CHAPTER IX
EXTINCT CIVILIZATION OF PERU
§ (A) Peruvian Archeology
As the extinct civilization of the Incas of Peru is the most important phase of development among all the American races, so also their pre-historic remains are extremely interesting to the archeologist.
Monolith Doorway. Near Lake Titicaca. Fig. 1.
1. Architecture.—In the interior of the country we find many remarkable examples of stone building, such as walls of huge polygonal stones, four-sided or five-sided or six-sided, some six feet across, laid without mortar, and so finely polished and adjusted that the blade of a knife can not be inserted between them. The strength of the masonry is sometimes assisted by having the projecting parts of a stone fitting into corresponding hollows or recesses in the stone above or below it. The stones being frequently extremely hard granite, or basalt, etc., antiquarian travelers have wondered how in early times the natives could have cut and polished them without any metal tools. The ordinary explanation is that the work was done by patiently rubbing one stone against another, with the aid of sharp sand, "time being no object" in the case of the laborers among savage and primitive races. It is believed by most antiquaries that long before the period of the Incas there was a powerful empire to which we must attribute such Cyclopean ruins; especially as the construction and style differ so greatly from what is found in the Inca period. The huge stones occur at Tiahuanacu (near Lake Titicaca), Cuzco, Ollantay, and the altar of Concacha. Fig. 1 is a broken doorway at Tiahuanacu, composed of huge monoliths. Fig. 2 is an enlargement of an image over the doorway shown in Fig. 1. The doorway forms the entrance to a quadrangular area (400 yards by 350) surrounded by large stones standing on end. The gateway or doorway of Fig. 1 is one of the most marvelous stone monuments existing, being one block of hard rock, deeply sunk in the ground. The present height is over seven feet. The whole of the inner side "from a line level with the upper lintel of the doorway to the top" is a mass of sculpture, "which speaks to us," says Sir C. R. Markham, "in difficult riddles of the customs and art culture, of the beliefs and traditions of an ancient" extinct civilization.
Image over the doorway shown in Fig. 1.
Near Lake Titicaca. Fig. 2.
The figure in high relief above the doorway (Fig. 2) is a head surrounded by rays, "each terminating in a circle or the head of an animal." Six human heads hang from the girdle, and two more from the elbows. Each hand holds a scepter terminating at the lower end with the head of a condor—that huge American vulture familiar to the Peruvians. That bird of prey was probably an emblem of royalty to the prehistoric dynasty now long forgotten.