It did not take the poor China-man long to pack his trunk, for the very good reason that he had nothing to put in it. So, in less than a week's time, his wooden shoes walked on board the ship "Dolphin," and away he went to California, and I didn't hear of him again for many a long day.

It seems that after his master had got through all his business in California, he asked Min-Yung if he would like to go back to his own country and see his old father and mother, and his sisters, with the twinkling little feet;—and Min-Yung said yes. So the gentleman gave him some money, and he started off, in his little skull cap, for the "Celestial City."

I often used to think of him, and wonder if he found his old father and mother alive; and if they were glad to see him; and often, when I turned out a cup of tea, I laughed aloud to think of poor Min-Yung's horrid grimace, when I offered him some.

One day a huge box came for me, directed "United States of America." I couldn't imagine what was in it. I thought of mummies, and stuffed monkeys, and "infernal machines;" and walked round the box at a respectful distance, with one eye on the door.

By and by the lid was knocked off; and now, what do you think I found in it?—a chest of "tea;" none of your sham doses, but tea that a Chinese Mandarin wouldn't have turned up his celestial nose at, and a lovely little Chinese work-box, and a pretty scarlet, Canton-crape scarf, all from that comical, good, affectionate Min-Yung.

Won't you and I call on him, when we go to China?


[ TOM, THE TAILOR. ]

Tell you another story, Charley? Bless your blue eyes, how many stories high do you suppose I am?

Who made that jacket for you, hey?