Fanny.
King Street, Friday, February 28th.
Dear Hal,
... I got through Desdemona very well, as far as my personal safety was concerned; for though I fell on the stage in real hysterics at the end of one of those horrible scenes with Othello, Macready was more considerate than I had expected, did not rebreak my little finger, and did not really smother me in bed. I played the part fairly well, and wish you had seen it. I was tolerably satisfied with it myself, which, you know, I am not often, with my own theatrical performances....
Faith in God, according to my understanding of it, my dearest Hal, implies faith in man; and have we not good need of both just now? You can well imagine the state of perturbation and excitement London is in with these Parisian events. The universal cry and question is, "What is the news?" People run from house to house to gather the latest intelligence. The streets are filled with bawling paper-vendors, amidst whose indistinct vociferations the attractively appalling words, "Revolution! Republic! Massacre! Bloodshed!" are alone distinguishable. The loss of Saturday night's packet between Calais and Dover, besides the horror of the event itself, is doubly distressing from the intense anxiety felt to receive intelligence of how matters are going on.
Thus far yesterday, dear Hal; but as every hour brings intelligence that contradicts that of the hour before, it is now known that the small boat, going from the shore to the packet, was capsized and lost, and not the steamer itself. Henry Greville belongs to the party of Terrorists, and believes the worst of the worst rumors: but I have just seen his mother, and Lady Charlotte says that Charles is almost enthusiastic in his admiration of the conduct of the French people hitherto; but then there is never any knowing exactly how long any fashion, frenzied or temperate, moral or material, may last in France.
In the mean time, the condition of that unfortunate Royal Family is worthy of all compassion, especially the women, who are involved in the retributions of the folly or wickedness of the men they belong to.
ESCAPE OF THE ROYAL FAMILY. It is not known where the Duchesse de Nemours is. Her husband has arrived safely here with one of the children; but neither he nor any one else knows what has become of his wife and the other two children. Of the Duchesse d'Orléans and her two babies nothing is known; and Lady Normanby wrote a letter to the Queen, saying that Louis Philippe and the Queen of France were in safety, but, as her letter would be sure to be opened, she could say no more.
Only think of the Princesse Clémentine making her escape from France on board the same packet with her brother, the Duc de Nemours, and neither of them knowing the other was on the same vessel! The suddenness of the whole catastrophe makes it seem like some outrageously impossible dream. What a troubled dream must that king and queen's life seem to them, beginning and ending in such national convulsions!...
I really believe Macready cannot help being as odious as he is on the stage. He very nearly made me faint last night in "Macbeth," with crushing my broken finger, and, by way of apology, merely coolly observed that he really could not answer for himself in such a scene, and that I ought to wear a splint; and truly, if I act much more with him, I think I shall require several splints, for several broken limbs. I have been rehearsing "Hamlet" with him this morning for three hours. I do not mind his tiresome particularity on the stage, for, though it all goes to making himself the only object of everything and everybody, he works very hard, and is zealous, and conscientious, and laborious in his duty, which is a merit in itself. But I think it is rather mean (as the children say) of him to refuse to act in such plays as "King John," "Much Ado about Nothing," which are pieces of his own too, to oblige me; whilst I have studied expressly for him Desdemona, Ophelia, and Cordelia, parts quite out of my line, merely that his plays may be strengthened by my name. Moreover, he has not scrupled to ask me to study new parts, in plays which have been either written expressly only for him, or cut down to suit his peculiar requisitions. This, however, I have declined doing. Anything of Shakespeare's I will act with and for him, because anything of Shakespeare's is good enough, and too good, for me.... I shall have a nausea of fright till after I have done singing in Ophelia to-morrow night.