As I said, I was roving about the upper deck, when one of the ventilators or posts or something, suddenly became alive. Or so it seemed to my startled eyes. Walking remorselessly towards me, this no longer stationary object magically assumed the form and voice of Mark Pryor! You could have knocked me down with a feather. (By the way, I'm more certain than ever that he's a detective or a spy or a Soviet propagandist—or can he be merely an American novelist studying life for the Saturday Evening Post?)
Whatever the key to his inmost mystery, I've always been greatly taken with him. He's like a flash of lightning on a pitch-dark night: his comings and goings are never more sinister or mysterious than when his sudden vivid presence gives them a momentary relief.
Without letting me into the secret of his skill at sleight-of-hand (or rather, sleight-of-feet), he drew me aside and told me in a most sympathetic way of the story about Claude and me that was being headlined in the Evening Chronicle and that was soon to be the gossip of two continents. The information had breezed his way—by wireless. Out of pure regard for me, he had bribed the radio man to keep mum. Wasn't it splendid of him? But he warned me to prepare for a leak. "The only thing you can keep dark nowadays is the truth," he said, in his quiet way, without a twinkle in his eye.
He also said that Hutchins Burley was certainly at the bottom of the whole scandal. He was sure of this, because he had seen Burley on the pier shortly before the "Baronia" left, and because of other reasons which he declared he was not at liberty to divulge.
After predicting that we should meet again, Mr. Pryor "faded away" as imperceptibly as usual, leaving me a prey to my thoughts. My heart was mostly in my boots and I can tell you I was getting pretty limp when I pulled myself up short with the reminder that I must pluck up a little courage if only to show that I deserved a disinterested friend like Mr. Pryor. (He's in France at present, on some dark business or other. I don't care how dark, I'm glad he's here. The mere fact gives me the sensation of being watched over. I'm confident that Mark Pryor's keen sight is at least as far-reaching as the long arm of coincidence.)
It wasn't exactly a picnic to tell Claude the news. Like most of us, Claude thrives wonderfully well on good luck but takes bad luck hard. Naturally, to a man who has so many important friends, newspaper notoriety is a bitter pill to swallow. Claude raged at his fate with a violence that frightened me. He tortured himself by anticipating the libels to which his character would be exposed, the pictures of himself and me that the yellow newspapers would print, the slanders that the busybodies would privately circulate. How his father and the Armstrongs would take the affair was another source of torment. And then there was the fear that the story might leak out on the "Baronia" and that we should become the talk of the ship.
It was a calamity. And the worst of it was that Claude appeared to think I was in some way directly responsible for it. His anger worried me far more than the notoriety did; the angrier he got, the more the notoriety sank into relative insignificance. He accused me of being callous! Wasn't that monstrously unjust? Merely because my advice was that we should make the best of a very bad matter and face the world as if nothing had happened of which we were ashamed. He took my calmness, which was all on the surface, as a personal affront. It infuriated him more (if that were possible) than the exposure, and caused him to accuse me of disloyalty and lack of sympathy. Are men ever satisfied? They pretend that they can't endure a weeping woman. Yet, give them a stoical countenance, and they'll ask for tears.
No, Cornelia, this was not the first rift. That had come on the very evening we sailed, when the passengers held a dance on deck in the moonlight. I was not feeling very well and danced only once, but Claude did full duty as a leader of the cotillion. During his absence from my side, a young British captain in mufti (he had been an ace in the war) sat down in a steamer chair next to mine and helped me, what with his charming manner and his gorgeous British accent, to while away the time.
All went swimmingly until, in an interval between dances, Claude came back to me. Can you call up an image of Claude, the magnificent, approaching at a temperature of absolute zero? His manner, of the ice icy, froze the poor captain dead away. This done, he turned on me and asked me what I meant by "picking a man up!"
You can imagine that I replied pretty tartly, and one word led to another till we reached a point where Claude threatened that he would never marry me—no, not for all the king's horses and all the king's men. At this, I burst out laughing. My laughter was immodest, unladylike, spiteful. And I should have regretted it, had Claude understood me. But Claude is in some respects a reincarnation of Kipling's famous vampire lady. He had never understood, and now, he never will understand.