WHOM DOES IT CONCERN?
“Stitch—stitch—stitch! Will this never end?” said a young girl, leaning her head wearily against the casement, and dropping her small hands hopelessly in her lap. “Stitch—stitch—stitch! from dawn till dark, and yet I scarce keep soul and body together;” and she drew her thin shawl more closely over her shivering shoulders.
Her eye fell upon the great house opposite. There was comfort there, and luxury, too; for the rich, satin curtains were looped gracefully away from the large windows; a black servant opens the hall door: see, there are statues and vases and pictures there: now, two young girls trip lightly out upon the pavement, their lustrous silks, and nodding plumes, and jeweled bracelets glistening, and quivering, and sparkling in the bright sunlight. Now poising their silver-netted purses upon the daintily gloved fingers, they leap lightly into the carriage in waiting, and are whirled rapidly away.
That little seamstress is as fair as they: her eyes are as soft and blue; her limbs as lithe and graceful; her rich, brown hair folds as softly away over as fair a brow; her heart leaps, like theirs, to all that is bright and joyous; it craves love and sympathy, and companionship as much, and yet she must stitch—stitch—stitch—and droop under summer’s heat, and shiver under winter’s cold, and walk the earth with the skeleton starvation ever at her side, that costly pictures, and velvet carpets, and massive chandeliers, and gay tapestry, and gold and silver vessels may fill the house of her employer—that his flaunting equipage may roll admired along the highway, and India’s fairest fabrics deck his purse-proud wife and daughters.
“Tut, tut, young woman! don’t quarrel with your bread and butter!”
It was a busy scene, the ware-room of Simon Skinflint & Co. Garments of every hue, size and pattern, were there exposed for sale. Piles of coarse clothing lay upon the counter, ready to be given out to the destitute, brow-beaten applicant who would make them for the smallest possible remuneration; piles of garments lay there, which such victims had already toiled into the long night to finish, ticketed to bring enormous profits into the pocket of their employer: groups of dapper clerks stood behind the counter, discussing, in a whisper, the pedestals of the last new danseuse—ogling the half-starved young girls who were crowding in for employment, and raising a blush on the cheek of humble innocence by the coarse joke and free, libidinous gaze; while their master, Mr. Simon Skinflint, sat, rosy and rotund, before a bright Lehigh fire, rubbing his fat hands, building imaginary houses, and felicitating himself generally, on his far-reaching financial foresight.