He suggested books for my reading, and set me, as a useful exercise, to translate Sismondi's fine historical work, "Les Républiques Italiennes," which he wished me to abridge for publication. I was not a little proud of Dr. Malkin's notice and advice; he was my brother's school-master, an object of respectful admiration, and a kind and condescending friend to me.
He was a hearty, genial man, of portly person, and fine, intelligent, handsome face; active and energetic in his habits and movements, in spite of a slight lameness, which I remember he accounted for to me in the following manner. He was very intimate with Miss O'Neil before she left the stage and became Lady Becher. While dancing with her in a country-dance one evening at her house, she exclaimed, on hearing a sudden sonorous twang, "Dear me! there is one of the chords of my harp snapped." "Indeed it is not," replied Dr. Malkin; "it is my tendo-Achillis which has snapped." And so it was; and from that time he always remained lame.
Mrs. Malkin was a more uncommon person than her husband; the strength of her character and sweetness of her disposition were alike admirable, and the bright vivacity of her countenance and singular grace and dignity of her person must be a pleasant memory in the minds of all who, like myself, knew her while she was yet in the middle bloom of life.
Dr. and Mrs. Malkin's sons were my brother's school and college mates. They were all men of ability, and good scholars, as became their father's sons. Sir Benjamin, the eldest, achieved eminence as a lawyer, and became an Indian judge; and the others would undoubtedly have risen to distinction but for the early death that carried off Frederick and Charles, and the hesitation of speech which closed almost all public careers to their brother Arthur.
He was a prominent and able contributor to the "Library of Useful Knowledge," and furnished a great part of the first of a whole generation of delightful publications, Murray's "Hand-Book" for Switzerland.
One of the earliest of Alpine explorers, Arthur Malkin mounted to those icy battlements which have since been scaled by a whole army of besiegers, and planted the banner of English courage and enterprise on "peaks, passes, and glaciers" which, when he first climbed the shining summits of the Alps, were all but terra incognita to his countrymen.
There is nothing more familiar to the traveling and reading British public nowadays than Alpine adventures and their records; but when my friend first conquered the passes between Evolena and Zermatt (still one of the least overrun mountain regions of Switzerland), their sublime solitudes were awful with the mystery of unexplored loneliness. Now professors climb up them, and artists slide down them, and they are photographed with "members" straddling over their dire crevasses, or cutting capers on their scornful summits, or turning somersaults down their infinite precipices. The air of the high Alps was inhaled by few Englishmen before Arthur Malkin; one can not help thinking that now, even on the top of the Matterhorn and Monte Rosa, it must have lost some of its freshness.
I have said that all Dr. Malkin's sons were men of more than average ability; but one, who never lived to be a man, "died a most rare boy" of about six years, fully justifying by his extraordinary precocity and singular endowments the tribute which his bereaved father paid his memory in a modest and touching record of his brief and remarkable existence.
My Parisian education appeared, at this time, to have failed signally in the one especial result that might have been expected from it: all my French dancing lessons had not given me a good deportment, nor taught me to hold myself upright. I stooped, slouched, and poked, stood with one hip up and one shoulder down, and exhibited an altogether disgracefully ungraceful carriage, which greatly afflicted my parents. In order that I might "bear my body more seemly," various were the methods resorted to; among others, a hideous engine of torture of the backboard species, made of steel covered with red morocco, which consisted of a flat piece placed on my back, and strapped down to my waist with a belt and secured at the top by two epaulets strapped over my shoulders. From the middle of this there rose a steel rod or spine, with a steel collar which encircled my throat and fastened behind. This, it was hoped, would eventually put my shoulders down and my head up, and in the meantime I had the appearance of a young woman walking about in a portable pillory. The ease and grace which this horrible machine was expected to impart to my figure and movements were, however, hardly perceptible after considerable endurance of torture on my part, and to my ineffable joy it was taken off (my harness, as I used to call it; and no knight of old ever threw off his iron shell with greater satisfaction), and I was placed under the tuition of a sergeant of the Royal Foot Guards, who undertook to make young ladies carry themselves and walk well, and not exactly like grenadiers either. This warrior having duly put me through a number of elementary exercises, such as we see the awkward squads on parade grounds daily drilled in, took leave of me with the verdict, that I "was fit to march before the Duke of York," then commander of the forces; and, thanks to his instructions, I remained endowed with a flat back, well-placed shoulders, an erect head, upright carriage, and resolute step.
I think my education had come nearly to a standstill at this period, for, with the exception of these physical exercises, and certain hours of piano-forte practicing and singing lessons, I was left very much to the irregular and unsystematic reading which I selected for myself. I had a good contralto voice, which my mother was very desirous of cultivating, but I think my progress was really retarded by the excessive impatience with which her excellent ear endured my unsuccessful musical attempts. I used to practice in her sitting-room, and I think I sang out of tune and played false chords oftener, from sheer apprehension of her agonized exclamations, than I should have done under the supervision of a less sensitively organized person. I remember my sister's voice and musical acquirements first becoming remarkable at this time, and giving promise of her future artistic excellence. I recollect a ballad from the Mexican opera by Bishop, called Cortex, "Oh, there's a Mountain Palm," which she sang with a clear, high, sweet, true little voice and touching expression, full of pathos, in which I used to take great delight.