We have been spending ten days at Belvoir Castle, with all sorts of dukes and duchesses. Don't you perceive it in the nobility of my style? It is well for a foreigner to see these things; they are pretty, pleasant, gay, grand, and, in some of their aspects, good; but I think that who would see them even as they still subsist now had better lose no time about it.

Harley Street, Tuesday, April 12th, 1842.

Did anyone ever say there was not a "soul of good even in things evil"? From your mode of replying to my first letter, dearest Harriet—the one from Belvoir, in which I told you I had been strongly minded to write to you first—you do not seem to me quite to believe in the existence of such an intention. Nor was it a "weak thought," but a very decided purpose, which was frustrated by circumstances for one day, and the next prevented entirely by the arrival of your letter. However, no matter for all that now; hear other things.

You ask after "Figaro" [Mozart's opera of "Le Nozze di Figaro," then being given at Covent Garden, my sister singing the part of Susanna]. It draws very fine houses, and Adelaide's acting in it is very much liked and praised, as it highly deserves to be, for it is capital, very funny, and fine in its fun, which makes good comedy—a charming thing, and a vastly more difficult one, in my opinion, than any tragic acting whatever....

Your boots have been sent safe and sound, my dear, and are in the custody of a person who, I verily believe, thinks me incapable of taking care of anything in the world, and has the same amount of confidence in my understanding that a friend of mine (a clergyman of the Church of England) expressed in his mother's honesty, "I wouldn't trust her with a bad sixpence round the corner." However, your boots, as I said, are safe, and will reach your hands (or feet, I should rather say) in due course of time, I have no doubt.

GARRETT SMITH. I have had two letters from America lately, the last of them containing much news about the movements of the abolitionists, in which its writer takes great interest. Among other things, she mentions that an address had been published to the slaves, by Gerrit Smith, exhorting them to run away, to use all means to do so, to do so at any risk, and also by all means and at any risk to learn to read. By all means, he advises them, in no case to use violence, or carry off property of their masters' (except indeed themselves, whom their masters account very valuable property). I should have told you that Gerrit Smith himself was a large slave-holder, that he has given up all his property, renounced his home in the South (where, indeed, if he was to venture to set foot, he would be murdered in less than an hour). He lives at the North, in comparative poverty and privation, having given up his wealth for conscience' sake. I saw him once at Lucretia Mott's. He was a man of remarkable appearance, with an extremely sweet and noble countenance. He is one of the "confessors" in the martyr-age of America.

I am much concerned at your account of E——, for though sprains and twists and wrenches are not uncommon accidents, I have always much more dread of them than of a bonâ (bony) fide fracture. I always fear some injury may be lodged in the system by such apparently lesser casualties, that may not reveal itself till long after the real cause is forgotten....

I must end this letter, for I have delayed it too shamefully long, and you must think me more abominable than ever, in spite of which I am still

Your most affectionate

Fanny.