As the result of this, Fanny conceived a plan for revising and altering her piece, which she submitted to her daddy. Crisp answered:
“The play has wit enough and enough—but the story and the incidents don’t appear to me interesting enough to seize and keep hold of the attention and eager expectations of the generality of audiences. This, to me, is its capital defect.” He went on to suggest that this fault, being fundamental, admitted of no remedy. And then in reference to a proposed trip to Italy, he added: “They tell me of a delightful tour you are to make this autumn on the other side of the water, with Mr. and Mrs. Thrale, Dr. Johnson, Mr. Murphy, etc. Where will you find such another set? Oh, Fanny, set this down as the happiest period of your life; and when you come to be old and sick, and health and spirits are fled (for the time may come), then live upon remembrance, and think that you have had your share of the good things of this world, and say: For what I have received, the Lord make me thankful!”
The autumnal trip to the Continent did not take place, but in April the Thrales and Miss Burney went by easy stages to Bath:
“The third day we reached Devizes.
“And here, Mrs. Thrale and I were much pleased with our hostess, Mrs. Lawrence, who seemed something above her station in her inn. While we were at cards before supper, we were much surprised by the sound of a piano-forte. I jumped up, and ran to listen whence it proceeded. I found it came from the next room, where the overture to the ‘Buona Figliuola’ was performing. The playing was very decent, but as the music was not quite new to me, my curiosity was not whole ages in satisfying itself, and therefore I returned to finish the rubber.
“Don’t I begin to talk in an old-cattish manner of cards?
“Well, another deal was hardly played, ere we heard the sound of a voice, and out I ran again. The singing, however, detained me not long, and so back I whisked: but the performance, however indifferent in itself, yet surprised us at the Bear at Devizes, and, therefore, Mrs. Thrale determined to know from whom it came. Accordingly, she tapped at the door. A very handsome girl, about thirteen years old, with fine dark hair upon a finely-formed forehead, opened it. Mrs. Thrale made an apology for her intrusion, but the poor girl blushed and retreated into a corner of the room: another girl, however, advanced, and obligingly and gracefully invited us in, and gave us all chairs. She was just sixteen, extremely pretty, and with a countenance better than her features, though those were also very good. Mrs. Thrale made her many compliments, which she received with a mingled modesty and pleasure, both becoming and interesting. She was, indeed, a sweetly-pleasing girl.
“We found they were both daughters of our hostess, and born and bred at Devizes. We were extremely pleased with them, and made them a long visit, which I wished to have been longer. But though those pretty girls struck us so much, the wonder of the family was yet to be produced. This was their brother, a most lovely boy of ten years of age, who seems to be not merely the wonder of their family, but of the times, for his astonishing skill in drawing.[[48]] They protest he has never had any instruction, yet showed us some of his productions that were really beautiful. Those that were copies were delightful—those of his own composition amazing, though far inferior.[inferior.] I was equally struck with the boy and his works.
“We found that he had been taken to town, and that all the painters had been very kind to him, and Sir Joshua Reynolds had pronounced him, the mother said, the most promising genius he had ever met with. Mr. Hoare[[49]] has been so charmed with this sweet boy’s drawings that he intends sending him to Italy with his own son.
“This house was full of books, as well as paintings, drawings, and music; and all the family seem not only ingenious and industrious, but amiable; added to which, they are strikingly handsome.”