circumstantially narrated, that not a stop so short as a comma occurred in more than an hour, while I was civilly waiting for a full period. Mr. Cumberland expressed his sorrow at what had happened at Drury-lane, and said that, if he had had the honour of knowing you sufficiently, he would have told you d'avance what would happen, by what he had heard behind the scenes. The players seem to have given the play an ill name. But, he says, if you would go to work again, by reforming this, or work with your best powers at a new plan, and would submit it to his inspection, he would, from the experience he has had, risk his life on its success. This conversation I thought too curious not to be mentioned. . . .

HASTINGs' ACQUITTAL. DR. BURNEY'S METASTASIO.

Well, but how does your Petit and pretty monsieur do? 'Tis pity you and M. d'Arblay don't like him, poor thing! And how does horticulture thrive ? This is a delightful time of the year for your Floras and your Linnaei: I envy the life of a gardener in spring, particularly in fine weather.

And so dear Mr. Hastings is honourably acquitted!(120) and I visited him the next morning, and we cordially shook hands. I had luckily left my name at his door as soon as I was able to go out, and before it was generally expected that he would be acquitted. . . .

The young Lady Spencer and I are become very thick , I have dined with her at Lady Lucan's, and met her at the blue parties there. She has invited me to her box at the opera, to her house in St James's Place, and at the Admiralty, whither the family removed last Saturday, and she says I must come to her the 15th, 22nd, and 29th of this month, when I shall see a huge assembly. Mrs. Crewe says all London will be there. She is a pleasant, lively, and comical creature, with more talents and discernment than are expected from a character si foltre. My lord is not only the handsomest and the best intentioned man in the kingdom, but at present the most useful and truly patriotic. And then, he has written to Vienna for Metastasio's three inedited volumes, which I so much want ere I advance too far in the press for them to be of any use.

I am halooed on prodigiously in my Metastasio mania. All the critics—Warton, Twining, Nares, and Dr. Charles—say that his "Estratto dell' Arte Poetica d'Aristotile," which I am

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now translating, is the best piece of dramatic criticism that has ever been written. "Bless my heart!" says Warton, "I, that have been all my life defending the three unities, am overset." "Ay," quoth I, "has not he made you all ashamed of 'em? You learned folks are only theorists in theatrical matters, but Metastasio had sixty years' successful practice. There!—Go to." My dear Fanny, before you write another play, you must read Aristotle and Horace, as expounded by my dear Metastasio. But, basta. You know when I take up a favourite author, as a Johnson, a Haydn, or a Metastasio, I do not soon lay him down or let him be run down. . . .

Here it strikes three o'clock: the post knell, not bell, tolls here, and I must send off my scrib: but I will tell you, though I need not, that, now I have taken up Metastasio again, I work at him in every uninterrupted moment. I have this morning attempted his charming pastoral, in "il Re Pastore." I'll give you the translation, because the last stanza is a portrait:—

To meadows, woods, and fountains
Our tender flocks I'll lead;
In meads beneath the mountains
My love shall see them feed.