All of choice, however, and all of respect, that remained for Dr. Burney, consisted in a personal offer from Sir Charles Whitworth, to re-assemble an opposing meeting amongst those friends who, previously, had carried the day.
But happy as the Doctor would have been to have gained, with the honour of general approbation, a point he had elaborately studied to clear from mystifying objections, and to render desirable, even to patriotism; his pride was justly hurt by so abrupt a defalcation; and he would neither with open hostility, nor under any versatile contest, become the founder, or chief, of so important an enterprize.
He gave up, therefore, the attempt, without further struggle; simply recommending to the mature reflections of the members of the last committee, whether it were not more pious, as well as more rational, to endeavour to ameliorate the character and lives of practical musical noviciates, than to behold the nation, in its highest classes, cherish the art, follow it, embellish it with riches, and make it fashion and pleasure—while, to train to that art, with whatever precautions, its appropriate votaries from the bosom of our own country, seemed to call for opposition, and to deserve condemnation.
Thus died, in its birth, this interesting project, which, but for this brief sketch, might never have been known to have brightened the mind, as one of the projects, or to have mortified it, as one of the failures, of the active and useful life of Dr. Burney.
HISTORY OF MUSIC.
With a spirit greatly hurt through a lively sense of injustice, and a laudable ambition surreptitiously suppressed by misconception and prejudice, all that was left for Dr. Burney in this ungracious business was to lament loss of time, and waste of meditation.
Yet, the matter being without redress, save by struggles which he thought beneath the fair design of the enterprise, he combatted the intrusion of availless discontent, by calling to his aid his well-experienced antidote to inertness and discouragement, a quickened application to changed, or renewed pursuits.
Again, therefore, he returned to his History of Music; and now, indeed, he went to work with all his might. The capacious table of his small but commodious study, exhibited, in what he called his chaos, the countless increasing stores of his materials. Multitudinous, or, rather, innumerous blank books, were severally adapted to concentrating some peculiar portion of the work. Theory, practice; music of the ancients; music in parts; national music; lyric, church, theatrical, warlike music; universal biography of composers and performers, of patrons and of professors; and histories of musical institutions, had all their destined blank volumes.
And he opened a widely circulating correspondence, foreign and domestic, with various musical authors, composers, and students, whether professors or dilettante.