Records of a Girlhood

by Fanny Kemble

• "Katharine, Queen," [457], [458].
• "Katharine of Cleves," Lord Francis Leveson's translation of "Henri Trois," [481], [484], [489], [490];
  • first acting of the play, [491];
  • critiques upon, [493];
  • "more interesting than any thing of Shakespeare's," [94], [496], [499];
  • its popularity waning, [503];
  • awkward incident while playing, [505].
• Kant, [346].
• Keats compared to Tennyson, [581].
  
  Kean at the English Theatre in Paris, [115], [118];
  • in "Merchant of Venice," [119];
  • Shakesperean revivals, [191];
  • non-acceptance of a part in "The Hunchback," [376], [429];
  • in Othello, Shylock, and Sir Giles Overreach, [430], [440];
  • effect of his acting, [477];
  • Othello, [478].
• Kemble, Adelaide, [17];
  • "Aunt Dall," [18], [23];
  • nurses Fanny Kemble through sickness, [132], [277], [297].
• Kemble, Charles, [36], [112], [114];
  • at the English Theatre at Paris, [115];
  • success in Paris, [117];
  • in Falstaff, [123];
  • property almost gone, [135];
  • in Edinburgh, [138];
  • arrested the first time, [168];
  • as Mercutio, [193];
  • acting in "The Gamester," [204];
  • embraced by Mme. Malibran, [204];
  • renewal of intercourse with Lawrence, [217];
  • incident in Dublin, [288];
  • invitation to Heaton, [291];
  • thrashing the Editor of the Age newspaper, [310];
  • acting Jaffir to Fanny Kemble's Belvidera, [336];
  • involved in six lawsuits, [336];
  • speech about theatre patents, [339];
  • in "The Hunchback," [377];
  • as Sir Thomas Clifford in "The Hunchback," [378];
  • overcome with laughter on the stage, [387];
  • forgetting a Duchess, [414];
  • shaking hands with his legal opponent Harris, [414];
  • intention of going to America, [427];
  • opinion of Kean, [429];
  • mistake in rendering Shylock, [430];
  • money seized at benefit in Bristol for Manager Brunton's debts, [431], [440];
  • acting at Plymouth in "The Gamester," [446];
  • enthusiasm over him at Plymouth, [446];
  • his surprising speech, ib.;
  • his health under great trials, [458];
  • as Giaffir, [461];
  • serious illness, [462];
  • recovery, [466];
  • relapse, [467];
  • still worse, [469];
  • again recovering, [472];
  • compared with Kean, [477];
  • as Benedict, [478];
  • recovery, [481];
  • breaks his nose while skating, [490];
  • an unfortunate compromise at Covent Garden, [513];
  • bowed down with care and trouble, [515];
  • refusing to act in "The Hunchback," [517];
  • examination before the House of Commons, [520];
  • twice arrested, [522];
  • farewell at Covent Garden, [529];
  • his estate in St. Giles', [536];
  • beginning in New York with Hamlet, [536];
  • his Romeo and Mercutio compared, [542];
  • compared to Cooper in "Venice Preserved," [544];
  • likely to have to die abroad, [567].
• Kemble, Mrs. Charles (Maria Therese de Camp), [2], [3], [4], [6], [65], [98], [109], [112], [118];
  • at Drury Lane, [173];
  • opinion of a stage costume, [190];
  • her failing health, [193];
  • returns to the stage after an absence of twenty years, [219];
  • her interest in Fanny Kemble's Juliet, [225], [267];
  • arrival of in Manchester, [277];
  • delicacy, [294];
  • physical organization, [311];
  • effect of reading Moore's "Life of Byron," [330];
  • rage at a picture of her husband, [345];
  • compared to Mrs. John Kemble, [358];
  • ill health, [371];
  • great pathetic and comic powers, [386];
  • "Francis I." dedicated to, [399];
  • moving the furniture, [464];
  • her horror of the sea, [482].
• Kemble, Frances Anne, born [180]9, [8];
  • Newman Street, ib.;
  • Westbourne Green, ib.;
  • childish freaks, [10];
  • at school at Mrs. Twiss' at Cambridge Place, [13];
  • punning from Shakespeare, [16];
  • return to London at Covent Garden Chambers, [17];
  • picture then said to be mine, [17];
  • question as to my being born there, [17];
  • anecdote with Talma, [25];
  • went to school in France, [26];
  • early pranks, [26];
  • childhood petulance, [27];
  • taken to an execution, [27];
  • childhood terrors, [29];
  • daily excursions, [30];
  • yearly distribution of prizes, [30];
  • residence at Craven Hill, [31];
  • leaves Boulogne, [31];
  • lodging in Gerard Street, [33], [34];
  • visit from Uncle Kemble, [34];
  • about Scott, Milton and Shakespeare, [36];
  • first visit to Lausanne, [36];
  • musical education, [37];
  • contemplating suicide, [43];
  • goes to Paris, [44];
  • at school in the Rue d'Angoulême, [44];
  • meets Lord Melbourne, [47];
  • goes to hear Mr. César Malan, [49];
  • impressions of Drs. Channing, Dewey, Bellows, Furness, Follen, Wm. and Henry Ware, Frederick Maurice, Dean Stanley, Martineau and Robertson, [49];
  • school life at Mrs. Rowden's, [54];
  • schoolmates, ib.;
  • a companion's funeral, [55];
  • reading Byron on the sly, [57];
  • my music and dancing masters, [58];
  • passion for dancing, [63];
  • private theatricals, [67];
  • first indications of dramatic talent, [70];
  • a new home in the Champs Elysées, [70];
  • an old-fashioned wedding, [72];
  • home from school, [74];
  • cottage at Weybridge, [75];
  • passion for fishing, [78];
  • taken with smallpox, [82];
  • harness for gracefulness, [85];
  • a robbery, [89];
  • trip to Hertfordshire, [90];
  • first meeting with H—— S——, [91];
  • "Der Freyschütz," [94];
  • presentation to Mendelssohn, [96];
  • spoken of to the Queen, [96];
  • return to Heath Farm, [101];
  • Trenton Falls, [102];
  • love for books, [103];
  • our house at Bayswater, [106];
  • letters from Bayswater, [107];
  • offered £200 for first play, [114];
  • the play of "Francis I." finished, [16];
  • thoughts of a comedy, [118];
  • sees "Merchant of Venice" for first time, [119];
  • visits West India Docks and Thames Tunnel, [120];
  • MSS. in the fire, [122];
  • thoughts of going on the stage, [123];
  • read "Diary of an Ennuyée" for first time, [124];
  • Longing for Italy, [124];
  • acquaintance with Mr. and Mrs. Montagu, [129];
  • picture by "Dick," "There's plenty of it, Fan," [131];
  • ill of measles, [131];
  • desire to say something from myself, [131];
  • ghosts, [132];
  • convalescence, [132];
  • considering a means of livelihood, [135];
  • about marrying, [136];
  • going on the stage, [137];
  • projected works, [138];
  • first ball, [140];
  • admiration for Mrs. Henry Siddons, [143];
