CHAPTER XXXVIII.
The door of Gertrude's studio was ajar, for the day was warm, and the lady had sat persistently at her easel, as was her wont (when the glow was on), since early day-light.
Pictures and picture frames, canvas and brushes, sketches in oils, engravings and crayons, were scattered round, with as little regard to housewife-ly order, as if the apartment had been tenanted by one of the disorderly sex; the light was fine, and that was the most Gertrude cared about.
She was a picture herself as she sat there, and though a woman, was not aware of it. The loose, white wrapper she wore had become unfastened at the throat, and fallen partially off one shoulder, revealing as perfect a bust as ever set a sculptor or lover dreaming. No prettier ornament could have been found to keep back her light brown tresses than her tiny white ears. And as the light fell upon the arm and hand which held her palette, one ceased marveling, with such a model before her, at her successful reproductions of it in the female pictures.
There are some kinds of hair which always look poetical, whether arranged or disarranged; their glossy waves changing in the sun's rays like the arched neck of the peerless golden pheasant; now brown, now golden, beautiful whether in light or shade. This was one of Gertrude's greatest charms. And yet Gertrude was no beauty; but somehow there was a witchery about her which made you think so. It might have been the play of expression on the flexible lips, the warming up of the complexion, the sudden kindling of the eye with smiles, to be as suddenly quenched by tears; the rapid transitions from pensive sadness to mischievous mirth. When she spoke, you thought the charm in her musical voice, when she moved, in the symmetry of her form; every dress she wore you wished she would always wear, every thing she did struck you as being most perfectly and gracefully done; every thing she said was pertinent and piquant; she had thought much, and read little, hence she was always fresh and original; she was an independent thinker, and though strong-minded and clear-headed, was strictly feminine. You looked your watch in the face incredulously when you left her, as if it, not she, were at fault.
"I really do not think I can do better than that," she soliloquized, laying down her brushes, and stepping back to look at her picture, "that is a success; I feel it."