When the preparations for the fancy ball at the Palace were turning half the great houses in London into milliners' shops, filled with stuffs, and patterns, and pictures, and materials for fancy dresses, and drawings of costumes, and gabbling, shrieking, distracted women, Mademoiselle d'Este consulted me about her dress, and we passed a whole morning looking over a huge collection of plates of historical personages and picturesque portraits of real or imaginary heroines. Among these I repeatedly put aside several that I thought would be especially becoming to her dark beauty and fine figure; and as often was surprised to find that among those I had thus selected she had invariably rejected a certain proportion, among which were two or three particularly beautiful and appropriate, one or other of which I should certainly have chosen for her above the rest. I couldn't imagine upon what theory of selection she was guiding her examination of the prints until, upon closer examination, I perceived that the only portraits from which she had determined to make her choice of a costume were those of princesses of blood royal. Poor woman!
I once saw a curious encounter between her and the Marchioness of L——, in which the most insolent woman of the London society of that day was worsted with her own peculiar weapon, by the princess "claimant," and ignominiously beaten from the field.
The occasion of my being presented to the Queen Dowager was this: I had been dining one day with Mademoiselle d'Este, when the Marchioness of Londonderry came in, and read me a note she had received from the Duke of Rutland, in which the latter said that the Queen had asked him why I had not been presented at Court. After Lady Londonderry was gone, I expressed some surprise at this unexpected honor, and some dismay at finding that it was considered a matter of course that, under these circumstances, I should go to the Drawing-room. I felt shy about the ceremony, and sordidly reluctant to spend the sum of money upon my dress which I knew it must cost me. All this I discussed with Mademoiselle d'Este, and expressing my surprise at the Queen's having condescended to ask why I didn't have myself presented, Mademoiselle d'Este exclaimed, "Oh, my dear, those people are so curious!" meaning the Queen and Prince Albert, towards whom she had a great feeling of sore dislike; but whether she meant by "curious" inquisitive or singular—queer—I didn't ask her, being rather astonished at this "singular" mode of speaking of our liege lady and her illustrious consort.
Poor Mademoiselle d'Este's feeling of bitterness against the Queen arose, I have since been told, from various small slights which her sensitive pride conceived she had received from her. Mademoiselle d'Este's determination to assert her right to be considered a royal personage had, perhaps, met with some other rebuffs from the Queen, besides the one which she herself told me of with great irritation.
On the occasion of Queen Adelaide's Drawing-rooms, she had always permitted Mademoiselle d'Este to make her entrance by the same approach, and at the same time, with other members of the royal family. After the accession of Queen Victoria, Mademoiselle d'Este claimed the same privilege, which, however, was not granted her. She told me this with many passionate, indignant comments, and apparently desirous that I should be impressed by the superior charm and graciousness of Queen Adelaide, whom she called "her Queen," and of whom she spoke with the most affectionate regard and respect, she said, "You must come with me and see my Queen," and accordingly she solicited permission to present me to the Queen Dowager, which was granted, and I went with her one morning to pay my respects to that great and good lady, and was to have done so a second time, but was prevented by our departure from town.
QUEEN ADELAIDE. I drove with Mademoiselle d'Este to Marlborough House in the morning, and we were ushered through several apartments into a small-sized sitting-room, where we were left. After a few moments a lady entered, to whom Mademoiselle d'Este presented me. The Queen Dowager was then apparently between fifty and sixty years old; a thin, middle-sized woman, with gray hair and a long face, discolored by the traces of some eruption. She looked in ill health, and was certainly very plain, but her manner and the expression of her face were very gentle and gracious, and her voice, with its German accent, sweet and agreeable. She asked Mademoiselle d'Este if she was going to the Duchess of Sutherland's ball, and on her replying that she was not going, and giving some trifling reason for not doing so, I couldn't help laughing, because on our way to Marlborough House she had told me, with what appeared to me very superfluous wrath and indignation, that she had received an invitation to the duchess's ball, but that as it was coupled with an intimation that it was hoped the persons who had been at the Queen's great fancy ball, given a week before, would wear the same costumes at Stafford House, Mademoiselle d'Este chose to consider this an impertinent dictation, and said first "she would go in a plain white satin gown," then "in a white muslin petticoat," finally, that "she wouldn't go at all;" and working herself up by degrees into more fury as she talked, she abused the Duchess of Sutherland vehemently, mimicking her in a most ludicrous manner, and saying that she always reminded her of "a great fat, white, trussed turkey," which comparison and the ridiculous rage in which she made it made me laugh till I cried, in spite of my admiration for the Duchess of Sutherland, whose beauty and gracious sweetness of manner always seemed to me very charming. When therefore, Mademoiselle d'Este assigned another reason for not going to the Stafford House ball, in answer to the Queen's inquiry, I couldn't help laughing, and told the Queen the truth was that Mademoiselle d'Este's pride was hurt at being requested to come in the fancy dress she had worn at the Palace; and so, for this imaginary absurd offence, she was going to give up a very fine and pleasant fête. The Queen laughed, and, turning to Mademoiselle d'Este, said, "Your friend is right. You are very foolish; you will lose a pleasant evening for nothing."
After this the conversation fell on the French plays and the performances of Mademoiselle Déjazet, who was then acting at the St. James's Theatre. The Queen having asked my opinion of these representations, I said I was unwilling to enter upon the subject, as I did not know how far the forms of etiquette would permit me to express what I thought in her Majesty's presence. Upon her pressing me, however, to state my opinion upon the subject, I reiterated what I had said in a previous conversation with Mademoiselle d'Este upon the matter, objecting to the extreme immorality of the pieces, and expressing my astonishment at seeing decent Englishwomen crowd to them night after night, since they certainly would not tolerate such representations on the English stage.
Mademoiselle d'Este replied that that was because, on the English stage, they would be coarse and vulgar. I denied that the difference of language made any essential difference in the matter, though she was certainly right in saying that the less refined style of English acting might make the offensiveness of such pieces more unpleasantly obtrusive; but that in looking round the assembly of fine ladies at Déjazet's performances, I comforted myself by feeling very sure that half of them did not understand what they were listening to; but I think it must have been "nuts" to the clever, cynical, witty, impudent Frenchwoman to see these dames trois fois respectables swallow her performances sans sourcilliez.
After some more conversation on general subjects, the Queen Dowager rose, saying she hoped Mademoiselle d'Este would bring me to visit her again; and so we received our congé.
Mentioning the appearance of some eruption on the good Queen's face reminds me of a painful circumstance which took place one day when, meeting a beautiful child of about four years old, the daughter of one of the ladies of the Court, who was going into the Palace gardens under the escort of her nurse, the Queen stopped the child, and, attracted by her beauty, stooped to kiss her, when the little thing drew back with evident disgust, exclaiming, "No, no; you have a red face! Mamma says I must never kiss anybody with a red face." The poor Queen probably seldom received such a plain statement of facts in return for her condescension. Her unostentatious goodness and amiable character have now become matter of history. One of the most characteristic traits of her life was her ordering of her own funeral with a privacy and simplicity more touching than any royal pomp, specifying that her coffin should be carried to the grave by four sailors—a last tribute of affection to her husband's memory.