  • love for Edinburgh, [145];
  • a touching incident, [147];
  • a Scotch Venus, [149];
  • raspberry tarts, [152];
  • sitting to Lawrence Macdonald for bust, [152];
  • "Grecian Daughters," [152];
  • an old-fashioned house, [156];
  • a partisan of Charles Edward, [156];
  • an unlucky speech, [156];
  • great esteem for Dr. Combe, [155];
  • intimacy with Harry Siddons, [157];
  • incident of Scottish regalia, [157];
  • at Mr. Combe's house, [158];
  • listens to Chambers Brothers' story of poverty, [161];
  • a jolly face for a tragic actress, [162];
  • Mons Meg and Madame Catalani, [162];
  • observance of Sunday, [163];
  • a natural turn for religion, [164];
  • give up Byron's poetry, [165];
  • a new tragedy, "Fiesco," [168];
  • return to London, [168];
  • religious zeal, [170];
  • singing with Moore, [173];
  • begins a visit to England in [184]1, [175];
  • meeting Sir Samuel Cunard, [176];
  • through London in [184]5, on way to Italy, [176];
  • renewal of intercourse with Mrs. Norton, [177];
  • talks about the Hindoo Theatre, [178];
  • plans for helping my father, [179];
  • goes to Scotland, [180];
  • destroying H.'s letters, [181];
  • German abandoned, [181];
  • a few words about Shakespeare, [182];
  • admiration for young Tennyson's poems, [184];
  • the theatre to be sold, [186];
  • life rather sad, [186];
  • "brought out" as Juliet, [188];
  • a badly dressed Juliet, [189];
  • preparations for first appearance, [189];
  • my opinion of Portia, [187]
  • preparing for a début, [191];
  • a constant admirer, [197];
  • awkward incident with Mr. Abbot, [199];
  • "Jove, Fanny, you are a lift!" [200];
  • interest in Malibran, [203];
  • acting as Mrs. Beverley in "The Gamester" in Manchester, [204];
  • a strange scene between my father and Madame Malibran, [204]
  • a little advice from Malibran, [204];
  • resemblance to Madame Malibran, [205];
  • translate De Musset's lament for Malibran, [206];
  • restore the ending to "Romeo and Juliet," [207];
  • danger of falling in love with Lawrence, [209];
  • sitting for portrait to Lawrence, [209];
  • a sudden glimpse of Satan, [214];
  • first copy of "Paradise Lost," [215];
  • a deplorable act of honesty, [217];
  • preparing for début, [218];
  • ideas of beauty, [218];
  • début in "Romeo and Juliet," [220];
  • first watch, [221];
  • impression of moral danger, [222];
  • a disappointed "puffer," [223];
  • popularity in America, [224];
  • incident of last public reading in America, [224];
  • tenth edition of "Francis I.," [225];
  • income during first professional years, [226];
  • first salary at Covent Garden, thirty guineas weekly, [226];
  • acquaintances behind the scenes, [227];
  • dancing with a queer clergyman, [229];
  • a cold ride from Boston, [231];
  • riding lessons, [232];
  • portrait by Lawrence and sketches by Hayter, [234];
  • likeness to Mrs. Sarah Siddons, [235];
  • appearance in "Grecian Daughter," [236];
  • mourning for Lawrence, [237];
  • dress as Euphrasia, [238];
  • "Shetland pony," [240];
  • altering last scene of "Grecian Daughter," [241];
  • annoyance of being stared at, [242];
  • a tumble in the "Grecian Daughter," [243];
  • a summer tour, [244];
  • in "The Gamester," [245];
  • stage nervousness, [245];
  • first appearance as Portia, [247];
  • fright as Portia, [249];
  • happiness of reading Shakespeare, [249];
  • love for dancing, [252];
  • delight in Portia's costume, [252];
  • acting Isabella at John Kemble's benefit, [253];
  • compared with Mrs. Siddons and Miss O'Neill, [234];
  • farewell to London, [256];
  • as Mrs. Haller, [254];
  • impressions of Bath, [257];
  • audiences not so friendly out of London, [258];
  • fortnight at Edinburgh, [259];
  • at Glasgow, ib.;
  • criticism at Glasgow, [260];
  • breakfasting with Sir Walter Scott, [260]:
  • anecdote of Scottish regalia, [261];
  • incident with Scott, [262];
  • Scott's mental triumph over outward circumstances, [263];
  • visit to Abbotsford, [264];
  • scenes and incidents at Abbotsford, [264];
  • visiting Lochs Lomond and Long, [266];
  • audiences at Glasgow, [267];
  • new home at Great Russell street, [268];
  • some portraits, ib.;
  • dinner at Lady Morgan's, [269];
  • life at Bannisters, [271];
  • at Ardgillan Castle, [273];
  • about governesses, [275];
  • about the French Revolution of [183]0, [276];
  • a good audience at Dublin, [276];
  • a medley of visits, [278];
  • experimental trip on Stephenson's new railroad, [278];
  • a ride with Stephenson, [279];
  • description of a locomotive, [281];
  • a new sensation, [283];
  • an idea of religion, [285];
  • a warm reception in Dublin, [288];
  • repugnance to work, [298];
  • a distressing letter from John Kemble, [293];
  • a West Indian yarn, [295];
  • at Birmingham, [295];
  • an exhilarating ride, [298];
  • Lord Huskisson's death, [298];
  • evenings at Heaton, [300];
  • the guests at Heaton, [302];
  • to Liverpool for the opening of the new railroad, [303];
  • "The Jew of Aragon," [305];
  • "The Jew of Aragon" and "Griselda," [306];
  • failure of "The Jew of Aragon," [307];
  • consenting to go with Tom Taylor and Charles Reade to see "The King's Wager" for first time, [308];
  • thoughts of publishing the plays and verses, [309];
  • the editor of the Age thrashed, [310];
  • on drawing and painting, [311];
  • about managing children, [312];
  • the Age newspaper, [314];
  • playing "The Provoked Husband," [315];
  • failure of "The Fair Penitent," [318];
  • working on and getting published "The Star of Seville," [319];
  • dinner at Mr. Cartwright's, [321];
  • Christmas-eve at Mrs. Siddons', [322];
  • public opinion about acting with her father, [323];
  • Bianca in "Fazio," [323];
  • Juliet, Calista, Mrs. Haller, and Lady Townley, [323];
  • a run around Brighton, [328];
  • advantage of Mrs. Siddons and Miss O'Neill in their tragic partners, [336];
  • the Chancery case again, [331];
  • a few words about Byron, [331];
  • about children's letters, [332];
  • more about Byron, [333];
  • "Cenci," [334];
  • "Fazio," Mrs. Beverley and Belvidera, [334];
  • Burns, [335];
  • acting Belvidera, [336];
  • learning the part of Beatrice in one hour, [336];
  • Goethe, [338];
  • discussion as to destiny of human soul, [337];
  • reading Channing's Essay on Milton, [337];
