Parliament meets again in a few days, and then comes the tug of war. Lord John Russell was at Oatlands while we were there, and as the Francis Egertons and their guests were all anti-Reformers, they led him rather a hard life. He bore all their attacks with great good humor, however, and with the well-satisfied smile of a man who thinks himself on the right, and knows himself on the safe side, and wisely forbore to reply to their sallies. Our visit there was delightful.
As the distance is but one and twenty miles, my mother and I posted down in the open carriage. The only guests we found on our arrival were Mr. and Mrs. Sullivan (she is a daughter of Lady Dacre's, and a charming person), Lord John Russell, and two of our corps dramatique, Mr. Craven and Captain Shelley, son of Sir John Shelley, a handsome, good-humored, pleasant young gentleman, who acts Charles V. in "Hernani." I got up very early the first morning I was there and went down before breakfast to our little old cottage. In the lane leading to it I met a poor woman who lived near us, and whom we used to employ. I spoke to her, but she did not know me again. I wonder if these four years can have changed me so much? The tiny house had not been inhabited since we lived there.... My aunt Siddons is better, and Cecy very well.
Your affectionate
F. A. K.
[The beautiful domain of Oatlands was only rented at this time by Lord Francis Egerton, who delighted so much in it that he made overtures for the purchase of it. The house was by no means a good one, though it had been the abode of royalty; but the park was charming, and the whole neighborhood, especially the wooded ranges of St. George's Hill, extremely wild and picturesque.... Lord Francis Egerton bought St. George's Hill, at the foot of which he built Hatchford, Lady Ellesmere's charming dower house and residence after his death, and the house of Oatlands became a country inn, very pleasant to those who had never known it as the house of former friends, and therefore did not meet ghosts in all its rooms and garden walks; and the park was cut up into small villa residences and rascally inclined citizen's boxes. Hatchford, the widowed home of Lady Ellesmere and burial-place of her brother, to whose memory she erected there an elaborate mausoleum, has passed out of the family possessions and become the property of strangers. One son of the house lives on St. George's Hill, and has his home where I have so often drawn rein while riding with his father and mother to look over the wild, wooded slopes to the smiling landscape stretching in sunny beauty far below us.]
Monday, May 30th. ... The Francis Egertons called, and sat a long time discussing "Hernani." ... I must record such a good pun of his, which he only, alas, dreamt. He dreamt Lord W—— came up to him, covered with gold chains and ornaments of all sorts, and that he had called him the "Chain Pier." ... In the evening to Bridgewater House. As soon as we arrived, I went to my own private room, and looked over my part. We began at nine. Our audience was larger than the last time. The play went off extremely well; we were all improved. I was very anxious to play well, for the Archbishop of York was in the front row, and he (poor gentleman!) had never had the happiness of seeing me, the play-house being forbidden ground to him. [This seems rather inconsistent, as all the lesser clergy at this time frequented the theater without fear or reproach. Dr. Hughes, the Very Reverend Prebend of St. Paul's, Milman, Harness, among our own personal friends, were there constantly, not to speak of my behind-the-scenes acquaintance, the Rev. A.F.] I should like to seduce an old Archbishop into a liking for the wickedness of my mystery, so I did my very best to edify him, according to my kind and capacity.... At the end of the play, as I lay dead on the stage, the king (Captain Shelley) was cutting three great capers, like Bayard on his field of battle, for joy his work was done, when his pretty dancing shoes attracted, in spite of my decease, my attention, and I asked, with rapidly reviving interest in existence, what they meant, on which I was informed that the supper at Mrs. Cunliffe's was indeed a ball. I jumped up from the dead, hurried off my stage robes, and hurried on my private apparel, and followed my mother into the saloon. Here I had delightful talk (though I believe I was dancing on my mind's feet all the while) with Lord John Russell, Miss Berry, Lady Charlotte Lindsay, and that charming person, James Wortley, and I got a glimpse of Lord O——'s lovely face, who is a beautiful creature. After being duly stared at by the crowds of my exalted fellow-beings who filled the room, Lady Francis said she would send them away, and we adjourned to Mrs. Cunliffe's, and had a very fine ball; that is to say, we had neither room to dance, nor space to sit, nor power to move.
"Oh, pleasure is a very pleasant thing," as Byron sings and H—— for ever says, and certainly a good ball is a pleasant thing, and in spite of the above drawbacks I was enchanted with everything. Such shoals of partners! such nice people! such perfect music! such a delightful floor! Danced till the day had one eye wide open, and then home to bed—what a good thing it is to have one under the circumstances! I hope I have not been very tipsy to-night, but it is difficult with so many stimulants to keep quite sober. Broad daylight! Six o'clock!
Tuesday, May 21st.—My feet ache so with dancing that I can hardly stand. Did not some traditional princesses of German fairyland dance their shoes and stockings to pieces?
Going into the drawing-room I found my darling Dr. Combe there, and if I had not been so tired I must have made a jump at his neck, I was so very glad to see him. He brought me a letter from Mr. Combe, whom I love only one step lower. He sat with us but a short time, and leaves town to-morrow, which I am sorry for, first, because I should like to have seen him again so very much, and next, because I should have been glad that my mother became better acquainted with the mental charms and seductions of the man whose outward appearance seems to have allayed some of her apprehensions for the safety of my heart and those of my Edinburgh cousins. Mrs. W—— called soon after. She is intent upon my acting Mlle. Mar's part in "Henri Trois." I can do nothing with any French part in Covent Garden. If they can find a theater of half that size to get it up in, well and good; but seen from a distance, which defies discrimination of objects, a thistle is as good as a rose, and in that enormous frame refinement is mere platitude, and finish of detail an unnecessary minutia.
We went to the theater to see a new piece, I believe by Mrs. Norton. The pit and galleries were very indifferent; the dress circle and private boxes full of fine folk. Lady St. Maur (Georgiana Sheridan, Mrs. Norton's youngest sister, afterward Duchess of Somerset and Queen of Beauty) and her husband, with Corinne and Mr. Norton, in a box opposite ours. What a terrible piece! what atrocious situations and ferocious circumstances! tinkering, starving, hanging—like a chapter out of the Newgate Calendar. But, after all, she's in the right; she has given the public what they desire, given them what they like. Of course it made one cry horribly; but then of course one cries when one hears of people reduced by sheer craving to eat nettles and cabbage-stalks. Destitution, absolute hunger, cold and nakedness, are no more subjects for artistic representation than sickness, disease, and the real details of idiotcy, madness, and death. All art should be an idealized; elevated representation (not imitation) of nature; and when beggary and low vice are made the themes of the dramatist, as in this piece, or of the poet, as in the works of Crabbe, they seem to me to be clothing their inspirations in wood or lead, or some base material, instead of gold or ivory. The clay of the modeler is more real, but the marble of the sculptor is the clay glorified. In Crabbe's writings one has at least the comfort and consolation of a high moral sense, charming versification, and an occasional tender, exquisite expression of the beauties of nature. Our play to-night could not boast of these alleviations.