’Tis Sunday in the country.
Serene and majestic, in the distance, lie the blue, cloud-capped hills; while, at their base, the silver stream winds gracefully, sparkling in the glad sunlight. Now the fragrant branches stir with feathered life; and one clear, thrilling carol lifts the finger from the dumb lip of Nature, heralding a full orchestra of untaught choristers, which plume their wings, and soaring, seem to say, Praise Him! praise Him!
Obedient to the sweet summons, the silver-haired old man and rosy child, along grassy, winding paths, his to the little village church. On the gentle maiden’s kindly arm leans the bending form of “four score years and ten,” gazing, with dimmed but grateful eye, on leafy stem, and bursting bud, and full-blown flower; or, listening to the wind dallying with the tall tree-tops, or kissing the fields of golden grain, which wave their graceful recognition, as it sweeps by on its fragrant path.
And now, slowly the Sabbath sun sinks beneath the western hills in gold and purple glory. Gently the dew of peace descends on closed eyes and flowers; while holy stars creep softly out, to keep their tireless watch o’er happy hearts and Sabbath-loving homes.
OUR STREET.
Sing away, little bird! only you, the trees, and myself, are stirring; but you have an appreciative audience. Your sweet carol and the graceful waving of yonder tree, as the soft wind turns up its silver-lined leaves in the sunlight, fill my heart with a quiet gladness.
Whom have we here? with ragged skirt, bare mud-begrimed feet and ankles, tattered shawl, and tangled masses of hair fluttering round a face ploughed deep with time and trouble. See—she stoops, and, stretching her skeleton fingers towards the gutter, grasps some refuse rags and paper, and thrusts them greedily into the dirty sack she bears upon her shoulders. Good heavens! that dirty mass of rags a woman? How wearily she leans against yonder tree, gazing upward into its branches! Perhaps that little bird’s matin song has swept some chord for long years untouched in that callous heart; telling her of the shelter of a happy home, where Plenty sat at the board and Love kept guard at the threshold. Oh! who can tell? One more song, my little bird, ere she goes; not so mockingly joyous, but sweet, and soft, and low—a requiem for blighted youth and blasted hopes; for know that the blue sky to whose arch you soar, bends over misery enough to make the bright seraphs weep.
Bless me! what yell is that? “Yeei—ho—oe—yeei—ho.” It is only a milkman, and that horrid cry simply means, “Milk for sale.” What a picture of laziness is the vendor! Jump off your cart, man, thump on the kitchen door with your milk-dipper, and rouse that sleepy cook who is keeping you waiting her pleasure; that’s the way to do business: pshaw! your manliness must have been diluted with your milk. One by one they emerge, the dead-and-alive looking housemaids, dragging their brooms after them lazily and helplessly, and bandy words with the vexed milkman, and gossip with each other, as they rest their chins on their broom-handles, on “kitchen-cabinet” affairs.