  • Goethe's love for Madame Kestner, [337];
  • the journal, [340];
  • "Francis I.," [341];
  • a pleasant party, [342];
  • a little sculpture, [343];
  • the Reform Bill, [344];
  • the Kemble jawbone, [345];
  • production of "Francis I." an annoyance, [350];
  • the "White Devil," [353];
  • benefit at Covent Garden, [356];
  • playing Lady Macbeth, [357];
  • playing Belvidera, [357];
  • Constance, for a benefit, [359];
  • success in Constance, [360];
  • portrait by Mr. Pickersgill, [362];
  • "Chiedo sostegno," [365];
  • Pickersgill, Lawrence, and Turnerelli, [365];
  • about Portia and Camiola, [369];
  • in want of a chapter on, [371];
  • first friendship with Earl and Countess of Ellesmere, [374];
  • about management, [373];
  • on gestures, [373];
  • a new friendship begun at Bridgewater House, [374];
  • opinions as to success of "The Hunchback," [376];
  • in Mariana, [377];
  • opinion of "The Hunchback," [378];
  • contrasting Shakespeare's Juliet with Knowles' Julia, [379];
  • all about Lady Cork, [379];
  • about "Old Plays," [385];
  • Mrs. Charles Kemble's help in leading parts, [386];
  • developing a gift for comedy, [386];
  • embarrassing situations when acting with Mr. Kemble, [387];
  • Massinger's plays compared with some others, [389];
  • Destiny, ib.;
  • "Star of Seville," ib.;
  • compared with Lady Salisbury, [394];
  • finishing "The Star of Seville," [395];
  • first appearance as Lady Teazle, [395];
  • desire to see Weybridge again, [396];
  • correcting proof on "Francis I.," [396];
  • "Reform," [398];
  • dedicating "Francis I." to Mrs. Charles Kemble, [399];
  • the communion service, [401];
  • off for Oatlands, and talks by the way, [402];
  • dress rehearsal for "Hernani," [405];
  • Hayter's picture for Lord Ellesmere, [412];
  • visit to Newgate, [413];
  • death of Mrs. Siddons, [416];
  • a summer's arrangements, [416];
  • "Une Facete," [417];
  • a royal audience, [422];
  • about marriage, [423];
  • talk about dislike to the stage, [432];
  • a street-singing project, [436];
  • sombre thoughts about marriage, [437];
  • opinion of Juliet, [438];
  • at Exeter, [439];
  • getting fortune told, [440];
  • love for Weybridge, [441];
  • verses on Bonaparte at St. Helena, [441];
  • slippery lodgings, [444];
  • "King John," Mrs. Siddons in, [446];
  • women as dramatic writers, [446];
  • a disagreeable sail, [447];
  • "fine people" and "not fine people," [455];
  • failure in Queen Katharine, [459];
  • love for splendor, [460];
  • "Bonaparte's letters to Joséphine," [462];
  • cutting down salaries, [463];
  • a few words about letter-writing, [466];
  • terrible suspense about Charles Kemble and the theatre, [467];
  • Bianca as a "golden pheasant," [469];
  • anxiety about Charles Kemble, [470];
  • ill from worrying over Charles Kemble, [470];
  • a serenading incident in the United States, [470];
  • the wrong side of a show, [472];
  • at Angerstein's Picture Gallery, [475];
  • presented to the Duchess of Kent and Princess Victoria, [475];
  • timorousness when singing, [480];
  • Charles Kemble's recovery, [481];
  • thoughts of America, [482];
  • "La Estrella," [483];
  • "Katharine of Cleves," [484];
  • awkward predicament at first acting in "Katharine of Cleves," [491];
  • "out" for first time in a part, [492];
  • about the nature and immortality of the soul, [495];
  • an ugly horse, [496];
  • well-assorted marriages, [498];
  • love of nature, [501];
  • Kemble's publication of his Anglo-Saxon poem of Beowulf, [502];
  • bad management of "Francis I.," [503];
  • feeling about "Francis I.," [504];
  • as the queen-mother in "Francis I.," [508];
  • sober thoughts for the future, [511];
  • purchasing Henry's commission from receipts of "Francis I.," copyright, [515];
  • H—— S—— off for Ireland, [519];
  • farewell to Covent Garden, [520];
  • off for Edinburgh, June [29], [183]2, [521];
  • off for America, [522];
  • beginning of acquaintance with Liston the surgeon, [524];
  • acting in "Francis I," first time, [525];
  • Lawrence's the best picture made of Fanny Kemble, [535];
  • ancient vs. modern cavaliers, [527];
  • last day in Edinburgh for two years, [528];
  • from Liverpool to Manchester, [530];
  • first sight of New York, [533];
  • beginning work in New York with Bianca, [536];
  • getting fat, [552];
  • success in America, [560];
  • picture of Fanny Kemble taken to Allegheny Mountains, [569];
  • "fitting" American audiences, [569];
  • playing "Fazio" the first time in America, [572];
  • engaged to be married, [573];
  • seeing Niagara, [580];
  • thoughts of returning to England, [587];
  • Mrs. Jameson's biography of the Kemble family, [588];
  • Aunt Dall's illness, [588];
  • enthusiastic farewell in Boston, [588];
  • marriage to Pierce Butler, June [7], [183]4, [590].
• Kemble, Henry, [17], [18], [108], [111];
  • his beauty, [140];
  • plans for his provision, [179];
  • trying the part of Romeo, [196];
  • return to Paris, [243];
  • commission in the army, [244], [248];
  • schooling at Westminster over, [267];
  • taken to Heidelberg, [284], [294], [297], [305], [357];
  • ill, [470];
  • passion for the sea, [481];
  • to go into the army, [481];
  • dislike to going to Cambridge, [482];
  • receives commission in the army, [515];
  • appointed tithe-collector in Ireland, [546].
• Kemble, Fanny (see [Arkwright, Mrs.]).
• Kemble, John, [34], [81], [108], [109], [111], [113], [118];
  • high honors, [119], [122], [137], [177];
  • determines to enter the church, [179];
  • leaves Cambridge without a degree, [183];
  • Lawrence's admiration for, [207];
  • intention of going into the church, [235];
  • return from Germany, [243];
  • his degree at Cambridge, ib.;
  • takes his degree, [248];
  • his wild scheme of aiding Spain, [293];
  • safe and well, [304];
  • in Spain, [314], [326];
  • gone to Gibraltar, [326];
  • alive and well, [334];
  • prospects on arrival in England, ib.;
  • rumor of imprisonment in Madrid, [336], [356];
  • prospects, [363], [364];
  • conflicting reports of, [387];
  • determination not to leave Spain, [395];
  • return from Spain, [405];
  • home from Spain, [405];
  • translation of a German song, [438];
  • a sad letter from Spain, [479];
  • helping Venables to break Thackeray's nose, [490];
  • history of the Anglo-Saxons, [505].
