INDEX.
N.B.—A * is prefixed to Mendelssohn’s own Compositions.
[A], [B], [C], [D], [E], [F], [G], [H], [I], [J], [K], [L], [M], [N], [O], [P], [R], [S], [T], [V], [W], [Z]
Alexander’s Feast, Handel’s, [15], [62].
André, of Offenbach, [119].
Andria of Terence, [442].
*Antigone, [274], [276], [282].
Athalie, [384], [385];
overture to, [342], [364].
*Ave Maria (op. 23, No. 2), [75], [80].
Bach, Sebastian, [73], [75], [76], [80], [128], [180], [208];
monument to, [191], [208], [317]; cantata in E minor, [41];
‘Passion,’ [69];
Chromatic fantasia, [216];
Mass in B minor, [413].
Bauer, Pastor, letters to, [1], [3], [68], [96], [394].
Becker’s Rheinlied, [247].
Beethoven, [23];
concerto in G, [316], [364];
sonata op. 106, [390].
Bennett, Sterndale, [161].
Berlin, project for Academy at, [223], [226], [230], [235], [239], [254], [258], [261], [266], [273], [301], [303], [305], [376], [379];
state of music there, [271];
Mendelssohn’s appointment, [336], [417].
Bernus, letter to, [393].
Bendemann, letter to, [410].
Birmingham, [133], [210], [402], [404].
Birmingham Festival (1837), [133-5], [142];
(1846), [400-407].
Blümner, his legacy, [203], [206].
‘Bonifacius,’ Schubring’s, [164].
Bunsen, letters from and to, [353], [355].
Butler, Mrs., [283].
Cherubini, [27], [28], [60], [147], [187], [192].
Chopin, [38], [88], [89].
Chorley, [190], [283].
Composition, Mendelssohn’s desire to stick to, [139], [144].
Cramer’s Studies recommended, [189].
Creation, Haydn’s, [79].
Crown Prince, the, [11].
David, F., letters to, [153], [266], [274].
Dehn, letter to, [276].
Deidesheim, wine-cellars at, [371].
Dilettanti and Artists, [396].
Dirichlet, Professor, letter to, [414].
Dirichlet, Rebecca, letters to, [8], [57], [65], [121], [122], [148], [389], [425], [427].
‘Don Juan’ at Düsseldorf, [16-19].
Duprez, [283].
Düsseldorf, residence there, [8-87];
resignation of post, [53], [60].
Eckert, [214];
letters to, [284].
Education of a youth in music, [186].
Egmont, Beethoven’s, [22].
Eichhorn, Herr, letters from and to, [376], [379].
Elijah, oratorio of, [159], [164], [318], [396], [402], [410], [413], [432].
England, [364], [367].
Ernst, [198].
Eumenides, composition of, [353], [356], [382].
Extemporizing, Mendelssohn’s, [23].
Falkenstein, Von, letters to, [203].
Family, his, letters to, [22], [44], [115], [149], [161].
*Fantasia in F minor (op. 28), [24], [447].
Father, his, death of, [93], [94], [96];
character, [112].
Father, his, letters to, [16], [28], [80], [82];
letters from, [61], [74].
Florence, [182].
*Four-part songs, [35], [174], [176].
Franck, E., letter to, [143].
Frankfort, direction of the St. Cecilia Association, [109], [111], [116], [123], [170];
night fête at, [175];
entertainment to Mendelssohn, [178];
his delight in the place, [362], [366], [389], [393].
Frege, Madame, letters to, [404].
French painters, [164].
Fürst, letters to, [41], [195].
Gade, symphony in C minor, [325];
letters to, [326], [330].
Gluck, [152].
Goethe, [19], [79], [115], [121].
Grote, Mr., [430].
Grimsel, the, [292].
Guhr, [168-169].
Günther, [29].
Gusikow, [109].
Hähnel, Mademoiselle, [35].
Handel, [77], [105], [146], [151];
his judicious scoring, [26];
works presented to Mendelssohn, [90], [147].
Handel Society, [386].
Hauser, F., letter to, [273].
Haydn, Creation, [79];
“Farewell Symphony,” [148].
*Hebrides, overture, [7], [15].
Hensel, Fanny, [54], [125], [126];
her music, [102], [125], [128], [441];
her death, [422].
Hensel, Fanny, letters to, [34], [55], [101], [123], [163], [181], [192], [208], [215], [244], [325], [366], [368].
Hiller, F., [37], [38], [81], [98], [111], [117], [122], [124], [140], [193], [199];
his overture in D minor, [98];
letter to, [152].
Hixte, letter to, [87].
*Hymn of Praise (Lobgesang), [213], [219], [222], [242].
Immermann, [16], [20], [58];
his ‘Münchhausen,’ [242].
*‘Infelice,’ scena (op. 94), [25].
Interlachen, letter from, [288].
‘Israel in Egypt,’ [12];
Mendelssohn’s edition of, [364].
Italy, [141], [181], [209].
Jean Paul, [64], [329].
Johann, Mendelssohn’s servant, [362], [410], [412].
Jungfrau, the, [288].
King of Prussia, the, letters to, [302], [350];
from, [241], [313].
Klengel, [287].
Klingemann, [441];
letters to, [64], [171], [219], [263], [304], [327], [362], [412].
Köstlin, letters to, [277], [323].
Kücken, [292].
Lang, Josephine, [277].
Leipzig, [71], [85].
