Not small in the scales of justice must be reckoned this gift of the biographical and professional talents of Dr. Burney to the musical fund. A man who held his elevation in his class of life wholly from himself; a father of eight children, who all looked up to him as their prop; a professor who, at fifty-eight years of age, laboured at his calling with the indefatigable diligence of youth; and who had no time, even for his promised History, but what he spared from his repasts or his repose; to make any offering, gratuitously, of a work which, though it might have no chance of sale when its eclât of novelty was passed, must yet, while that short eclât shone forth, have a sale of high emolument; manifested, perhaps, as generous a spirit of charity, and as ardent a love of the lyre, as could well, by a person in so private a line of life, be exhibited.
Dr. Burney was, of course, so entirely at home on a subject such as this, that he could only have to wait the arrival of his foreign materials to go to work; and only begin working to be in sight of his book’s completion: but the business of the plates could not be executed quite so rapidly; on the contrary, though the composition was finished in a few weeks, it was not till the following year that the engravings were ready for publication.
This was a laxity of progress that by no means kept pace with the eagerness of the Directors, or the expectations of the public: and the former frequently made known their disappointment through the channel of the Earl of Sandwich; who, at the same time, entered into correspondence with the Doctor, relative to future anniversary concerts upon a similar plan, though upon a considerably lessened scale to that which had been adopted for the Commemoration.
The inconveniences, however, of this new labour, though by no means trifling, because absorbing all the literary time of the Doctor, to the great loss and procrastination of his musical history, had compensations, that would have mitigated much superior evil.
The King himself deigned to make frequent inquiry into the state of the business; and when his Majesty knew that the publication was retarded only by the engravers, he desired to see the loose and unbound sheets of the work, which he perused with so strong an interest in their contents, that he drew up two critical notes upon them, with so much perspicuity and justness, that Dr. Burney, unwilling to lose their purport, yet not daring to presume to insert them with the King’s name in any appendix, cancelled the two sheets to which they had reference, and embodied their meaning in his own text. At this he was certain the King could not be displeased, as it was with his Majesty’s consent that they had been communicated to the doctor, by Mr. Nicolai, a page of the Queen’s.
Now, however, there seems to be no possible objection to giving to the public these two notes from the original royal text, as the unassuming tone of their advice cannot but afford a pleasing reminiscence to those by whom that benevolent monarch was known; while to those who are too young to recollect him, they may still be a matter of laudable curiosity. And they will obviate, also, any ignorant imputation of flattery, in the praise which is inserted in the dedication of the Work to the King; and which will be subjoined to these original notes.
From the hand-writing of his Majesty George III.
“It seems but just, as well as natural, in mentioning the 4th Hautbois Concerto, on the 4th day’s performance of Handel’s Commemoration, to take notice of the exquisite taste and propriety Mr. Fischer exhibited in the solo parts; which must convince his hearers that his excellence does not exist alone in performing his own composition; and that his tone perfectly filled the stupendous building where this excellent concerto was performed.”
From the same.
“The performance of the Messiah.