• Kemble, John Philip, misfortunes as manager of Covent Garden Theatre, [35];
  • from Lausanne to London, [34];
  • return to Switzerland, [36];
  • monument at Westminster Abbey, [60], [109];
  • as Rolla in "Pizarro," [174];
  • Lawrence's picture of, [217];
  • as Beverley, [243];
  • benefit, [253];
  • his home in Great Russell street, [267].
• Kemble, Mrs. John, [90], [94], [104];
  • compared with Mrs. Charles Kemble, [358];
  • illness of, [467].
• Keely, Peter, in "Romeo and Juliet," [219].
• Kelly, Mrs. Charles, [98].
• Kemble, John Mitchell, [17].
• Kemble, Philip, [8].
• Kemble, Mrs. Roger, [1], [2].
• Kemble, Stephen, [19].
• Kemble, Mrs. Stephen, [180].
• Kenilworth, [108].
• Kensington Gravel Pits, [506].
• Kent, Duchess of, [233];
  • condescension of, [475].
• Kent, Chancellor, on Croton water, [537].
• Kelly, Michael, [500].
• Keppel, Mr., superseded by Charles Kemble in Romeo, [542].
• Kerr, Lord Mark, [270].
• Kestner, Madame, Goethe and, [337].
• Kinglake, [126].
• "King Lear," reiteration of expressions of grief, [514].
• King, Lord, Earl of Lovelace, [404].
• Kitchen, Dr., [7].
• Knowles, Sheridan, [366];
  • his plays, "The Hunchback" and "Virginius," [376];
  • "The Wife," [377];
  • reading "The Hunchback" to Mr. and Mrs. Charles Kemble and Mr. Bartley, [390];
  • as Master Walter, [512].
• 
  Lablache, [205].
• "La Chronique de Charles Neuf," [422].
• "La Dame Blanche," [492].
• "La Estrella," Fanny Kemble's new play, [483].
• Lady Byron, her general appearance, [130];
  • deprecates the publication of a new edition of Byron's works, [167].
• Lady Glengall, [460].
• Lady Macbeth, [357], [359];
  • Fanny Kemble to act in, [417].
• Lady Teazle, [385];
  • costume for, [364];
  • Fanny Kemble's first appearance in, [390], [395];
  • her fears of failure in, [394].
• Lady Townley, [257], [258], [289], [322], [323], [325];
  • compared with Lady Teazle, [399].
• Lake, Admiral, offers to take charge of Henry Kemble, [482].
• Lamartine, [116].
• Lamb, Charles, [124].
• Lamb, Lady Caroline, [45], [46].
• Lamb, William (see [Melbourne]).
• Lamb's "Dramatic specimens," [385].
• Lancashire, [278].
• Lansdowne, [106].
• Lansdowne, Lord, [175].
• Lansdowne House, [177].
• Lansdowne, gives Mr. Harness position in Land Office, [349];
  • admiration for Mrs. Sarah Siddons, ib.
• Lansdowne, [497].
• Lane, Mr., [240].
• Laporte, lessee of Covent Garden from Charles Kemble, [518];
  • giving concerts in Covent Garden, [527].
• Lausanne, [34], [90].
• Latour, [37].
• Lawrence, Sir Thomas, friendly relations between and Mrs. Charles Kemble restored, [207];
  • admiration for Mrs. Siddons, ib.;
  • engagement broken in favor of her younger sister, ib.;
  • engaged to Miss Sarah Siddons, [207];
  • his interest in authors, [208];
  • criticisms of Fanny Kemble's acting, [209];
  • "Lawrence is dead," ib.;
  • anecdotes of, [210], [215];
  • painting of Satan, [214];
  • beautiful drawing-room, ib.;
  • merit as a painter, [216];
  • pictures of Canning, Lord Aberdeen, and Mr. John Kemble, [217];
  • his want of conscience, ib.;
  • print of his portrait of Fanny Kemble, [234];
  • his criticisms of Fanny Kemble, [237], [239], [320], [327];
  • lawsuits about theatre patents, [339];
  • Pickersgill care not to copy, [365];
  • Duke of Wellington's bitter pill to, [393];
  • a dangerous companion, [402];
  • opinion of a Madonna, [242];
  • picture of Fanny Kemble, the best, [525];
  • his opinion on theatrical matters, [577].
• Lea, girls' school at, [251].
• Leach, Sir John, [88].
• Leamington, [106], [180].
• Lee, the Misses, adaptation of the "Canterbury Tales" to "Father and Son," [308].
• Lennox, Lord William, [98].
• Leopold, Prince, at Bridgewater House, [422].
• Le Sage's novels, [422].
• Le Texier, [2], [30].
• Levassor, ludicrous account of "Robert the Devil," [507].
• Leveson, Lord Francis, his new piece, [478];
  • translation of "Henri Trois," [481];
  • entertainment at Bridgewater House, [365].
• Lindley, Miss, [173].
• Liston, [7], [20], [21];
  • reciting Collins' "Ode to the Passions," [460];
  • compared to Reeve, [508].
• Liston, the surgeon, beginning of Fanny Kemble's acquaintance with, [524];
  • death, ib.
• Liverpool, [277];
  • railway between and Manchester, [278];
• Llangollen, [345].
• Loch Long, [267].
• Locomotives, the first, [280].
• Lockhart, reviews "Francis I." instead of Millman, [512].
• Lomond, Loch, [266].
• London, cholera in, [502]
  • farewell to, [522].
• Londonderry, Lord, [398].
• Lope de Vega, sketch of the life and works of, [319].
• Loudham, his hopes of fixing the Chancery suit of Charles Kemble, [463].
• Louis Philippe, [276].
• Louis XI., his ugly secretary Alin Chartier, [462].
• Louis, at Covent Garden Theatre, [521].
• Lucifer, Byron's fancy for the character of, [331].
• Lyndhurst, Lord, [88].
• Lyttleton, Lord ("The Wicked"), [33].

• Macaulay, Lord, letter to Mr. Ellis, [344];
  • enthusiasm over John Kemble's book on history of the Anglo-Saxons, [505].
• "Macbeth" contrast with the "Tempest", [292].
• Macdonald, Sir John, [171], [244], [486], [502].
• Macdonald (sculptor), desiring to make a statue of Fanny Kemble, [236], [462];
  • his collection of sculpture, [343].
• Macdonald, Lady, "Sir John's General," [344], [481].
• Macdonald, James, [489].
• Macdonald, Lawrence, [152].
• Macdonald, Julia, [244].
• Mackay, [442], [488].
• Macready, at the English theatre in Paris, [115];
  • his opinion of Fanny Kemble, [189];
  • Shakespearean revivals, [191];
  • his fine acting in "Werner," [308];
  • success in "The Fatal Dowry," [318];
  • in "Rienzi," [354];
  • in "Virginius," [376];
  • prophecy come true, [390].
