The room was very quiet; through the open window stole the first beam of moonlight. It fell silvery upon Totila's white mantle, which hung in long folds over a chair. Miriam ran and covered the hem of the mantle with burning kisses. She took the glittering helmet, which stood near her upon the table, and pressed it tenderly to her heart with both arms. Then holding it a little way from her, she gazed upon it dreamily for a few moments, and, at last--she could not resist--she lifted it up and placed it upon her lovely head. She started as the heavy bronze touched her forehead, and then, stroking back her dark braids, she pressed the cold hard steel firmly upon her brow. She then took it off, and set it, looking shyly round, in its former place, and going to the window she looked out into the magic moonlight and the scented night-air. Her lips moved as if in prayer, but the words of the prayer were the same old song:
"By the waters of Babylon
We sat down and wept.
O daughter of Zion, when comes the day
Which stills thy heavy pain?"
CHAPTER XXII.
While Miriam was gazing silently at the first pale stars, Totila's impatience soon brought him to the villa of the rich trader, which lay at about an hour's distance from the Porta Capuana.
The slave who kept the gate told him to go to the old Hortularius, Valeria's freedman, who had the care of the garden. This freedman had been admitted to the lovers' confidence, and now took the plants from the supposed gardener's boy, and led him into his sleeping-room, the low windows of which opened into the garden. The next day before sunrise--so taught the mysteries of ancient horticulture--the flowers must be planted, so that the first sunlight which shone upon them in the new soil should be that of the fresh morning. The young Goth waited impatiently in the narrow chamber for the hour at which Valeria would be able to leave her father after their evening meal.
He drew aside the curtain which covered the window and again and again looked up at the sky, measuring the flight of time by the rising of the stars and the progress of the moon. The large garden before him lay bathed in its peaceful light.
In the distance, the plashing of a fountain could be heard, and the cicadas chirped in the myrtles. The warm south wind blew sultry through the night, at times bearing clouds of sweet odour upon its wings; and, from the blooming grove at the end of the garden, the clear song of the nightingale filled the air with melody.
At last Totila could wait no longer. He swung himself noiselessly over the marble sill of the window; the white sand of the narrow path scarcely grated beneath his rapid footsteps, as, avoiding the stream of moonlight, he hurried along under the shrubbery.
On past the dark taxus-trees and the thick olive-groves; past the tall statue of Flora, whose white marble shone ghostly in the moonlight; past the large basin, where six marble dolphins spouted water high into the air; into the thick shrubbery of laurels and tamarinds, and, pressing through the oleanders, he stood before the stalactite grotto, in which a marble nymph of the spring leaned upon a large dark urn. As he entered, a white figure glided from behind the statue.
"Valeria, my lovely rose!" cried Totila, ardently embracing her.