Whatever she suggested, or planned, one day, was reversed the next; though resorted to on the third, as if merely to be again rejected on the fourth; and so on, almost endlessly; for she rang not the changes in her opinions and designs in order to bring them into harmony and practice; but waveringly to stir up new combinations and difficulties; till she found herself in the midst of such chaotic obstructions as could chime in with no given purpose; but must needs be left to ring their own peal, and to begin again just where they began at first.
This lady was a no unfrequent visitor in St. Martin’s-street; where, for her many excellent qualities, she was much esteemed.
The Miss Palmers,[50] also, two nieces of Sir Joshua, lived with him then occasionally; and one of them, afterwards, habitually; and added to the grace of his table, and of his evening circles, by the pleasingness of their manners, and the beauty of their persons.
Mrs. Frances Reynolds desired to paint Dr. Burney’s portrait, that she might place it among certain other worthies of her choice, already ornamenting her dressing-room. The Doctor had little time to spare; but had too natively the spirit of the old school, to suffer No! and a lady, to pair off together.
During his sittings, one trait of her tenacious humour occurred, that he was always amused in relating. While she was painting his hair, which was remarkably thick, she asked him, very gravely, whether he could let her have his wig some day to work at, without troubling him to sit.
“My wig?” repeated he, much surprised.
“Yes;” she answered; “have not you more than one? can’t you spare it?”
“Spare it?—Why what makes you think it a wig? It’s my own hair.”
“O then, I suppose,” said she, with a smile, “I must not call it a wig?”
“Not call it a wig?—why what for, my clear Madam, should you call it a wig?”