• Madrid, John Kemble a prisoner at, [336].
• Maida, Scott's hound, [263].
• "Maid of Honor, The," success of, [364], [367], [385], [391].
• Malibran, Mme., letters to her husband, [203];
  • overcome by Charles Kemble's acting, [204];
  • début and death in England, [205];
  • her professional popularity, [205];
  • Alfred de Musset's lament for, [205], [206];
  • her envy of Sontag, in "Romeo and Juliet," [201].
• Malahide, Lord Talbot de, [346].
• Malebranche, [441].
• Malkin, Arthur, [84].
• Malkin, Benjamin, [84].
• Malkin, Charles, [84].
• Malkin, Dr. and Mrs., [82], [110].
• Malkin, Frederick, [84].
• Malkins, the, [183].
• "Malvolio, thou art sick of conceit," [435].
• Manchester, the Kembles in "The Gamester," [204], [277];
  • railway between and Liverpool, [278], [284], [291], [303].
• Maple, Durham, the vicar of, [229].
• Marc Antonio, cast of his skull mistaken for Raphael's, [528].
• Marcet, Mrs., [332], [341].
• Mariana, Fanny Kemble as, [377].
• Mario (M. de Candee), intimate friend of Henry Greville, [497].
• Marriage, sombre thoughts about, [436].
• Marriage, talk about, [423].
• Mars, Mlle., [90], [258], [420];
  • in the heroine of "Henri Trois," [484], [564], [565].
• "Marseillaise," Mme. Rachel's rendering of, [436].
• Martineau's, Harriet, "Each and All," [570];
  • Channing's opinion of her writings, [578].
• Mary Copp, Mrs. Bradshaw in, [396].
• "Mary Stuart," [267], [284];
  • reasons for not playing, [370], [549].
• Maurice, Frederick, [183].
• Mason, "Self-Knowledge," [169]; in Romeo, [200];
  • son of Charles Kemble's sister, [259];
  • first appearance as Romeo, [421];
  • discussion about Kean, [429];
  • speech to the Bristol audience about helping Brunton in his troubles, [433];
  • the King in "Francis I.," [508], [510].
• Mason, Miss, [263].
• Massinger, "Maid of Honor," [255], [257];
  • "Fatal Dowry," [318];
  • "Maid of Honor" proposed for Fanny Kemble's "benefit," [358];
  • plays compared with some others, [389].
• Master Walter, character in "The Hunchback," [377].
• Mathews, Charles, [39], [170].
• "Mathilde," [332].
• Matterhorn, [85].
• Matuscenitz, [299].
• Mayow, Mrs., [322].
• Maxwell, [157];
  • anecdote of one of that family, [261].
• Mayo, Mrs., a brave woman, [471].
• Mazzochetti, [26].
• McLaren, Duncan, [158].
• Meadows, Mr. Drinkwater, [505].
• "Medea," [400].
• Megrin, St., [420].
• Melbourne, Lord (William Lamb), [45], [46], [47], [347], [357].
• "Merchant of Venice," [248].
• Mellon, Miss (see [St. Albans, Duchess of]).
• Mendelssohn, [96], [507].
• "Merchant of Venice," [119], [351].
• Mercutio, [483];
  • Charles Kemble in, after his sickness, [480]
• Mersey, the, its ancient wanderings, [282].
• Meteoric lights, [145].
• Meyerbeer's "Robert the Devil," [507].
• Mill, John S., [122];
  • John Kemble's admiration for, [180].
• Millais' picture of Trelawney as the "Old Sea Captain," [582].
• Milnes, Richard M., [183].
• Milman, Mrs., [184].
• Milman's "Fazio," [323], [331];
  • his pleasure at Fanny Kemble's rendering of Bianca in "Fazio," [334], [341], [390];
  • to review "Francis I." in Quarterly Review, simultaneously with its appearance on the stage, [502].
• Milton, [36], [273];
  • compared with Byron, [331];
  • Channing's essay on, [337];
  • Mrs. Siddons' admiration for, [416].
• Miranda, [252], [269].
• Mitchell, charge of all Fanny Kemble's readings in America, [224].
• Mitford, Mary Russell, [45];
  • "Inez de Castro," [323];
  • negotiations with management of Covent Garden about "Inez de Castro," [354];
  • "Our Village," [416].
• Molière, [258].
• Monceaux Parc, [63].
• Monckton Miss (Lady Cork), [379].
• Monk's Grove, [418].
• Mons Meg, a famous old gun, [162].
• Monson, [90].
• Monson, Lady, [397], [400].
• Montagu, Mr. and Mrs., [124].
• Montagu, Mrs., "Our Lady of Bitterness," [126];
  • crediting others with her wise and witty sayings, [127], [178], [353], [401].
• Montagu Place, [267].
• Monte Rosa, [85].
• Montpensier, Mlle, de, [113].
• Moore, Mrs. Thomas, [159].
• Moore, Tom, [173];
  • "Life of Byron," [330], [415].
• Morne Mountains, [273].
• Moral Training, [165].
• Morgan, Lady, Irish jig, [269];
  • French Revolution, [276].
• Moscheles, [321], [395].
• Mott, Lucretia, [543].
• Mount Vernon, [567].
• Mozart's "Nozze," [159].
• Mrs. Beverley, [245], [246], [290].
• Mrs. Haller, Fanny Kemble in, [315];
  • her success in, [317], [323], [325];
  • dress of, [327].
• Mrs. Oakley, costume for, [364], [385].
• "Much Ado about Nothing," [518].
• Mulgrave, Lord, [562].
• Murphy, Mrs. Jameson's father, [127];
  • "Grecian Daughter," [236], [238].
• Murray, Lord, [142].
• Murray, Wm., [142];
  • joint proprietor of Edinburgh Theatre, [142], [159];
  • his generous price for "Francis I.," [244], [309];
  • publishes Fanny Kemble's poems and plays, [314], [324], [332], [334];
  • £4000 for "Francis I.," [355], [482];
  • publishing "The Star of Seville," and "Francis I.," [497];
  • publishes John Kemble's Anglo-Saxon book, [502].
• Musset, Alfred de, "lament for Malibran," [205], [206].
• Music, modern and ancient, [500].
• Mussy, Dr. Gueneau de, [566].

• Naples, King of, [271];
  • talk of, [421].
• "Napoleon," [364].
• Napoleon, Louis, [63].
• Napoleon, Duke of Reichstadt, death of, [557].
• Nature, love of, [501].
• Negroes, prejudice against, [542].
• Netherlands, revolt in, [294].
• Neukomm, [321], [395].
• Newgate, Fanny Kemble's visit to, [413];
  • Mrs. Fry's visits to, ib.
• Newman Street, [8].
• Newton, "Cardiphonia," [169].
• Newton, Stewart, anecdotes of, Royal Academy, [393].
• Newton, Gilbert Stewart, "Creaking Door," [573].