Leipzig Conservatorium, [203], [213], [311], [316], [409];
the town-orchestra of, [343];
concerts at, [85], [190].
Lessing, [162], [313].
Libretto of an Opera, [196].
Lindblad, [21].
Liszt, [201], [202].
*Liturgy composed for the King, [410].
London, [135], [210], [283].
Lower Rhine Festival, [145].
Mass in the Catholic Church, [70].
Massow, Von, letters to, [300].
Measles, Mendelssohn’s recovery from, [161].
Meeresstille, overture, [52], [91].
Meiringen, [309].
*Melusina, overture, [15], [34], [47], [73], [105].
Merk, [110].
Messiah, the, [69].
*Midsummer Night’s Dream Music, [338].
Moscheles, [90], [92], [406], [409];
letters to, [7], [25], [158], [189], [332], [385], [399].
Mother, letters to his, [37], [52], [108], [111], [114], [125], [126], [133], [167], [175], [200], [208], [212], [238], [280], [288], [290], [311];
her death, [324].
Mozart, D minor concerto, [103];
Do. for two Pianos, [199];
“Jupiter” Symphony, [387];
Zaïde, [148];
Zauberflöte, [333].
Müller, Herr, letters from and to, [382], [385].
Music as a part of worship, [69].
Music, the meaning of, [298].
*Musikanten-prügelei, [48].
Naumann, letter to, [186], [391].
Nausikaa, [148].
Neukomm, [26], [124], [134], [143].
Oberhofer, singer, of Carlsruhe, [373].
*Œdipus, [309], [384].
*Organ fugues (op. 37), [123].
Organ playing, [45].
Otten, G., letter to, [335].
Painters characterized, [182].
Palatinate, national song of, [372].
Palestrina, [2], [10].
“Passion” projected by Mendelssohn, [36].
Pasta, [272].
Paul Mendelssohn, letters to, [138], [198], [221], [223], [226], [229], [233], [239], [249], [261], [313], [320], [336], [339], [341], [342], [363], [402], [407], [426], [430], [434].
Philharmonic Society of London, [25], [364].
Planché, his opera-text, [173], [196].
Pleyel, Madame, [193].
*Preludes and fugues (op. 35), [123].
Preusser, Madame, letter to, [329].
Prince Albert, [404].
*Psalm xlii. (op. 42), [322].
*Quartett, D major (op. 44, No. 1), [154].
*Quartett, E minor (op. 44, No. 2), [139].
*Quartett, pianoforte, in C minor (op. 1), [140].
*Reformation Symphony, [252].
Reichardt, [19], [82], [419].
“Revolution” in music, [56], [65].
Rietz, Julius, letter to, [251];
his overture to ‘Hero and Leander,’ [251].
Rome, [184], [194].
*Rondo brillant in E flat (op. 29), [24], [25], [46].
Rosen, Dr. F., letter to, [106].
Rossini, [117], [118].
Ruhr, bathing in the, [45].
*Ruy Blas, overture to, [167].
Saarn, excursion to, [44].
Sacred Harmonic Society, [135].
“Saint,” Mendelssohn’s definition of, [162].
Samson, Handel’s, [116].
Saxony, King of, [213].
Schadow, the painter, [129].
Schelble, [110], [115].
Schirmer, letter to, [162].
Schleinitz, letters to, [70], [85], [113], [156].
Schröder-Devrient, [245], [312].
Schubring, Pastor, letters to, [5], [39], [49], [93], [159], [164], [246], [318], [397].
‘Seasons,’ Haydn’s, [79].
Sebastian Hensel, [429];
letter to, [420], [423].
*Serenade, etc. (op. 43), [149].
Seydelmann, actor, [32].
Simrock, A., letters to, [150], [166], [293], [296], [333].
Souchay, M. A., letter to, [298].
Spohr, [273]; letter to, [72].
Spontini, [272].
Staudigl in Elijah, [405].
Steffens, Frau, letter to, [418].
Stern, J., letter to, [360].
*St. Paul, Oratorio of, [5], [25], [39], [40], [49], [54], [55], [67], [73], [84], [89], [95], [113], [120], [130], [174], [373];
first performance of, [113];
at Birmingham, [133].
St. Peter, projected oratorio on, [129], [130].
Switzerland, [288-9].
*Symphony No. [1], [439].
*Symphony, the Italian, [7].
*Symphony, the Scotch, [56], [155], [171], [310], [364].
“Tempest, The,” [309].
Thalberg, [200].
Theatre, the, its influence, [51].
Theodora, Handel’s, [124].
Tieck, [354], [356].
Titian, his pictures at Venice, [181];
at Rome, [194].
*Trio in D minor, [171], [174].
*Variations in B flat (op. 83), [266];
in D minor (op. 54), [265];
in E flat, [266].
Velten, letter to, [401].
Verhulst, letter to, [375].
Verkenius, letters to, [267], [270].
Victoria, Queen, [281].
‘Vier Fragen,’ pamphlet of Jacobi, [249].
*Violin concerto, [155].
*Walpurgis Nacht, [219], [312], [315], [328], [364], [440].
‘Wasserträger,’ Cherubini’s, [28].
Webern, von, letters to, [421], [431].
Werden, visit to, [45].
Zauberflöte, score of, [333].
JOHN EDWARD TAYLOR, PRINTER,
LITTLE QUEEN STREET LINCOLN’S INN FIELDS.
39, Paternoster Row:
London: December, 1863.
BOOKS
SUITABLE FOR PRESENTATION.
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