We did not return home till near nine, and so, instead of dinner, all sat down to high tea, at which everybody was very cheerful and gay, and the talk very bright....

I wish I could have painted my host and hostess this morning as they stood together on the lawn; she with her beautiful baby in her arms, her bright, fair forehead and eyes contrasting so strikingly with his fine, dark head. I never saw a more charming picture. (Landseer has produced one version of it in his famous "Return from Hawking.") Are not all such groups "Holy Families"? They looked to me holy as well as handsome and happy.

Wednesday, June 15th.— ... The races in the park were to begin at one, and we wished, of course, to keep clear of them and all the gay company; so at twelve my mother and I got into the pony carriage, and drove to Addlestone to my aunt Whitelock's pretty cottage there. It rained spitefully all day, and the races and all the fine racing folk were drenched. At about six o'clock my father came from London, bringing me letters; the weather had brightened, and I took a long stroll with him till time to dress for dinner.... In the evening music and pleasant talk till one o'clock.

Thursday, June 16th.—At eight o'clock my mother and I walked with my father to meet the coach, on the top of which he left us for London. After breakfast took my mother down to my "Cedar Hall," and established her there with her fishing, and then walked up the hill to the great trees and amused myself with bending down the big branches, and, seating myself on them, let them spring up with me. Climbing trees, as poor Combe would say, excites one's "wonder" and one's "caution" very agreeably, and I like it. I took Lord Francis's translation of "Henri Trois" back to the "Cedar Hall," where my mother was still watching her float. I was a good deal struck with it. He has not finished the whole of the first act yet, but there is one scene between the Duchess of Guise and St. Megrin that I should think ought to be very effective on the stage; and I can imagine how charming Mdlle. Mars must have been in her sleep-walking gestures and intonations. The situation, which is highly dramatic, is, I think, quite new; I cannot recollect any similar one in any other play....

After lunch my mother, Lady Charlotte, and Mr. Greville drove off to Monks Grove, and we followed them on horse-back; it is a little paradise of a place, with its sunny, smooth sloping lawns and bright, sparkling piece of water, the masses of flowers blossoming in profuse beauty, and the high, overhanging, sheltering woods of St. Anne's Hill rising behind it. On our way home much talk of Naples. I might like to go there, no doubt; the question is how I should like to come back to London after Naples, and I think not at all. In the evening read the pretty French piece of "Michel et Christine" which my father had sent me.

Friday, June 17th.— ... My mother, Mr. C——, and I drove together back to town; so good-by, Oatlands.

Monday, June 20th.—Went to rehearsal at half-past ten for John Mason, who is to come out in Romeo to-night; he had caught a dreadful cold and could hardly speak, which was terribly provoking, poor fellow! After my theater rehearsal of "Romeo and Juliet" drove to Bridgewater House to rehearse "Hernani." In the evening the house was very good at Covent Garden; I played well. John Mason was suffering dreadfully from cold and hoarseness; the audience were very good-natured, however, and he got through uncommonly well. My mother said I played "beautifully," which was saying much indeed for her. I was delighted, especially as the Francis Levesons and —— were all there.

Tuesday, June 21st.—Went to Bridgewater House to rehearse. Charles Young was among our morning audience; I was so glad to see him, for dear old acquaintanceship. The king was going to the House of Parliament, and Palace Yard was thronged with people, and we sat round one of the Bridgewater House windows to see the show. At about one the royal carriages set out—such lovely cream-colored horses, with blue and silver trappings; such splendid, shining, coal-black ones, with coral-colored trappings. The equipages looked like some enchanted present in a fairy story. The king—God bless him!—cannot, I should think, have been much annoyed by the clamorous greetings of his people. I'm afraid that ominous, sullen silence is a bad sign of the times. We rehearsed very steadily. Lord Francis, who is taking the old duke's part because of Mr. St. Aubin going abroad, is much improved by some teaching Young has bestowed upon him; but still he is by no means so good as Mr. St. Aubin was....

Wednesday, 22d.—Read "La Chronique de Charles Neuf," which is very clever, but the history of that period in France is so revolting that works of fiction founded upon it are as disagreeable as the history itself. Hogarth's pictures and Le Sage's novels are masterpieces, and yet admirable only as excellent representations of what in itself is odious. However, they are satirical works, and so have their raison d'être, which I do not think a serious novel about detestable times and people has. Drove to Bridgewater House, feeling so unwell that I could scarcely stand, and was obliged to lie down till I was called to go on the stage. We had a magnificent audience—all the grandeurs in England except the King. The Queen, the Duke and Duchess of Gloucester, the Duke and Duchess of Cumberland, Princess Elizabeth, Prince Leopold, the Duke of Brunswick. And lesser magnificoes the room full. Such very superior people make a dull audience, of course; the presence of royalty is always understood to bar applause, which is not etiquette when a Majesty is by. I played very ill; my voice was quite unmanageable, and broke twice, to my extreme dismay. The fact is, I am fagged half to death; but as I cannot give up my work and cannot bear to give up my play, the only wonder is that I am not fagged whole to death. Mr. Craven acted really capitally, and I wondered how he could. They put us out terribly in one scene by forgetting the bench on which I have to sit down. Hernani managed with great presence of mind and cleverness in its absence, but it spoilt our prettiest picture. After the play Lady Francis came to fetch me to be presented to the Queen; her Majesty was most gracious in her reception of me, and so were the Princess Elizabeth and the Duke of Gloucester, who came and had quite a long chat with me. When I had received my dismissal from her Majesty I ran to disrobe, and returned to join the crowd in the drawing-room.... When they were all gone we adjourned to Lady Gower's—a most magnificent supper, which we enjoyed in the perfection of comfort, in a small boudoir opening into and commanding the whole length of the supper saloon. Our snuggery just held my mother, Lady Francis, myself, Charles Greville, and three of our corps dramatique, and we not only enjoyed a full view of the royal table, but what was infinitely amusing, poor Lord Francis's disconsolate countenance, which half killed us with laughing. Supper done, we all proceeded downstairs to see the Royalty depart, and looked at a fine picture of Lawrence's of that handsome creature, Lord Clanwilliam. Took leave of my friends for some months, I am sorry to say; took Mr. ——home in our carriage and set him down just at day-dawn. It was past four o'clock before I saw my bed; and the life I am leading is really enough to kill any one.

Thursday, June 23d.—Quite unwell, and in bed all day. Mrs. Jameson came and sat with me some time. We talked of marriage, and a woman's chance of happiness in giving her life into another's keeping. I said I thought if one did not expect too much one might secure a reasonably fair amount of happiness, though of course the risk one ran was immense. I never shall forget the expression of her face; it was momentary, and passed away almost immediately, but it has haunted me ever since.