• New Year, [183]2, [485].
• New York, first sight of, [533];
  • compared with Paris, [535];
  • fires in, [537];
  • water in, [537], [540].
• Niagara, Falls of, [579], [581].
• Nightingale, Florence, [127].
• Nilsson, Mlle., [202].
• Nöel, Sir Gerard, [372].
• Norton, Mrs., [47].
• Norton, George, [174].
• Norton, Mrs., anecdote with Hook, [171], [175], [345], [357], [414], [480];
  • Hayter's picture, [487], [496], [504], [510].
• Normandy, Lord, [176].
• "Notre Dame de Paris," [498];
  • "bad in tendency and shocking in detail," [499].
• Notter, Mr., [372].
• Nottingham Castle, [461].
• Nourrit, [462].
• Nugent, Lady, [216].

• Oatlands, [81], [396], [402], [403], [421], [467], [470].
• "Oberon," [94], [99].
• "Old Plays" compared with "The Gamester," and "Grecian Daughter," [385].
• O'Neill, Miss, [84], [195];
  • appearance, [196];
  • in "Evadne, or the Statue," and "The Apostate," [312];
  • Fanny Kemble compared with, [234].
• Otway's "Venice Preserved," [235].
• Ottley and Saunders, [319].
• Owen, the philanthropist, [316].

• Paganini, [416], [434], [466].
• Panizzi, [267], [546].
• "Paradise Lost," [59].
• Paris, [276].
• Parliament, [421].
• Pasta, Mme., [428], [441];
  • Pasta's Medea, [400];
  • Anna Bolena, [444].
• Pasta's daughter, [181].
• Paton, Miss, [97], [98], [437].
• Patti, Adalina, [163].
• "Paul Clifford," [286].
• Peaches, in America, [559].
• Peacock, Mr., [110], [119].
• "Pedro the Cruel," [354].
• "Peerage and Peasantry, Tales of the," [348].
• Percival, Mr., in House of Commons, [498].
• Peterborough, Earl of, marriage to Anastasia Robinson, [437].
• Petrarch's sonnets, [346].
• "Philaster," [385].
• Philippe, Mons., [64], [65].
• Phillips, Miss, [464].
• Phrenological Museum, [527].
• Pickersgill, portrait of Fanny Kemble, [362];
  • portrait of Charles Kemble in Macbeth, [366];
  • picture "Medora," [390].
• Planché, [95].
• Plague, the, [308].
• Plessis, Mlle., [258].
• Plymouth, [416], [443], [444];
  • farewell to, [44]
• Plymouth Rock, [426].
• Poitier, [66];
  • in the "Vaudeville," [483].
• Poland, discussion between Charles Kemble and Kean, [440];
  • early history of, [495].
• Poles, the, [359].
• Polly, Miss Sheriff as, [471].
• Ponsonby, Miss, [345].
• Poole, Miss, as Tom Thumb, [480].
• Portia, [187];
  • Fanny Kemble's first appearance as, [247], [248];
  • character of, [248];
  • costumes of, [249], [336], [352];
  • compared with Camiola, [367], [397], [414];
  • at Bristol, [431], [532].
• Portland, [450].
• Portmore Park, [388].
• Portsmouth, [451].
• Power, Mr., [485].
• Power, Tyrone, [489].
• Princes Street, incident with Scott on, [262].
• Procter, Adelaide, her "doomed" appearance, [499];
  • reading description of Esmeralda and sketch of Quasimodo's life, [499], [516].
• Procter, Bryan Waller (Barry Cornwall), marriage to Anne Skeeper, [353];
  • "White Devil," [353].
• Proctor, [124], [342].
• Proctor, Mrs., her habit of crediting others with her wise sayings, [127], [401].
• Proctor, Emily, [401].
• "Prometheus unbound," [496].
• Prospero, [252], [338].
• "Provoked Husband, The," [315], [328], [504];
  • at Southampton, [453];
  • at Fanny Kemble's benefit, [529].
• Pickersgill, [365].

• Queen, the, at Bridgewater House, [422].
• "Quentin Durward," [444].
• Quarterly Review, its critique of "Francis I.," [516].

• Rachel, Mlle., her performance of Camille, [191];
  • Jules Janin's first notice of her, [436].
• Racine, [307], [410].
• Radley, Mr., of the Adelphi, [303].
• Railroads in England, [443];
  • between Liverpool and Manchester, [278].
• Ramahun Roy, the Rajah, [178], [479];
  • general appearance, [515].
• Raphael, his skull, [528].
• Reade, Charles, "The King's Wager," [308].
• Redcliffe Church, [433].
• Reeve compared with Liston, [508].
• Reform Bill, [344], [394], [459], [460], [478].
• Regalia, Scottish, incident of, [157].
• Reichardt, or Reis, [100].
• Religious faith, [476].
• Retsch's illustrations of "Hamlet," [373];
  • disinclination for illustrating "Romeo and Juliet," ib.;
  • illustrations of "Faust," [374].
• Revolution of [183]0, the, [276].
• Revolution, Spanish, [335], [336], [356], [359], [478], [479], [484].
• Rhodez, scene of the Fauldes Tragedy, [466].
• "Richard III.," [119].
• Richter, [80].
• "Rienzi," [354].
• Rigby, Mr., [4].
• Rio, M., [73].
• Ristori, [571].
• Rivens, Lady, [4].
• "Robert the Devil" at Covent Garden, [507];
  • M. Levassor's ludicrous account of, [507], [509].
• Robertson, Frederick, [168].
• Robinson, Anastasia, marriage to Earl of Peterborough, [437].
• "Rob Roy," [488].
• Rogers, [379], [504]
• "Roman de la Rose." [357].
• "Romeo and Juliet," [257], [342], [414];
  • at Bristol, [424], [443];
  • at Weymouth, [449];
  • at Southampton, [452], [485];
  • John Mason's first appearance in, [486], [523];
  • in New York, [542].
• Romilly, Mrs. Edward, [342].
• Romillys, the, [183].
• Rossini, [100].
• Roxelane, [68].
• Rowden, Mrs., [45], [47], [67].
• Russell, Earl, [347], [404];
  • appearance of, [492];
  • incident of Sir Robert Inglis, [493];
  • responsibility in Reform Bill, [494].
• "Rush-bearing," a, [296].
• Ruthven, his proceeding toward Mary Stuart, [489].
• Rutland, Duke of, [22].
• Rye, [521].

• Sackville, [462].
• "Sacrament," preparation, [403].
• "Sakuntalà," [178].
• De Sales, Francis, [426].
• Salisbury, Lady, in "Isaure," [382];
  • "Wednesday Morning" at Hatfield House, [394].
• Salmon, [89].
• "Salmonia," [539].
• Sandwich, Earl of, [124].
• Saunders and Ottley, [319].
• Savoy, Louisa of, [509].
• Schiller, [169];
  • "Mary Stuart," [312].
