While thus her fellow-performers surrounded the Incognita, Harleigh, alone, held back, absorbed in contemplating the fine form, which a remarkably light and pretty robe, now first displayed; and the beautiful features, and animated complexion, which were set off to their utmost lustre, by the waving feathers, and artificial flowers, which were woven into her soft, glossy, luxuriant brown hair. But though he forbore offering her any compliments, he no sooner observed that she was seized with a sudden panic, upon a servant's announcing, that the expected audience, consisting of some of the principal families of Sussex, was arrived, than he addressed, and endeavoured to encourage her.
'I am aware, Sir,' she said, 'that it may seem rather like vanity than diffidence, for one situated as I am to feel any alarm; for as I can have raised no expectations, what have I to fear from giving any disappointment? Nevertheless, now the time is come, the attempt grows formidable. It must seem so strange—so wond'rous strange,—to those who know not how little my choice has been consulted—'
She was interrupted, for all was ready; and Harleigh was summoned to open the piece, by the famous question, 'Why did I marry?'
The fright which now had found its way into the mind of the new Lady Townly, augmented every moment till she appeared; and it was then so great, as nearly to make her forget her part, and occasion what, hesitatingly, she was able to utter, to be hardly audible, even to her fellow-performers. The applause excited by her beauty, figure, and dress, only added to her embarrassment. She with difficulty kept to her post, and finished her first scene with complete self-discontent. Elinor, who watched her throughout it, lost all admiration of her exterior attractions, from contempt of her feeble performance.
But her second scene exhibited her in another point of view; her self-displeasure worked her up to exertions that brought forth the happiest effects; and her evident success produced ease, by inspiring courage. From this time, her performance acquired a wholly new character: it seemed the essence of gay intelligence, of well bred animation, and of lively variety. The grace of her motions made not only every step but every turn of her head remarkable. Her voice modulated into all the changes that vivacity, carelesness, pride, pleasure, indifference, or alarm demanded. Every feature of her face spoke her discrimination of every word; while the spirit which gave a charm to the whole, was chastened by a taste the most correct; and while though modest she was never awkward; though frightened, never ungraceful.
A performance such as this, in a person young, beautiful, and wholly new, created a surprize so powerful, and a delight so unexpected, that the play seemed soon to have no other object than Lady Townly, and the audience to think that no other were worth hearing or beholding; for though the politeness exacted by a private representation, secured to every one an apparent attention, all seemed vapid and without merit in which she was not concerned; while all wore an air of interest in which she bore the smallest part; and she soon never spoke, looked, nor moved, but to excite pleasure, admiration, and applause, amounting to rapture.
Whether this excellence were the result of practice and instruction, or a sudden emanation of general genius, accidentally directed to a particular point, was disputed by the critics amongst the audience; and disputed, as usual, with the greater vehemence, from the impossibility of obtaining documents to decide, or direct opinion. But that which was regarded as the highest refinement of her acting, was a certain air of inquietude, which was discernible through the utmost gaiety of her exertions, and which, with the occasional absence and sadness, that had their source in her own disturbance, was attributed to deep research into the latent subjects of uneasiness belonging to the situation of Lady Townly. This, however, was nature, which would not be repressed; not art, that strove to be displayed.
But no pleasure excited by her various powers, approached to the pleasure which they bestowed upon Harleigh, who could look at, could listen to her alone. To himself, he lost all power of doing justice; wrapt up in the contemplation of an object thus singular, thus excelling, thus mysterious, all ambition to personally shining was forgotten. He could not fail to speak his part with sense and feeling; he could not help appearing fashioned to represent a man of rank and understanding; but that address which gives life and meaning to every phrase; that ingenuity, which beguiles the audience into an illusion, which, for the current moment, inspires the sympathy due to reality; that skill which brings forth on the very instant, all the effect which, to the closet reader, an author can hope to produce from reflection; these, the attributes of good acting, and for which his taste, his spirit, and his judgment all fitted him, were now, from slackened self-attention, beyond his reach, though within his powers. At a public theatre, such an actress might have proved a spur to have urged the exertions of competition; in this private one, where success, except to vanity, was unimportant, her merit was, to Harleigh, an absorbent that occupied, exclusively, all his faculties.
In the last act, where Lady Townly becomes serious, penitent, and pathetic, the new actress appeared to yet greater advantage: the state of her mind accorded with distress, and her fine speaking eyes, her softly touching voice, her dejected air, and penetrating countenance, made quicker passage to the feelings of her auditors, even than the words of the author. All were moved, tears were shed from almost every eye, and Harleigh, affected and enchanted, at the moment of the peace-making, took her hand with so much eagerness, and pressed it to his lips with so much pleasure, that the rouge, put on for the occasion, was paler than the blushes which burnt through it on her cheeks. He saw this, and, checking his admiration, relinquished with respect the hand which he had taken nearly with rapture.
When the play was over, and the loudest applause had marked its successful representation, the company arose to pay their compliments to Mrs Maple. Lady Townly, then, followed by every eyes, was escaping from bearing her share in the bursts of general approbation; when a youth of the most engaging appearance, and evidently of high fashion, sprang over the forms, to impede her retreat; and to pour forth the highest encomiums upon her performance, in well-bred, though enthusiastic language, with all the eager vivacity of early youth, which looks upon moderation as insipidity, and measured commendation as want of feeling.