Ever yours,

Fanny.

Friday, 12th, 1845.

Your ink-bottle, my dear, has undergone an improvement, if indeed anything so excellent could admit of bettering. The little round glutinous stopper—india-rubber, I believe—from the peculiar inconvenience of which I presume the odious little thing derives its title as patent, has come unfastened from the top, and now, every time I open and shut it, I am compelled to ink my fingers all over, in order to extract this admirable stopper from the mouth of the bottle, or crane it back into its patent position in the lid, where it won't stay. 'Tis quite an invaluable invention for the practice of patience.

I have nothing whatever to tell you. Two days ago my father informed me he had determined to send me alone to Italy. Since then I have not heard a word more from him upon the subject. He read at Highgate yesterday evening for the second time this week, but, as he had dinner engagements each time at the houses of people I did not know, I did not accompany him. I think he reads to-morrow at Islington, and if so I shall ask him to let me go with him. He reads again on Thursday next, at Highgate....

I believe my eyes are growing larger as I grow older, and I don't wonder at it, I stare so very wide so very often, Mrs. —— talks sentimental morality about everything; her notions are pretty near right, which is the same thing as pretty near wrong (for "a miss," you know, "is as good as a mile"). She is near right enough to amaze me how she contrives to be so much nearer wrong; she is like a person trying to remember a tune, and singing it not quite correctly, while you know it better, and can't sing it at all, and are ready to go mad with mistakes which you perceive, without being able to rectify them: that is a musical experience of which you, not being musical, don't know the torture....

Did I tell you that Mrs. Jameson showed me the other day a charming likeness of my sister which she had made—like that pretty thing she did of me—with all the dresses of her parts? If I could have done a great littleness, I could have gone down on my knees and begged for it; I wished for it so much.

She spoke to me in great tribulation about a memoir of Mrs. Harry Siddons which it seems she was to have undertaken, but which Harry Siddons (her son) and William Grant (her son-in-law) do not wish written. Mrs. Jameson seems to feel some special annoyance upon this subject, and says that Mrs. Harry was herself anxious to have such a record made of her; and this surprises me so much, knowing Mrs. Harry as I thought I did, that I find it difficult to believe it....

EVE. Do you remember, after our reading together Balzac's "[Récherche] de l'Absolu," your objecting to the character of Madame de Cläes, and very justly, a certain meretricious taint which Balzac seldom escapes in his heroines, and which in some degree impaired the impression that character, in many respects beautifully conceived and drawn, would have produced? Well, there is a vein of something similar in Mrs. ——'s mind, and to me it taints more or less everything it touches. She showed me the other day an etching of Eve, from one of Raphael's compositions. The figure, of course, was naked, and being of the full, round, voluptuous, Italian order, I did not admire it,—the antique Diana, drawing an arrow from her quiver, her short drapery blown back from her straight limbs by her rapid motion, being my ideal of beauty in a womanly shape. "Ah, but," said Mrs. ——, "look at the inimitable coquetry of her whole air and posture: how completely she seems to know, as she looks at the man, that he can't resist her!" (It strikes me that that whole sentence ought to be in French.) Now, this is not at all my notion of Eve; even when she damned Adam and all the generations of men, I think she was more innocent than this. I imagine her like an eager, inquisitive, greedy child, with the fruit, whatever it was, part in her hand and part between her teeth, holding up her hand, or perhaps her mouth, to Adam. You see my idea of Eve is a sensual, self-willed, ignorant savage, who saw something beautiful, that smelt good, and looked as if it tasted good, and so tasted it, without any aspiration after any other knowledge. This real innate fleshly devil of greediness and indiscretion would, however, not bear the heavy theological superstruction that has been raised upon it, and therefore a desire for forbidden knowledge is made to account for the woman's sin and the sorrows of all her female progeny. To me this merely sensual sin, the sin of a child, seems much more picturesque, a good deal fitter for the purposes of art, without the mystic and mythical addition of an intellectual desire for knowledge and the agency of the Satanic serpent. Alas! the mere flesh is devil enough, and serves for all the consequences.

Blackwood will publish my verses, and, I believe, pay me well for them; indeed, I shall consider any payment at all good enough for such trumpery.