  • "School for Scandal," incident of Miss Farren and Lord Derby in, [452];
  • at Southampton, [454], [487], [498];
  • in New York, [543].
• Schlegel's "Dramatic Lectures," [486]
• Scotland, regalia of, [261].
• Scotsman, The, [158].
• Scott, Anne, [260].
• Scott, Walter, [3], [36], [58], [87], [108], [142],157;
  • "Border Minstrelsy," [160], [166];
  • criticisms on Fanny Kemble's acting, [260];
  • anecdote of Scottish regalia, [261];
  • opinion of Fanny Kemble as compared with Mrs. Siddons, [262];
  • incident at Abbotsford, [263], [444];
  • caution in regard to Waverley Novels, [488], [521], [527];
  • death, [557].
• Scottish Regalia, incident of, [157].
• Scribe's "Les premières Amours," [419].
• Searle, Miss, [87].
• Sedgwick's, Miss, "Hope Leslie," [577].
• Semiramis, Queen, as a dramatic writer, [447].
• Sentiment, books of, [506].
• Serenading, [470].
• Sévigné, Madame de, [277], [320].
• Shakespeare, Plays at Paris, [115], [169], [182];
  • Portia, [187];
  • "Romeo and Juliet," the ending restored, [207];
  • claim of his plays to perfect representation, [220];
  • his plays compared with "Grecian Daughter," [238], [247], [255], [260];
  • compared with Goethe, [338];
  • "Romeo and Juliet," [342];
  • treatment of passion of hatred, [351], [389];
  • knowing and knowing about him, [396];
  • Mrs. Siddons' admiration for, [416], [486];
  • discussion about, [522];
  • beauty of his songs, [505];
  • reiteration of expressions of grief, [514];
  • Mrs. Jameson's book on his female characters, issued, [531].
• Shannon, Rev. Win., [164].
• Sharp "conversation," [504].
• Sheil, "Evadne, or the Statue," and "The Apostate," [312].
• Shelley, [166];
  • his passion for fire-gazing, [325], [334];
  • the Cenci;
  • translation of Calderon's "El Magico Prodigioso;"
  • "Faust," [384];
  • "Prometheus Unbound," [496], [498];
  • "The Sensitive Plant," and "Rosalind and Helen," [498];
  • "The Two Sisters," [499].
• Shelley, Capt., in "Hernani", [404].
• Sheriff, Miss, her début, [464];
  • in "Artaxerxes," [465];
  • in "Fra Diavolo," [469];
  • in "Polly," [471].
• Sheridan, Caroline, [174], [178].
• Sheridan, Chas., [173];
  • manager of Drury Lane, [174], [175], [399], [498].
• Sheridan, Georgiana, [173], [510].
• Sheridan, Mrs. (Miss Callender), [173].
• Sheridan, Richard Brinsley, [173].
• Shirley's "Gentleman of Venice," [513].
• Shylock, [351];
  • analysis of the character, [430].
• Siddons, Cecilia, [91], [94], [108], [123], [180], [239], [323], [400];
  • picture by Clint, [405];
  • plans after her mother's death, [416], [466].
• Siddons, Elizabeth, [291].
• Siddons, "Lizzy," [119].
• Siddons, "Sally and Lizzy," [342].
• Siddons, George, [158], [323]; Mrs. George, [158]
• Siddons, Harriet, [323].
• Siddons, Henry, management of the Edinburgh Theatre, [142];
  • death, ib.;
  • arrival in India and departure for Delhi, [119], [470].
• Siddons, Mrs. Henry, [140], [141], [143], [158], [164], [180], [193], [259], [261], [286], [291], [305], [359], [364].
• Siddons. Maria, [17],
  • engaged to Sir Thomas Lawrence, [207];
  • death, ib.
• Siddons, Sarah, [17], [91];
  • in Louisa of Savoy, [117], [129];
  • painting by Gainsborough, [162];
  • in Elvira, [174];
  • costume in the "Grecian Daughter," [190];
  • as Hamlet, [200];
  • Lawrence's admiration for, [207];
  • wishes to be carried to her grave by Lawrence, [211];
  • indifference, [223];
  • Fanny Kemble compared with, [234];
  • in Euphrasia, [236];
  • shocked at Lawrence's death, [237], [239];
  • Edinburgh audiences, [261]:
  • repeating Lady Macbeth to an enthusiastic audience, [262];
  • opinion of, [262];
  • dearest friend, [270];
  • in Mrs. Haller and "The Fair Penitent," [318];
  • Christmas eve at her house, [322], [337];
  • advantage over Fanny Kemble, [336], [345];
  • Lord Lansdowne's admiration for, [349], [396];
  • failing health, [399];
  • Milton and Shakespeare, [416];
  • her death, [416];
  • her abuse of Austria in "King John," [446];
  • her letters, [452];
  • Queen Katharine, [459];
  • her letters revised by Emily Fitzhugh, [477];
  • Lady Macbeth, [478];
  • "sketches" of Constance and Lady Macbeth, [517].
• Siddons, Mrs. Scott-, [158].
• Shaw, [60].
• Sismondi, [83].
• Sinclair, [123].
• Skeeper, Anne, marriage to Barry Cornwall, [353].
• Skerries, [273], [329].
• Slavery in America, [543].
• Smart, Sir George, [95], [100], [395].
• Smiles, his biography of Stephenson, [279].
• Smith's "National Scottish Songs," [160].
• Smith, Bobus, [347].
• Smith, James, [86].
• Smith, Sidney, [142], [173], [347], [504]
• Smithson, Miss, [115].
• Solomon, [166].
• Somerset, Duchess of, [173], [510].
• "Sonnambula," [507].
• Sontag, appearance with Malibran in "Romeo and Juliet," [201], [202].
• Sotheby ("the poet"), [350];
  • "Darnley," [370];
  • comments on Fanny Kemble's beauty, [370].
• Southampton, [271], [416], [451].
• Spain, [293].
• Spaniards, John Kemble delivered to the, [336].
• Spanish expedition, [326].
• Spanish revolution, [335], [336], [356], [359], [478];
  • Torrijos and his friends shot, [479].
• Spedding, James, [183].
• Spenser, poetry of, [358].
• Spurzheim, his philosophy of phrenology, [151];
  • death in Boston, [558].
• Stafford, [92], [113], [297].
• St. Albans, Duke of, marriage, [392].
• St. Albans, Duchess of, Miss Mellon and Mrs. Coutts, [391].
• St. Anne's Hill, [418].
• St. Aubin, Mr., in "Hernani" at Bridgewater House, [376], [396], [421].
• Stansbury, Mr., [472].
• "Star of Seville," [319], [389];
  • finished, [395];
  • unbecoming language of, [423], [435], [445], [472], [478], [479]. [480];
  • reading it to the family, [489];
  • "cut" for the stage, [495];
  • publication, [497], [514];
  • brought out first in New York, [554].
