My servant was a citizen of the United States, having a vote, when he was turned from the theater door as a person of color; and negroes had been elected as Members of Congress at that very time. Strangely enough, Philadelphia, once the seat of enthusiastic and self-devoted Quaker abolitionism, the home of that noble and admirable woman, Lucretia Mott, who stood heroically in its vanguard, is now one of the strongholds of the most illiberal prejudice against the blacks.]

On Friday we acted "The School for Scandal." Our houses have been very fine indeed, in spite of the intolerable heat of the weather.... My ill-starred Fazio of Thursday night is making a terrible stir in the papers, appealing to the public, and writing long letters about his having merely studied the part to accommodate me. "Hard case—unjust partiality—superior influence," etc., etc.—in short, an attempt at a little cabal, the effect of which is that he has obtained leave to appear again to-morrow night in Jaffier to my Belvidera. The poor man is under a strong mental delusion, he cannot act in the least; however, we shall see what he will do with "Venice Preserved." ...

Yesterday evening we dined with some English people who are staying in this hotel, and met Dr. Wainwright, rector of the most "fashionable" church in New York; a very agreeable, good, and clever man, who expressed great delight at having an opportunity of meeting us in private, as his congregation are so strait-laced that he can neither call upon us nor invite us to his house, much less set his foot in the theater. The probable consequence of any of these enormities, it seems, would be deserted pews next Sunday, and perhaps eventually the forced resignation of his cure of souls. This is rather narrow minded, I think, for this free and enlightened country. Think of my mother's dear old friend, Dr. Hughes, and Milman, and Harness, and Dyce, and all our excellent reverend friends and intimate acquaintance....

To-morrow we act "Venice Preserved," on Tuesday "Much Ado about Nothing," Wednesday is a holiday, on Thursday, for my benefit, "The Stranger," and on Friday "The Hunchback." On the 10th of next month we act in Philadelphia, where we shall remain for a fortnight, and then return here for a fortnight, after which we go on to Boston. God bless you, dear! It is past twelve at night, and I have a ten-o'clock rehearsal to-morrow morning.

Ever your affectionate

F. A. K.

Part of Letter to Mrs. Jameson.

New York, September 30, 1832.

I am not sure that, upon the whole, our acting is not rather too quiet—tame, I suppose they would call it—for our present public. Ranting and raving in tragedy, and shrieks of unmeaning laughter in comedy, are not, you know, precisely our style, and I am afraid our audiences here may think us flat. I was informed by a friend of mine who heard the remark, that one gentleman observed to another, after seeing my father in "Venice Preserved," "Lord bless you! it's nothing to Cooper's acting—nothing! Why, I've seen the perspiration roll down his face like water when he played Pierre! You didn't see Mr. Kemble put himself to half such pains!" Which reminds me of the Frenchwoman's commendation to her neighbor of a performance of Dupré, the great Paris tenor of his day: "Ah! ce pauvre cher M. Dupré! ce brave homme! quel mal il se donne pour chanter cela! Regardez donc, madame, il est tout en sueur!" But this order of criticism, of course, may be met with anywhere; and the stamp-and-stare-and-start-and-scream-school has had its admirers all the world over since the days of Hamlet the Dane.

I have not seen much of either places or people yet.... This city is picturesque and foreign-looking; trees are much intermixed with the houses, among them a great many fine willows, and these, together with the various colors of the houses, and the irregularity of the streets and buildings, form constantly "little bits" that would gladden the eye of a painter. The sky here is beautiful; I find in it what you have seen in Italy, and I only in Angerstein's Gallery, the orange sunsets of Claude Lorraine.