present occasion to make use of them: public places I have already tried, but tried in vain; dress I dare not mention, as I have not yet learned its technical terms—”

“Well, but,” interrupted he, “be not desperate; you have yet the third topic unessayed.”

“O, that,” returned she, laughing, “I leave to you.”

“Pardon me,” cried he; “love is a source of loquacity only with yourselves: when it is started by men, young ladies dwindle into mere listeners. Simpering listeners, I confess; but it is only with one another that you will discuss its merits.”

At this time they were interrupted by the approach of Miss Larolles, who, tripping towards Cecilia, exclaimed, “Lord, how glad I am to see you! So you would not go to the auction! Well, you had a prodigious loss, I assure you. All the wardrobe was sold, and all Lady Belgrade's trinkets. I never saw such a collection of sweet things in my life. I was ready to cry that I could not bid for half a hundred of them. I declare I was kept in an agony the whole morning. I would not but have been there for the world. Poor Lady Belgrade! you really can't conceive how I was shocked for her. All her beautiful things sold for almost nothing. I assure you, if you had seen how they went, you would have lost all patience. It's a thousand pities you were not there.”

“On the contrary,” said Cecilia, “I think I had a very fortunate escape, for the loss of patience without the acquisition of the trinkets, would have been rather mortifying.”

“Yes,” said Mr Gosport; “but when you have lived some time longer in this commercial city, you will find the exchange of patience for mortification the most common and constant traffic amongst its inhabitants.”