Middle age, with few exceptions, looks upon new clothes with abated interest. Old clothes, like old customs, fit easy. Comfort, anyhow, says middle age—appearances as the gods please; so new shoes lie on the shelf unworn for weeks, for fear of stiff heels or squeaky soles; and new clothes look and feel so spick-and-span and glossy, that middle age can no more say or do a natural thing in them, than the boy could spell right "before he had got the hang of the new school-house;" middle age resents this petty, fretting intrusion on its much-loved quiet. It is irritable, till new clothes begin to feel easy, which is not generally the case till some seam grows threadbare, or some treacherous gap horrifies the easy wearer with renewed visions of innovating fashions and fabrics.
Now this is very natural and very well, too, to a certain extent; but middle age sometimes forgets that something is due to affectionate young eyes, which take a proper pride in seeing "father" or "mother" neatly and becomingly dressed, according to their age and station in life. Roses and snow, of course, nobody looks for; but the trim evergreen shows well, even beside a snow-bank; and nature herself hangs glistening pendants of icicles from the glossy leaves of the ivy.
It is a harrowing reflection how much money is "sunk" every day in new clothes, in which the blissfully unconscious wearers look none the better, but rather the worse. Still, if everybody had good taste in this matter, there would be no foil to the well-dressed; and I am afraid the heartless dry-goods merchants care little whether blondes dress in orange color, or brunettes in sky-blue, so that their bills are paid.
But new clothes for the "baby." Ah! that is something worth while. I ask you, did love ever find fabric soft enough, or nice enough, or pretty enough, for "the baby"? Fathers and mothers may make as virtuously economical resolutions as they please; but why, if they mean to carry them out, do they linger at the shop-window where that dainty little satin bonnet stares them innocently in the face, with that pert little rosette, cocked upon one side, that "would look so cunning on baby." Why do they contemplate the rows of bright little red-prunella boots, or the embroidered little sacques and frocks? Why don't they cross right over and travel home out of the way of temptation? Surely, no pink could rival the rose of baby's cheek; no crimson the coral of its lips; no blue the sapphire of its eyes. For all that, out comes the purse and home goes the bonnet, or cloak, or frock. Just as if shopkeepers didn't know that babies will keep on being born, and born pretty; and that fathers and mothers are, and will be, their happy slaves all the world over to the end of time!
HOW I READ THE MORNING PAPERS.
If there is a time when I sigh for the "Cave of Adullam," whatever that may be, it is when, my coffee swallowed, my fingers clutch my precious, morning papers, for a blessed, quiet read.
I just begin an editorial, which requires a little thinking, when up comes Biddy with "Ma'am, there's a hole in the biler." The "biler" settled, I go back to the place indicated by my forefinger, where the Editor was saying "that Congress—" when somebody upsets the coffee-pot in an attempt to burlesque last night's public performance. The coffee-pot set right end up, and the coffee pond drained off the table-cloth, I return again to my beloved editorial;—when Biddy again appears with "Ma'am, the man has come to mend the door-handle as is broke." That nuisance disposed of, I take my paper and retreat in self-defence to the top of the house, and commence to read again, "that Congress—" when I am interrupted with loud shouts of "Where's mother? Mother? where are you?" I disdain to answer. "Mother?" In despair, I cry, in tragic tones, "Well, what is it?" "A poor soldier is at the door with pictures at thirty cents apiece, and he has but one arm." "Well, I have but one life—but for mercy's sake take his pictures, and don't let in anything else, man, woman, or child, till I read my paper through." I begin again: "If Congress—" when Biddy, who is making the bed in the next room, begins howling "Swate Ireland is the land for me." I get up and very mildly request—in view of a possible visit to an Intelligence Office—that she will oblige me by deferring her concert till I get through my morning paper. Then I begin again: "If Congress—" when up comes paterfamilias to know if it is to be beef, or chicken, or veal, that he is to order at market for that day's dinner. "Possum, if you like," I mutter, with both fingers on my ears, as I commence again, "If Congress—" Paterfamilias laughs and retreats, exclaiming, "Shadrachs! vot a womansh!" and I finish "Congress," and begin on the book reviews. A knock on the door. "Six letters, ma'am." I open them. Three for an "autograph," with the privilege of finding my own envelope and stamp, and mailing it afterward. One with a request for me to furnish a speedy "composition" to save a school-boy at a dead-lock of ideas from impending suicide. One from a man who has made a new kind of polish for the legs of tables and chairs, and wants me to write an article about it in the Ledger, and send him an early copy of the same. One from a girl "who never in her life owned a dress bonnet," and would like, with my assistance, to experience that refreshing and novel sensation.