• Stein, Madame von, Goethe's letters to, [339]
• Stephens (see [Essex, Countess of]).
• Stephenson, Geo., first experiment at a railway, [278];
  • characteristics, [279], [298], [455];
  • contrasted with Lord Alvanley, [456].
• Sterling, John, [183];
  • daily promise, [185], [293];
  • marriage, [326];
  • in Spanish expedition, ib.
• Sterky, Mr., [321].
• Stewart, Charles Edward (the Pretender), relics of, [156].
• Stewart, Mary, [489].
• St. Lawrence, Rapids of the, [380].
• St. Maur, Lady (nee Georgiana Sheriden).
• St. Paul's, Lawrence's burial in, [240].
• "Stranger, The," [315], [327];
  • at Plymouth, [445];
  • Charles Young in, [462].
• St. Sidwell's church, [440].
• Storace, [500].
• Stukely, [440], [446].
• Singer, a diminutive, [453].
• Sullivan, Mrs., [341], [348];
  • Rev. Fred., [348].
• Sully, his picture of Fanny Kemble as Beatrice, [367].
• Sumner, Charles, [543].
• Switzerland, [277].

• Taglioni, [400], [564].
• Talbot, Colonel, [346].
• Tales of a chaperon, [348].
• Talma, [25], [65].
• "Tasso," [351]
• Taylor, Jeremy, [104].
• Taylor, Tom, "The King's Wager," [308].
• Taylor, Miss, as Helen in the "Hunchback," [378], [519];
  • as Margaret de Valois in "Francis I.," [508];
  • in "The Hunchback," [519].
• "Tempest, The," [269], [555].
• Tennyson, Alfred, [167];
  • his brothers, [483];
  • first poems, [184];
  • "The May Queen," "Œnone," and the "Miller's Daughter," [185], [294];
  • an unpromising exterior, [519];
  • poems of, [581].
• Terry, [142].
• Thackeray, W.M., [126], [167], [183];
  • broken nose, [490], [496].
• Thackeray, Dr., [393].
• Thames Tunnel, [120].
• Theatre Français, [258].
• Theatre patents, [339].
• Therëse Heyne (Madame Huber), [347].
• Thorwaldsen, [343].
• Tieck, [29], [80], [353];
  • "The Elves," [516].
• Titian's Venuses, and "Venus and Adonis," [271];
  • Bacchus and Ariadne, [475].
• Tiverton, the member for, [270].
• Tom Thumb, Miss Poole as, [480].
• Torrijos, General, [293], [326], [356].
• Tree, Miss Ellen, as Romeo, [200].
• Tree, Miss (Mrs. Bradshaw), [497];
  • as Françoise de Foix, in "Francis I.," [508].
• Trelawney, Mr., [436];
  • author of "Adventures of a Younger Son," [582].
• Trench, Richard, [183], [293];
  • return from Spain, [356];
  • share in Spanish exhibition, [376];
  • shot in Spain, [479], [514].
• Trenton Falls, [103].
• "Tristram Shandy," [519].
• Trueba, Don Telesforo de, "The Exquisites," [395], [405].
• Turnerelli, his bust of Fanny Kemble, [365], [499]
• Tweed, Scott's residence on the, [265].
• Twiss, Horace, [86], [87], [170], [236], [331];
  • put into Parliament by Lord Clarendon, [335];
  • aspect at defeat of Reform Bill, [344];
  • speech on Reform Bill, [344], [387].
• Twiss, Horace's father, [107].
• Twiss, John, [15].
• Twiss, Miss, [158].
• Twiss, Mrs., [256];
  • the Misses, [130].
• 
  "Vivian Grey," [122].
• Vinci, Leonardo da, [476].
• Victorine, [507].
• Victoria, Princess, [475].
• Viardot, Mme., [205].
• Vestris, Madame, [383].
• "Vestiges of Creation," [161].
• "Venice, Gentleman of," [513].
• "Venice, History of." [474], [513].
• "Venice Preserved," [425], [433], [444];
  • at Weymouth, [451], [470].
• Vanbrugh, Sir John, [399].
• "Valeria," [436].

• Wade, his plays "The Jew of Aragon" and "Griselda," [306];
  • self-control, [307].
• Wainwright, Dr., [544].
• Waldegrave, Lord, [417].
• Wales, Prince of, [3].
• Wales, Princess of, [251].
• Wallack, J.W., [539].
• Wallenstein, [474].
• Walpole, Horace, [303], [414].
• Ward, [366], [484];
  • Joseph Surface, [487];
  • in "Katharine of Cleves," [489];
  • as Fazio, [323];
  • as The Monk in "Francis I.," [508].
• Warwick Castle, [106].
• Warwick, Lord, [90].
• Washington, George, [567].
• Water in New York, [537].
• Watson, Dr., [463].
• Weber, Baron Carl Maria von, "Der Freyschütz," [94];
  • "Oberon," [95];
  • "Always my music, but never myself," [96];
  • appearance and manner, [97];
  • impatience with Braham and Miss Paton, [97];
  • Huon's opening song, [98];
  • death, [100].
• Webster, Daniel, speeches of, [547];
  • letters of introduction to, [561].
• "Wednesday Morning," [390], [393], [394].
• Wellington, Duke of, [101], [124], [244];
  • at opening of new railroad, [284], [299], [304];
  • bitter pill to Lawrence, [393], [460];
  • threatening to pull down his statue, [461], [474].
• Welsh, Mr., Miss Sheriff's instructor, [464].
• West Indies, [483].
• West India Dock, [120].
• Westmacott, editor of the Age, thrashed by Charles Kemble, [310], [314].
• Westminster Abbey, John Kemble's monument, [65], [240].
• Westminster, Henry Kemble's education at, [108], [110], [267], [482].
• Westminster Committee, The, [278].
• Weybridge, [75], [79], [81], [111], [388], [396], [399], [442].
• Weymouth, [449].
• Wieland, [80], [95].
• Willet, [108].
• William IV., [95], [96].
• Wharncliffe, Earl of (see [Wortley, James], [349]).
• "White Devil, The," [353].
• Whitelock, Mrs., [15], [105], [106], [355], [418], [420].
• "Wife of Antwerp, The," [475].
• "Wilhelm Meister," [339].
• Wilkes, [490].
• Wilkinson, Mrs., [466].
• Willett, Mr., [513].
• William IV., his natural son by Mrs. Jordan, [227], [390];
  • ignorance of art, [393].
• Wilmot, Mr., [348].
• Wilson, Dr., [462], [463].
• Wilson, [142], [178]; in "Artaxerxes," [465].
• Winckelmann, his work on classical art, [217].
• Wood, Mr., [98].
• Worcester (see [Beaufort, Duke of]).
• Wordsworth, [166].
• Worsley, [270].
• Worsley Hall, [375].
• Wortley, James, [342], [349].
• Wraxall, [104].
• Wray, Miss. [124].
• Wroxton Abbey, [388].