When the words of a favorite hymn are read from the pulpit, and I am expecting the good old-fashioned tune, that has been wedded to it since my earliest recollection, and instead, I am treated to a series of quirks and quavers by a professional quartette, I can't help wishing myself where the whole congregation sing with the heart and the understanding, in the old-fashioned manner. I can have "opera" on week-days, and scenery and fine dresses thrown in. Sunday I want Sunday, not opera in negligé.
Of course it is high treason for me to make such an avowal; so, while I am in for it, I may as well give another twist to the rope that is round my neck. The other night I went to hear "The Messiah." The words are lovely, and as familiar to my Puritan ears as the "Assembly's Catechism;" but when they kept on repeating, "The Lord is in his hol—the Lord is in—is in his hol—is in—the Lord is in his hol"—and when the leader, slim, and clothed in inky black, kept his arms going like a Jack in a box, I grew anything but devout. The ludicrous side of it got the better of me; and when my companion, who pretends to be no Christian at all, turned to me, who am reputed to be one, in a state of exaltation, and said, "Isn't that grand, Fanny?" he could have wished that the tears in my eyes were not hysterical, from long-suppressed laughter. He says he never will take me there again, and I only hope he will keep his word. All the "music" I got out of it was in one or two lovely "solos."
Now what I want to know is, which has the most love for genuine music—he or I?
The fact is, I like to find my music in unexpected, simple ways, where the machinery is not visible, like the Galvanic gyrations of that "leader," for instance. That kind of thing recalls too vividly my old "fa-sol-la" singing-school, where the boys pulled my curls, and gave me candy and misspelt notes.
There is evidently something wanting in my make-up, with regard to "music," when I can cry at the singing of the following simple verses, by the whole congregation in church, and do the opposite at the scientific performance of "The Messiah." Listen to the verses:
"Pass me not, O gentle Saviour,
Hear my humble cry;
While on others Thou art smiling,
Do not pass me by.
Saviour, Saviour,
Hear my humble cry.
"If I ask Him to receive me,
Will he say me Nay?
Not till earth and not till heaven
Shall have passed away."